The Original JP Trio Returns in 'Jurassic World: Dominion'

First of all, there’s no way this is the “epic conclusion,” so that’s a lie right there. Not to a franchise this inexplicably popular still. Second of all, I hate it when people are put back in the same outfits they were wearing the first time we saw them thirty years ago, as though they’ve never stopped wearing those exact same clothes they happened to be wearing on the day they visited Jurassic Park and were attacked by dinos. Really, Ellie Satler is still wearing the tied knot pink overshirt? And Ian Malcom in the same jacket and shaded glasses? Of course Alan Grant with the hat. How convenient and cringeworthy and fan service-y is that? But then, this series has never had a problem with fan service, has it? It’s less embarrassed by embarrassing crap than the Star Wars reboots. I suppose the shamelessness of these in a way makes them more watchable but only in a hate watching way.

Buzz Lightyear Teams Up with a Cat in New Trailer for 'Lightyear'

Now that the Toy Story timeline/universe of this film is clear to me (this is the biopic of the actual guy the Buzz Lightyear toy was based on) I can look at this as something of a real movie, even though like just about everything these days, it’s a cash grab spinoff attempt. It still doesn’t make sense to me why Tim Allen isn’t voicing him (unless it’s because of…you know), as a Woody movie would for sure be voiced by Tom Hanks no matter what.

'The Power of the Dog' Leads the 2022 Oscars with 12 Nominations, 'Dune' Follows with 10

Welp. I’m almost thinking that’s a wrap on Power of the Dog for Best Picture and Director this year, giving Netflix its first Best Picture win. It way overperformed with the Academy, hitting just about every category, even dragging Jesse Plemons along for an extra Supporting Actor nod alongside his wife (their first nominations!). The only question is can Will Smith take down Benedict Cumberbatch in Best Actor? That’s a close race, but King Richard did extremely well too, showing itself as a top five contender for sure. Other surprises were Kristen Stewart being resurrected in Best Actress after the SAG and BAFTA snubs (sympathy from the actors- pfff), while Penelope Cruz snuck in for her fourth nomination as a critical favorite for Parallel Mothers (alongside hubby Javier Bardem, another married duo with his & hers nods this morning). Major snubs included Belfast’s Caitriona Balfe, who was traded out for Judi Dench (boo!), Denis Villenueve in director, who lost out to Drive My Car’s Hamaguchi (who everyone thought was going to replace Spielberg or Branagh- nope) despite Dune’s 10 nominations, and poor Ruth Negga, who landed everywhere for Passing leading up to the Oscars, but was left off the list for Jessie Buckley, coattailing off The Lost Daughter’s Olivia Colman for her first nomination.

2022 ACADEMY AWARD NOMINATIONS

Best Picture

Belfast
CODA
Don't Look Up
Drive My Car
Dune
King Richard
Licorice Pizza
Nightmare Alley
The Power of the Dog
West Side Story

Best Director

Kenneth Branagh, Belfast
Ryûsuke Hamaguchi, Drive My Car
Paul Thomas Anderson, Licorice Pizza
Jane Campion, The Power of the Dog
Steven Spielberg, West Side Story

Best Actress in a Leading Role

Jessica Chastain, The Eyes of Tammy Faye
Olivia Colman, The Lost Daughter
Penélope Cruz, Parallel Mothers
Nicole Kidman, Being the Ricardos
Kristen Stewart, Spencer

Best Actor in a Leading Role

Javier Bardem, Being the Ricardos
Benedict Cumberbatch, The Power of the Dog
Andrew Garfield, Tick, Tick... Boom!
Will Smith, King Richard
Denzel Washington, The Tragedy of Macbeth

Penelope Cruz sneaks into Best Actress like I always knew she would, but you could argue that race is anyone’s game, since no nominee is from a Best Picture contender (and BAFTA really flopped in this category- not a single one of their own nominees made it in!)

Best Actress in a Supporting Role

Jessie Buckley, The Lost Daughter
Ariana DeBose, West Side Story
Judi Dench, Belfast
Kirsten Dunst, The Power of the Dog
Aunjanue Ellis, King Richard

Best Actor in a Supporting Role

Ciarán Hinds, Belfast
Troy Kotsur, CODA
Jesse Plemons, The Power of the Dog
J.K. Simmons, Being the Ricardos
Kodi Smit-McPhee, The Power of the Dog

Best Original Screenplay

Belfast
Don't Look Up
King Richard
Licorice Pizza
The Worst Person in the World

Best Adapted Screenplay

CODA
Drive My Car
Dune
The Lost Daughter
The Power of the Dog

Nightmare Alley makes it into Best Picture after all- showing the respect in the industry for Guillermo del Toro

Best Cinematography

Dune
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth
West Side Story

Best Film Editing

Don't Look Up
Dune
King Richard
The Power of the Dog
Tick, Tick... Boom!

Best Animated Feature Film

Encanto
Flee
Luca
The Mitchells vs. The Machines
Raya and the Last Dragon

Best Animated Short Film

Affairs of the Art
Bestia
Boxballet
Robin Robin
The Windshield Wiper

Flee makes history by being nominated in three different categories- animated, international and documentary feature

Best Live-Action Short Film

Ala Kachuu — Take and Run
The Dress
The Long Goodbye
On My Mind
Please Hold

Best International Feature Film

Drive My Car (Japan)
Flee (Denmark)
The Hand of God (Italy)
Lunana: A Yak in the Classroom (Bhutan)
The Worst Person in the World (Norway)

Best Documentary Feature

Ascension
Attica
Flee
Summer of Soul
Writing with Fire

Best Documentary Short Subject

Audible
Lead Me Home
The Queen of Basketball
Three Songs for Benazir
When We Were Bullies

Dune is a strong favorite for most of these tech categories, despite Villenuve’s directing miss- though with that I’d argue it could be competing with Nightmare Alley for many of them

Best Original Score

Don't Look Up
Dune
Encanto
Parallel Mothers
The Power of the Dog

Best Original Song

"Be Alive" from King Richard — Music and Lyric by DIXSON and Beyoncé Knowles-Carter
"Dos Oruguitas" from Encanto — Music and Lyric by Lin-Manuel Miranda
"Down to Joy" from Belfast — Music and Lyric by Van Morrison
"No Time to Die" from No Time to Die — Music and Lyric by Billie Eilish and Finneas O'Connell
"Somehow You Do" from Four Good Days — Music and Lyric by Diane Warren

Best Sound

Belfast
Dune
No Time to Die
The Power of the Dog
West Side Story

Best Costume Design

Cruella
Cyrano
Dune
Nightmare Alley
West Side Story

House of Gucci turned out to be a lone makeup nominee, with both Jared Leto and Lady Gaga snubbed outright. They should have gone for Ridley Scott’s other movie, The Last Duel, which was of course ignored entirely.

Best Makeup and Hairstyling

Coming 2 America
Cruella
Dune
The Eyes of Tammy Faye
House of Gucci

Best Production Design

Dune
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth
West Side Story

Best Visual Effects

Dune
Free Guy
No Time to Die
Shang-Chi and the Legend of the Ten Rings
Spider-Man: No Way Home

Some other stats to ponder this morning- Denzel Washington lands his 10th acting nomination, the most nominated black actor in history. JK Simmons was a surprise nod for Being the Ricardos, even though when I saw the movie I figured he must have a good shot at it. The actors like the movie, but does anyone else? This is why it’s hard to pinpoint a Best Actress frontrunner, with no nominee from a Best Picture candidate. Despite showing all that strength at SAG, House of Gucci really whiffed today, as Lady Gaga, until now the only Actress nominee to show up at every precursor, was left off the Academy’s list. So who leads then? It’s definitely not decided and we will only have SAG’s result as a tea leaf, since BAFTA won’t help with that at all this year. I suppose that means it’s a close, fractured race and it could well be any of them.

The critical darling Drive My Car, did very well today, propelled by critics and landing in Best Picture, Director and Screenplay

Razzie Noms Name Year's Worst with Mentions of 'Dear Evan Hansen,' 'Space Jam' and 'Diana: The Musical'

Oh, I forgot. There was one more precursor nominations list before the Oscars tomorrow. And Jared Leto may well be one of those coveted Razzie and Oscar nominated performances for House of Gucci.

2022 RAZZIE NOMINATIONS

WORST PICTURE

Diana the Musical (The Netflix Version)

Infinite

Karen

Space Jam: A New Legacy

The Woman in the Window

WORST ACTOR

Scott Eastwood / Dangerous

Roe Hartrampf (As Prince Charles) Diana the Musical

LeBron James / Space Jam: A New Legacy

Ben Platt / Dear Evan Hansen

Mark Wahlberg / Infinite

WORST ACTRESS

Amy Adams / The Woman in the Window

Jeanna de Waal / Diana the Musical

Megan Fox / Midnight in the Switchgrass

Taryn Manning / Karen

Ruby Rose / Vanquish

WORST SUPPORTING ACTRESS

Amy Adams / Dear Evan Hansen

Sophie Cookson / Infinite

Erin Davie (As Camilla) Diana the Musical

Judy Kaye (As BOTH Queen Elizabeth & Barbara Cartland) / Diana the Musical

Taryn Manning / Every Last One of Them

WORST SUPPORTING ACTOR

Ben Affleck / The Last Duel

Nick Cannon / The Misfits

Mel Gibson / Dangerous

Gareth Keegan (As James Hewitt, the Muscle-Bound Horse Trainer)/Diana the Musical

Jared Leto / House of Gucci

WORST PERFORMANCE by BRUCE WILLIS in a 2021 MOVIE

(Special Category)

Bruce Willis / American Siege

Bruce Willis / Apex

Bruce Willis / Cosmic Sin

Bruce Willis / Deadlock

Bruce Willis / Fortress

Bruce Willis / Midnight in the Switchgrass

Bruce Willis / Out of Death

Bruce Willis / Survive the Game

WORST SCREEN COUPLE

Any Klutzy Cast Member & Any Lamely Lyricized (or Choreographed) Musical Number / Diana the Musical

LeBron James & Any Warner Cartoon Character (or Time-Warner Product) He Dribbles on / Space Jam: A New Legacy

Jared Leto & EITHER His 17-Pound Latex Face, His Geeky Clothes or His Ridiculous Accent / House of Gucci

Ben Platt & Any Other Character Who Acts Like Platt Singing 24-7 is Normal / Dear Evan Hansen

Tom & Jerry (aka Itchy & Scratchy)/ Tom & Jerry the Movie

WORST REMAKE, RIP-OFF or SEQUEL

Karen (Inadvertent Remake of Cruella deVil)

Space Jam: A New Legacy

Tom & Jerry the Movie

Twist (Rap remake of Oliver Twist)

The Woman in the Window (Rip-Off of Rear Window)

WORST DIRECTOR

Christopher Ashley / Diana the Musical

Stephen Chbosky / Dear Evan Hansen

“Coke” Daniels / Karen

Renny Harlin / The Misfits

Joe Wright / The Woman in the Window

WORST SCREENPLAY

Diana the Musical / Script by Joe DiPietro, Music and Lyrics by DiPietro and David Bryan

Karen / Written by “Coke” Daniels

The Misfits / Screenplay by Kurt Wimmer and Robert Henny, Screen Story by Henny

Twist / Written by John Wrathall & Sally Collett, Additional Material by Matthew Parkhill, Michael Lindley, Tom Grass & Kevin Lehane from an “Original Idea” by David & Keith Lynch and Simon Thomas

The Woman in the Window / Screenplay by Tracy Letts, from the Novel by A.J. Finn

Netflix’s Diana: The Musical took the Razzie honors but Spencer could have easily been the other Diana content this year that deserved to be on this list

'Dune' Leads the BAFTA Nominations With 11, 'Power of the Dog' Next With 8

The British Film Academy is often a look into how some Oscar voters are feeling, because there is significant overlap in the two organizations. But their nominations are all out of whack too, because they have a jury system selecting most of the acting nominations and all of the directing nominations, in order to ensure some diversity in the picks. This year they tweaked them to allow the top two vote getters to get in, while the jury selected 4 of the 6 nominees for acting. This mostly means that Lady Gaga is the only Best Actress nominee to hit every precursor (there’s no way she was a jury pick) and she’s likely to win here, so is she the new frontrunner for Best Actress? Possibly. I’m waiting to see how well or poorly House of Gucci does with the actual Oscars, because so far it looks like the only place it has major support is with actors. What about the rest of the Academy? In other news, they really seemed to love Licorice Pizza and Power of the Dog, which by the way, is looking more and more like the frontrunner to win the whole thing every day. All in all, the BAFTA winners are usually more predictive than their nominees, so look out for those. But now that we’re done with precursors, the official Oscar nominations come in bright and early next Tuesday morning.

BEST PICTURE 

Belfast
Don’t Look Up
Dune
Licorice Pizza
The Power of the Dog

BEST DIRECTOR 

Paul Thomas Anderson, Licorice Pizza
Jane Campion, The Power of the Dog
Audrey Diwan, Happening
Julia Ducournau, Titane
Ryûsuke Hamaguchi, Drive My Car
Aleem Khan, After Love

BEST ACTOR

Adeel Akhtar Ali & Ava
Mahershala Ali Swan Song
Benedict Cumberbatch The Power of the Dog
Leonardo DiCaprio Don’t Look Up
Stephen Graham Boiling Point
Will Smith King Richar

BEST ACTRESS 

Lady Gaga House of Gucci
Alana Haim Licorice Pizza
Emilia Jones CODA
Renate Reinsve The Worst Person in the World
Joanna Scanlan After Love
Tessa Thompson Passing

BEST SUPPORTING ACTOR 

Mike Faist West Side Story
Ciarán Hinds Belfast
Troy Kotsur CODA
Woody Norman C’mon C’mon
Jesse Plemons The Power of the Dog
Kodi Smit-McPhee The Power of the Dog

BEST SUPPORTING ACTRESS 

Caitríona Balfe Belfast
Jessie Buckley The Lost Daughter
Ariana DeBose West Side Story
Ann Dowd Mass
Aunjanue Ellis King Richard
Ruth Negga Passing

BEST ORIGINAL SCREENPLAY 

Being The Ricardos
Belfast
Don’t Look Up
King Richard
Licorice Pizza

BEST ADAPTED SCREENPLAY 

CODA
Drive My Car
Dune
The Lost Daughter
The Power of the Dog

BEST CASTING 

Boiling Point
Dune
The Hand of God
King Richard
West Side Story

BEST CINEMATOGRAPHY 

Dune
Nightmare Alley
No Time To Die
The Power of the Dog
The Tragedy of Macbeth

BEST COSTUME DESIGN 

Cruella
Cyrano
Dune
The French Dispatch
Nightmare Alley

BEST FILM EDITING 

Belfast
Dune
Licorice Pizza
No Time To Die
Summer of Soul

BEST MAKE UP & HAIR 

Cruella
Cyrano
Dune
The Eyes of Tammy Faye
House of Gucci

BEST ORIGINAL SCORE 

Being The Ricardos
Don’t Look Up
Dune
The French Dispatch
The Power of the Dog

BEST PRODUCTION DESIGN 

Cyrano
Dune
The French Dispatch

Nightmare Alley
West Side Story

BEST SOUND

A Quiet Place Part II
Dune
Last Night in Soho
No Time To Die
West Side Story

BEST VISUAL EFFECTS 

Dune
Free Guy
Ghostbusters: Afterlife
The Matrix Resurrections
No Time To Die

BEST ANIMATED FEATURE

Encanto
Flee

Luca
The Mitchells vs the Machines

BEST DOCUMENTARY FEATURE

Becoming Cousteau
Cow
Flee
The Rescue
Summer of Soul

BEST INTERNATIONAL FEATURE 

Drive My Car

The Hand of God
Parallel Mothers
Petite Maman
The Worst Person in the World

BEST BRITISH FILM 

After Love
Ali & Ava
Belfast
Boiling Point
Cyrano
Everybody’s Talking About Jamie
House of Gucci
Last Night in Soho
No Time To Die
Passing

Dune is the heavy tech player of the year

PGA and DGA Announce 2022 Nominees

The Producers Guild nominations are here! The PGA often matches Best Picture and uses the same kind of ballot as the Academy, though theirs may have one or two mismatches. The big surprise of the PGA is Being the Ricardos, which suddenly showed up both here and at WGA (which kinda makes it seem like Nicole Kidman might be the lock for Best Actress?) And the big snub was Spider-Man, which I actually thought would get in at PGA, and that the Academy would be the harder swing for it. If it couldn’t even manage it here, the guild that nominated Avengers, Wonder Woman and Deadpool…I’d say that BP nom is probably not happening.

2022 PGA NOMINEES

• Being the Ricardos

• Belfast

• CODA

• Don’t Look Up

• Dune

• King Richard

• Licorice Pizza

• The Power of the Dog

• tick, tick…BOOM!

• West Side Story

Now, the DGA. The Directors Guild is still the most important one for Best Picture, as the winner will always be one of these five films. I wouldn’t say there were any big surprises here (though maybe Paul Thomas Anderson is one, as he’s more of a highbrow choice for the usually populist DGA- he couldn’t even get in here for Phantom Thread). In fact, usually the directors branch of the Academy goes four for five or even three for five with the DGA, but this year I suspect these five will the ones chosen in the end by the Academy too. Unless Spielberg falls out for someone else, given West Side Story’s relative weakness in the guilds, but for who? The directors branch is usually more elite and arthouse, so if someone like Adam McKay, Aaron Sorkin or Reinaldo Marcus Green made it there over here, that’d be a surprise. But it could happen.

2022 DGA NOMINEES

Jane Campion has long been the frontrunner for Best Director this year, for The Power of the Dog- can it take Picture too?

Theatrical Feature

• Paul Thomas Anderson, Licorice PIzza

• Kenneth Branagh, Belfast

• Jane Campion, The Power of the Dog

• Steven Spielberg, West Side Story

• Denis Villenueve, Dune

First Time Feature

• Maggie Gyllenhaal, The Lost Daughter

• Rebecca Hall, Passing

• Tatiana Huezo, Prayers for the Stolen

• Lin-Manuel Miranda, tick, tick…BOOM!

• Michael Sarniski, Pig

• Emma Seligman, Shiva Baby

ACE Eddie and WGA Noms Go for 'Dune,' 'Being the Ricardos'

The Ace Eddie awards are a heavy precursor for what movies have Best Picture heat, which is why the snub of West Side Story in drama is troublesome for that film. Especially in favor of Bond of all things? The editors continue to show that Belfast and Power of the Dog are the frontrunners.

2022 ACE EDDIE NOMINEES

BEST EDITED FEATURE FILM (DRAMATIC):
Belfast
Dune
King Richard
No Time to Die
The Power of the Dog

BEST EDITED FEATURE FILM (COMEDY):
Cruella
Don’t Look Up
The French Dispatch
Licorice Pizza
tick, tick…BOOM!

And now, the WGA. As always, so many movies are deemed ineligible for the writers guild awards, including Belfast and Power of the Dog, so if West Side Story couldn’t get in here, that’d be a serious problem. It did get in though, but we don’t know what these categories will look like come Oscar time, with more films eligible, at least in the adapted category.

2022 WGA NOMINEES

Lin-Manuel Miranda’s directorial debut has shown surprising strength in the guilds but will that translate to the Academy?

ORIGINAL SCREENPLAY
Being the Ricardos
Don’t Look Up
The French Dispatch
King Richard
Licorice Pizza

ADAPTED SCREENPLAY
CODA
Dune
Nightmare Alley
Tick…tick…BOOM!
West Side Story

'Cruella,' 'Cyrano' Get Into CDG Noms

The Costume Designers Guild announced its nominations today and there weren’t a lot of surprises in here. They do have three different categories, so it can be tougher to predict which ones get into the Oscars, but they usually go for period fare, so that category is probably most important. Every once in a while something from the fantasy group will make it in along with the period stuff, but not as often from contemporary.

2022 CDG Nominations

Excellence in Sci-Fi / Fantasy Film
“Dune” – Jacqueline West & Robert Morgan
“The Green Knight” – Malgosia Turzanska
“The Matrix Resurrections” – Lindsay Pugh
“Shang-Chi and the Legend of the Ten Rings” – Kym Barrett
“Spider-Man: No Way Home” – Sanja M. Hays
“The Suicide Squad” – Judianna Makovsky

Excellence in Contemporary Film
“Coming 2 America” – Ruth E. Carter
“Don’t Look Up” – Susan Matheson
“In The Heights” – Mitchell Travers
“No Time to Die” – Suttirat Anne Larlarb
“Zola” – Derica Cole Washington

Excellence in Period Film
“Cruella “– Jenny Beavan
“Cyrano” – Massimo Cantini Parrini & Jacqueline Durran
“House of Gucci” – Janty Yates
“Nightmare Alley” – Luis Sequeira
“West Side Story” – Paul Tazewell

'Power of the Dog,' 'Dune' Land CAS and ASC Nominations

More guilds today, with the announcement of the Cinema Audio Society and American Society of Cinematographers, representing the sound mixers and cinematographers unions. First up, let’s look at the CAS noms, with nods for Spider-Man and Bond, along with Dune, which has landed in every guild announcement so far. Action movies and musicals always make the sound categories, but this shows strength for The Power of the Dog, which is neither, and which also got a sound nomination from the editors.

2022 CAS Nominations

Motion Picture – Live Action
Dune
No Time To Die
Spider-Man: No Way Home
The Power of the Dog
West Side Story

Belfast’s lighting is appreciated by the ASC

And the ASC is a big precursor award that often matches Best Picture nominations, so the movies that land here are usually heavy contenders for the top prize. Which is why it’s surprising that West Side Story missed. And real strength again for Nightmare Alley, clearly a guild favorite at the very least. The ASC does love it some black and white, with Belfast and Macbeth getting in here. I think one of these misses at the Oscars though, probably for West Side Story.

2022 ASC Nominees

Dune
Nightmare Alley
The Power of the Dog
The Tragedy of MacBeth
Belfast

'Tragedy of Macbeth' Strong in MPSE Golden Reel, Art Directors Guild Noms

More guild noms today, as the Motion Picture Sound Editors guild weighed in with nominations in their major categories for Dune, Nightmare Alley, The Power of the Dog and others. There’s a lot of movies nominated here, but the absence of Belfast is significant I suppose.

2022 Golden Reel Nominations

Outstanding Achievement in Sound Editing – Feature Dialogue / ADR:
Dune
Last Night in Soho
The Matrix Resurrections
Nightmare Alley
No Time to Die
The Power of the Dog
A Quiet Place: Part II
The Tragedy of Macbeth

Outstanding Achievement in Sound Editing – Feature Effects / Foley:
Belfast
Dune
The Matrix Resurrections
Nightmare Alley
No Time to Die
A Quiet Place: Part II
Spider-Man: No Way Home

ADG

Guillermo del Toro’s Nightmare Alley is expected to do very well with techs, could possibly land one of the final Best Picture slots

Meanwhile, the Art Directors guild showed who they liked for production design, where Nightmare Alley was very strong and Macbeth again showing up. The Power of the Dog was snubbed here though, surprisingly. Also The Last Duel, which is tanking in the guilds so far, which makes me mad.

PERIOD FEATURE FILM
The French Dispatch
Licorice Pizza
Nightmare Alley
The Tragedy of Macbeth
West Side Story

FANTASY FEATURE FILM
Cruella
Dune
Ghostbusters: Afterlife
The Green Knight
Shang-Chi and the Legend of the Ten Rings

CONTEMPORARY FEATURE FILM
Candyman
Don’t Look Up
In the Heights
The Lost Daughter
No Time to Die

2022 USC Scripter Noms Announced

The Scripter nominations are here! Usually a good bellwether for the adapted screenplay Oscar, this prize honors the best screenplays of the year and their source material. All of the honorees this year were based on novels except for the Shakespeare adaptation. The real surprise snub here was West Side Story, which was written by Tony Kushner and you’d think would have been a lock.

Dune (screenwriters Eric Roth, Jon Spaihts and Denis Villeneuve), based on the novel of the same name (author Frank Herbert)

The Lost Daughter (screenwriter Maggie Gyllenhaal), based on the novel of the same name (author Elena Ferrante)

Passing (screenwriter Rebecca Hall), based on the novel of the same name (author Nella Larsen)

The Power of the Dog (screenwriter Jane Campion), based on the novel of the same name (author Thomas Savage)

The Tragedy of Macbeth (screenwriter Joel Coen), based on the play Macbeth (playwright William Shakespeare)

'Dune' Leads the VES Nominations

The nominees for the Visual Effects Society are here, which is the visual effects guild of the industry. I would say these first five are all basically locked for the Oscar nom too, but there may be another one that sneaks in to the main category.

2022 VES NOMINATIONS

Outstanding Visual Effects in a Photoreal Feature

DUNE
GODZILLA VS. KONG
THE MATRIX RESURRECTIONS
NO TIME TO DIE
SHANG-CHI AND THE LEGEND OF THE TEN RINGS
SPIDER-MAN: NO WAY HOME

Outstanding Supporting Visual Effects in a Photoreal Feature

CANDYMAN
LAST NIGHT IN SOHO
NIGHTMARE ALLEY
THE LAST DUEL
THE TRAGEDY OF MACBETH

Outstanding Visual Effects in an Animated Feature

ENCANTO
LUCA
RAYA AND THE LAST DRAGON
SING 2
THE MITCHELLS VS. THE MACHINES