This looks pretty intense. Kurt Russell is grizzled and older, but still cool as ever in the trailer for what looks like a pretty violent western, something they don't make a lot of anymore. Of course, that means it's coming out in a limited release only, so look for this one on October 23rd.
John Williams to Receive the AFI Lifetime Achievement Award
Jaws, ET, Raiders of the Lost Ark, Superman, Jurassic Park, Star Wars, Close Encounters, Harry Potter...it's astonishing the number of iconic music scores John Williams has created, and now he's being honored with the American Film Institute's life achievement award, the first composer ever to receive it. And it makes perfect sense, when you look at all he's done- even Home Alone has an iconic theme, for pete's sake. There's no better composer to receive the first AFI honor than this man.
Here's a sampling of some of William's best work. You probably know them all by heart.
War Breaks Out in Final 'Hunger Games' Trailer
I actually thought that fanvideo looking thing was the final Mockingjay trailer a couple weeks ago, but here's a more official one. I don't know what to say about it, except that thank god it's finally over. Maybe this whole awful genre will subside now with it.
The Dinos Finally Speak in New Trailer for 'The Good Dinosaur'
For anyone who might have been fooled by the teasers for this movie into thinking that it was going to be another WALL-E or something (I wasn't), this is your wake-up call that it's really supposed to be another Ice Age. I personally don't think this looks very good, despite being from Pixar (is anyone else bothered by the bright, neon colored look of these dinosaurs?), but it'll probably be big hit anyway, since it's coming out at Thanksgiving and the family audience is always starved for entertainment.
Blu-Ray Pick of the Week: "Magic Mike XXL" (2015)
I didn't actually get around to doing a full review of the Magic Mike sequel this summer, but you'll be surprised to hear that it's actually a pretty fun time- maybe even a tad better than the first one. It lost none of the semi-serious tone of the original movie, but it did leave behind the pointless love interest and depressing drug subplot, which was a wise move, and simply allowed the movie to give people what they wanted to see in the first place- hot guys stripping for the ladies, and Channing Tatum in several well-choreographed dance sequences, showing once again that he could maybe be this generation's Gene Kelly if he wanted to. Dude's a good dancer. I enjoyed Magic Mike XXL in exactly the way the movie wants you to- and that's a pretty good time for any of us girls.
Trailer:
BOX OFFICE 10/02-10/04: 'The Martian' Blasts Off With $55 Million
Ridley Scott's sci-fi drama The Martian surpassed expectations this weekend to land at 55 million for the three day opening, just falling short of Gravity's October record from two years ago of 55.8 million. It could actually beat the record when official numbers come in tomorrow, but even if it doesn't, the second best opening weekend of October is nothing to sneeze at. The movie landed an "A" Cinemascore as well, so expect it to hold up over the coming weeks, and it's also Matt Damon's personal best headliner opening since 2007's The Bourne Ultimatum. In second place was Hotel Transylvania 2, falling just a tad to earn another 33 million for a new total of 90 million domestic.
Meanwhile, The Walk pretty much bombed in its IMAX only release, bringing in just 1.7 million and 2 million since Wednesday- not a good number as it looks to go wide next weekend. But Sicario did well in its expansion, pulling in 12 million after its successful limited release, also a bit more than expected, and with the best PTA in release- 67k per theater. The Intern held well in its second week also, bringing in another 11 million for a 36 million total, and Maze Runner 2 rounded out the top five.
Top 5:
- The Martian- 55 million
- Hotel Transylvania 2- 33 million
- Sicario- 12.1 million
- The Intern- 11.6 million
- Maze Runner: The Scorch Trials- 7.7 million
In specialty release, the gay rights drama Freeheld opened to 40k on about five screens- not great, while the documentary He Named Me Malala opened to 56k in five theaters nationwide. Next week we have the wide release of The Walk against the opening of the 150 million family film Pan, which is tracking very low at the moment, so The Martian may have the field to itself again. See you then.
REVIEW: "The Martian" (2015) Matt Damon, Jessica Chastain. Dir. Ridley Scott
The Martian is a well told piece of crowdpleasing entertainment that wants you to like it so much that it doesn't bother to put its hero in any real danger, emotional or otherwise. You'd think being trapped on Mars by yourself for a year and a half might not be such an enjoyable experience set to disco montages and wisecracks every five minutes, but such is Matt Damon's plight- not so much a plight but an unwelcome extended vacation.
Maybe I'm being a little harsh. This film is based on the bestselling science fiction novel by Andy Weir, and plays as sort of a cross between Apollo 13 and Cast Away- two movies that had far more emotional impact than this one is able to manage. Damon plays the wisecracking astronaut who's part of a wisecracking crew, on a mission to Mars in the presumably near future, who gets stranded and left behind by his teammates when an unexpected storm hits. As the crew leaves him for dead, he turns out to have been accidentally impaled (not fatally) and wakes up on Mars alone, doomed to live out the remainder of his days in the ship and starve to death, since it will be four years before a rescue crew would be able to reach him.
This is a dangerous and depressing situation, but Damon's innovative Mark Watney rallies to the challenge, deciding to vlog his daily activities (the better to keep us up to speed on his jokes) and in his words "science the shit" out of his situation to extend his survival while attempting to reach NASA. Damon pretty much carries the movie, but half of it is set on Earth with the NASA officials, led by Chiwetel Ejiofor and Jeff Daniels, also not shy with the wisecracks, as they lead a crack team to formulate the rescue plan, which eventually involves Watney's crew that left him behind and is now on their way home.
You might be able to tell that the jokey dialogue in this movie bothered me some, and I don't deny that I found it mildly irritating. That combined with the disco soundtrack (all the requisite hits you'd imagine) serves to lower the stakes in this film to the point where you never for one second feel that Watley is in any real danger or that we won't get the inevitable rescue scene followed by the crowds back home on Earth cheering for the American ingenuity of it all. The good part of the film is the hard and very real science pulled directly from the book and included as a kind of geekfest of how Watney's survival and NASA's rescue mission might actually come together if this were really happening- but if it were, I think the emotional involvement might be a little higher. In Cast Away, we were so invested in Tom Hank's plight that we cried when his best friend Wilson the volleyball was taken away by the ocean waves. Here there is no single moment when we are asked to feel anything other than easygoing amusement and superficial satisfaction brought on by a soundtrack which of course includes "I Will Survive." It plays nothing at all like a Ridley Scott movie, usually a master of mood and atmosphere, and you can't help but think he needed a paycheck from the studio for this one. This may be enough to satisfy the masses, but the shallowness of the experience left me wanting more. Much more.
* * 1/2
Romance Mixes with Dogs in New Trailer for 'The Choice'
Man, is there any difference between a Nicholas Sparks movie and a Lifetime movie at this point? The dogs, the car crash, the cheating, the pop music soundtrack, it's all just so...ugh. It's coming out next February, but I really think these movies are just parodies of themselves by now, and besides that, who even sees them? Have any of these been a hit since The Notebook? And seriously, what the hell is Tom Wilkinson doing in this?
James Bond Runs From a Building in Final 'Spectre' Trailer
I see every Bond movie so I'll be seeing this one regardless, but I'm always wary of the one that follows a good entry, as everyone acknowledges Skyfall was. There are very rarely two good Bond films in a row, have you ever noticed that? Still, it looks exciting like they always do. November 9th, everyone.
10 Monster Movies For Halloween Month
Happy October 1st, everybody- it's the start of Halloween month and with it come the horror movies for the occasion. In our October movie page we have ten classic and modern classic monster movies and trailers, including some of my very faves like 28 Days Later, The Exorcist, Shaun of the Dead, An American Werewolf in London and Night of the Living Dead. That's a lot of zombies, I know, but what can you do? There's so many different takes on the zombie flick that it's become a genre in and of itself. But we also have Satan, Frankenstein, werewolves, aliens and Mr. Hyde to mix things up. Check out the Monthly Movie Page for a longer description of the month, keep the lights on and have fun with these terrifying monsters for the holiday!
Blu-Ray Pick of the Week: "A Room With a View" (1986)
Criterion Collection is out this week with A Room With a View, the classic that introduced the world to Merchant-Ivory (they'd been around before but this was their big breakthrough) and a young Helena Bonham Carter. A period romance done about as well as it could possibly be, with an absolutely unforgettable score to match. Sweeping romance comes into a young girl's life as she decides to go for her heart's desire over the stuffy suitor (an unrecognizable Daniel Day-Lewis) she's supposed to marry for her family's sake. A gorgeous, sumptuous, overtly romantic story that still catches you up in every moment.
Trailer:
Leo Dicaprio and Tom Hardy Battle in 'The Revenant' Trailer
Finally, a full trailer for The Revenant is here, and it looks awesome. The cinematography alone is bound to get the Oscar, which will coincidentally, be DP Emanuel Lubezki's third in a row. I can't wait to see this- it's coming out in limited release on Christmas and set to expand in January, like the typical late-breaking Oscar entry.
