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RECAP: Homeland 3x12 "The Star"

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Well guys, they finally did it. Nicholas Brody is no more. After all his pain and suffering he finally departs this earth in what turns out to be rather anticlimactic fashion, at least in my opinion, but we'll get to that later. First we start off with him dragging the body of Akbari under the desk where no one will see it, as he races to cover the evidence left in the room, like blood on the floor and pillow he used to smother the guy. We see Carrie presumably racing herself to go get him (?) as well as Javadi departing his office in a car (although he can't possibly know yet, can he?). Brody then grabs a gun from Akbari's desk and hides it in his pants, before casually walking out of the room. Huh? Did Carrie tell him to do this? Last we saw he told her to get him out and then hung up, but he seems to have a plan of his own all set in motion at this point.

So Brody just walks out of the building and past the willing guards, smiling at everyone, only stopped for his building pass. It seems weird that anyone would just let him walk out like this, but ok, we'll buy it. He then gets outside as someone finally knocks on Akbari's door and discovers him dead on the floor (took you long enough- Brody's still got amazing luck), while he hops in the car escorting him back. But suddenly the commotion he's waiting for finally occurs and guards are now chasing him, so Brody holds the gun to the driver's head and forces him to floor it out of there.

Carrie calls Saul on her way and tells him what happened. Saul doesn't believe it, but Carrie's insistent, telling him to put together their extraction plan. Saul thinks Brody probably betrayed her and says he has to confirm Akbari's death before doing anything. Carrie hangs up as she gets to the spot where she's apparently meeting Brody (I'd still like to know when and how they put this whole meet up together). Brody eventually gets rid of the driver on the side of a road (not by killing him, just pushing him out of the car) and takes off in the vehicle to meet Carrie. When he gets to the spot Carrie isn't there, but as he sits back in his car she appears at his window and shoves him over to take the wheel herself. She's now driving them to a safe house 50 miles away, and hoping Saul comes through.

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Javadi confirms to Saul that Akbari's dead, but says he has to get Brody in front of a magistrate because he's been put in charge of the manhunt, and if he fails he's unlikely to get chosen as Akbari's replacement. He rightly assumes Brody's with Carrie, and says if he can capture Brody he can at least protect Carrie. Saul hangs up on him and asks Dar Adal's advice, who says to give Brody up to protect the success of the mission. Saul won't do it though, and tells Adal to initiate the extraction plan.

Carrie and Brody are driving to the safe house now, where Brody confesses to Carrie that he was born in the desert, and that he's glad his dad isn't alive to see what's become of him. Carrie looks on sadly as Brody gazes out the window in a daze. When they finally get to the safe house, Carrie checks the place out while Brody stares at himself in the mirror, contemplating what he's done (although he wasn't nearly so upset about killing the vice-president last year). Back at the CIA, Adal gets the details on the extraction plan based in Afghanistan, but is told it's a high risk, unrehearsed operation. Adal is sketchy on it, but still confirms that Saul's the acting director for 11 more hours and they're following his orders.

Carrie and Brody are at the safe house now, talking about what happened. Brody confesses he's upset about killing a guy, and Carrie confirms Akbari's evil nature, but he's still upset (again, the vice-president was a bad guy too, and that didn't bother him). Saul calls Carrie to tell them they're getting pulled out tonight, and Carrie's relieved to hear it, relaying the good news to Brody. He seems ambivalent about the future now, and Carrie's unsure herself but says she's thought about it at least. Brody tells her what the guy in Caracas called him (the cockroach who survives) and says he doesn't believe in his redemption anymore, and that he hasn't been a marine in ages. Carrie's upset that he doesn't know what the point of it all was, and finally, FINALLY tells him she's pregnant. He's appropriately surprised but not given much time to react as Carrie goes into a rant about how she believes she was put on this earth to cross paths with him. Brody buys that much and says it's the only sane thing left to hold onto.

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Later that night, Brody sleeps with his head on Carrie's lap, but suddenly there's noises around them and Carrie thinks it's the extraction team. They go outside but it turns out to be Javadi's guys, who promptly arrest Brody and take him away. Carrie freaks and drops Javadi's name, but a soldier tells her that he's already aware. Carrie's extremely angry and calls Saul, telling him what happened. But Saul had no idea and takes off for the control room, where he finds Adal and Lockhart together, with Lockhart having given the order to Javadi to go ahead and take Brody. Turns out the President overruled Saul's command and put Lockhart in charge early. Adal tells him this is about protecting his legacy and the Javadi asset in Iran, but Saul is angry that they no longer show loyalty to their own people. Adal confirms that the mission comes first, as always.

Carrie is now magically back at her hotel and taking off, but she's again accosted by Javadi's guys, who bring her directly to him in an isolated meeting place. Javadi lectures her on basically letting Brody go for the sake of the mission. He makes a compelling case, as he also tells her there's no point left anyway, because Brody was sentenced to die by hanging at a tribunal that morning (that all happened offscreen?). Carrie's stunned, but he tells her that if Brody dies for the mission it was all a success, and now everyone can see him as a hero, through her eyes, like she always wanted them to. He figures out that Brody is really the only thing she cares about and essentially persuades her to let him go. Carrie begs to at least talk to him one last time, so he somehow gets her a phone call (not believable, but I guess he's already been promoted). Brody's in a jail cell, washing himself when he's handed the phone. Carrie first promises to get him out, but he shuts her down, saying it's over and that it's ok, because he wants it to be. He tells her not to come to his execution, but she says she has to and that she'll be there no matter what. Their last few seconds are quiet, as Brody stays on just so Carrie can hear him breathing before handing off the phone to the guard.

Carrie's cryface has made a massive resurgence in this episode, as she's starting to come to terms with Brody's impending death. She calls Saul one more time, but he admits there's nothing he can do, since he's been ousted as director. Carrie's shock sets in for real now, as any last minute options have now been erased and she cries out in pain, while Saul says he's so sorry for what's happened. So now the crowds gather for Brody's public execution, and Carrie makes her way through the people to see the area where Brody will be hung by a construction beam. Brody is escorted by the guards to the square and  hauled out in front of everyone, as he scans the crowd, looking for Carrie behind the fence and the throngs of chanting people. Carrie looks on with her hands on the wires as Nazir's widow spits on Brody before the rope is wrapped around his neck. And then it happens. He's slowly dragged upwards and hung to death as Carrie climbs the wires and calls out his name. It looks as though he does see her before he dies, as she's pushed down from the wire and knocked to the ground (no damage to the baby still, of course). Then he's gone. Carrie cries and slowly makes her way out of the crowd. And here's my reaction to this. That whole scene was incredibly anticlimactic, as I said earlier, and they gave us a LAME final moment between Carrie and Brody. I mean seriously, that was it? A few seconds on the phone with nothing meaningful exchanged between them at all, no last request, no take care of the baby, nothing? Ugh. Brody's big death was hugely, hugely disappointing as far as I'm concerned.

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So now, it's 4 months later and Saul is on a beach with Mira, who's reading in the papers that Iran has opened its doors to nuclear inspectors. She tells him it's his legacy, but he laughs that it cost him his career. He's going back to Washington for the commemorative star ceremony, but Mira doesn't want to go because of the way the CIA treated him. Saul confirms he hasn't spoken to Carrie in months. Meanwhile, Carrie, now heavily pregnant, makes her way into Lockhart's office, who has called her in to offer her the position of station chief in Istanbul, to keep managing Javadi. She's excited about it and accepts, but asks him for a star for Brody at the ceremony. He turns her down flat, saying that his actions before the mission can't allow him to be commemorated at the CIA. Carrie accepts this sadly and exits the building, running into Quinn in the parking lot. He refuses to give her a cigarette when she asks, but she just wants to suck on it and vent about Lockhart. She says the baby thing is in the way of her new position, and finally admits out loud that the only reason she wanted it was to have a part of Brody, but she'd be a terrible mother. Quinn tells her the baby is a gift and not to screw it up like he did with his kid, and then he takes off. Ok, I can see the Carrie/Quinn relationship coming a mile away now, and I am NOT looking forward to it.

Saul meets Adal at a diner, where they congratulate each other on the Iran achievement, and Adal manages to get out of Saul that he'd come back to the agency if he was needed. Saul denies it and says he's happy in the private sector, but obviously he's lying, so we the audience know that Saul will of course be back at work eventually. Carrie's at home worrying, as Maggie and Frank come in with baby gear- a crib and a bjorn, while Carrie grows increasingly weary. She ends up telling them about Istanbul and says she can't keep the baby, but Maggie and Frank protest loudly, telling her she'll feel differently when the baby (a girl) is born. Carrie's too scared and says she doesn't feel love for her, but Frank tells her she can't abandon the kid like her mom did to her, offering to raise her himself. Carrie seems willing to hear that idea, but Maggie again insists that Carrie at least wait until after the birth. Carrie cries, saying all she feels is scared and sad when she thinks of the baby.

At the ceremony, Lockhart gives a speech commemorating the fallen heroes, while Carrie, Quinn and Saul look on from the audience. When it's over, Saul comes over to see Carrie and congratulate her on her new job, telling her he's happy living in New York now and it was time to put up his boots. Carrie doesn't quite believe it, seeing as he won and everything, but they're interrupted by someone telling Carrie the director wants to see her in his office. Carrie and Saul hug goodbye, and she walks off into the lobby, pausing by the wall with the commemorative stars on it. She takes out a pen and draws in another one, and the camera pans in on it as she walks away, showing us the anonymous extra star for the fallen hero, Nicholas Brody.

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And that's it, everyone. Brody's dead, reports are that Morena Baccarin and Morgan Saylor will no longer be regulars on the show next year (thank god for that, although I fear Dana having a sister will be reason to see her again unfortunately), and the possibilities are pretty wide open for a rebooted Homeland without Damian Lewis. I'm ambivalent about the whole thing, because to me this show was always better when Lewis was on it, and one of the things that made the show was the chemistry between him and Claire Danes. Without that, I fear it's going to become essentially a 24 knockoff. As for this season, I think it was uneven but usually interesting (aside from Dana), and the fact that it improved when Damian Lewis made his big return doesn't bode all that well for the future, in my opinion. Of course, he could always reappear in a dream sequence (I'd bet you anything that happens before the end of the show's run)- but I'll keep watching anyway, and I'll be back next year to whine, complain, or praise whatever happens to occur. See you next September!

December 16, 2013 by Ariel Shavonne.
  • December 16, 2013
  • Ariel Shavonne
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RECAP: SNL 12/14 "John Goodman"

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A better episode than the last couple, I'll give it that. It was nice to see former perennial host John Goodman back in action- so much so that it saved some fairly mediocre stuff tonight, but there were some laughs as well.

COLD OPEN: Jay opens the show as Obama for the first time in a while, explaining the various mishaps at Nelson Mandela's funeral, including the phony sign language interpreter. Then Kenan shows up as the interpreter to make gestures behind him while Kate's Angela Merkel accosts him for another selfie. It's pretty funny.

MONOLOGUE: The show welcomes back John Goodman for the 13th time, and his first hosting stint since 2001. It's very cool to have him back and he sings a great Christmas duet with Kenan for a fun musical moment.

FOOD NETWORK AD: Bobby's great Guy Fieri impression is kinda wasted here, as he shows up in a commercial for his Christmas dinner with as many reality stars as they can stuff the cast into. Missed opportunity, I think. They should do more with Guy Fieri himself- he's a perfect target.

DEARBORN COMMUNITY PLAYHOUSE: John, Vanessa, Aidy and Kenan are dancing snowflakes in a community Christmas pageant whose inner thoughts relay their humiliation. It's kinda funny at first, but it goes on way too long. Still, some credit for a more original idea here.

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THREE WISE GUYS: John, Robert DeNiro and Sylvester Stallone drive the audience wild as the "three wise guys" from New Jersey traveling on camels to see the baby Jesus. It's mostly just amusing to see them together (even though it's a plug for their movie Grudge Match), even if the jokes are fairly stale. But hey, the crowd seemed to love it.

WEEKEND UPDATE: Finally, some better barbs this week from Seth and Cecily, and then Kenan (who's been all over this episode) comes on as Black Santa, finally revealing himself in response to Fox News' Megyn Kelly's insistence that he's white. That's pretty good, but an appearance from fan fave Drunk Uncle overshadows it, and he brings on his own drunk uncle, John of course. It's also sad because it's Drunk Uncle's last Update with Seth, whose final episode is next week I think.

TOO HOT: My favorite sketch of the night, with John as a woman (looking remarkably like his old Linda Tripp) suing for being fired because of her "hotness." Taran's really good as the incredulous defense attorney and Kenan again brings the funny as the judge who's into her. Good one.

FIRE SAFETY: Ugh! And the worst one of the night. Why do they keep doing this? To give Nasim some guaranteed screen time on the show? Her annoying rebel student character defies John's fire safety lesson and it's boring, too long and not funny in the slightest. This one just doesn't do it for me.

HALLMARK COUNTDOWN TO CHRISTMAS: A short spoof of the Hallmark Channel's movies with former and current TV actors in them. Meh.

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THE CHRISTMAS WHISTLE: A spoof of a classic Christmas movie with John as a guy who's tormented by the constant whistle sound from his guardian angel. It's ok, but not hilarious. John gives it his all though, along with Kate as his wife.

H&M: They still keep trying to do the Samberg-esque digital shorts, don't they? Jay raps about the experience of shopping at H&M while John desperately tries to fit into their tight pants. It's another middling one.

LAST CALL: Last sketch of the night is Kate's, with her drunk and horny woman at a bar hitting on the only guy there, in this case John as a hobo. What sells this one every time is Kate's total commitment, which is especially there tonight as she makes out with John Goodman with whip cream flying everywhere. But I still think the funniest one of these was that first one with her and Louis CK.

A harmless episode overall, and it was great to have John back, but the writing this season is really suffering big time. I'll give this one a B. Let's hope things don't take a turn for the even worse when they lose their Weekend Update anchor next year. Next week it's Jimmy Fallon (and Justin Timberlake, who I'm sure will nearly be co-hosting) for the official Christmas episode and the last of 2013. See you then everyone!

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December 15, 2013 by Ariel Shavonne.
  • December 15, 2013
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TRAILER: "House of Cards" Season 2

After the teaser last week, here's the full trailer for Season 2, coming February 14th to Netflix.

December 13, 2013 by Ariel Shavonne.
  • December 13, 2013
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2013 Golden Globe Nominations

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On the TV side this morning, the HFPA made some outside the box and pretty awesome choices here. Tatiana Maslany!!! I couldn't be more excited that they recognized her after all this time since Orphan Black aired in the spring. And Parks and Rec! I'm shocked at that one, actually- this is its first ever nomination after six seasons. I wonder if Amy Poehler hosting again managed to draw some more attention to her show.

Best Drama Series

  • Breaking Bad
  • Downton Abbey
  • The Good Wife
  • House of Cards
  • Masters of Sex

Best Actor- Drama

  • Bryan Cranston (Breaking Bad)
  • Liev Schreiber (Ray Donovan)
  • Michael Sheen (Masters of Sex)
  • Kevin Spacey (House of Cards)
  • James Spader (The Blacklist)

Best Actress- Drama

  • Julianna Margulies (The Good Wife)
  • Tatiana Maslany (Orphan Black)
  • Taylor Schilling (Orange is the New Black)
  • Kerry Washington (Scandal)
  • Robin Wright (House of Cards)

Best Comedy Series

  • The Big Bang Theory
  • Brooklyn Nine-Nine
  • Girls
  • Modern Family
  • Parks and Recreation

Best Actor- Comedy

  • Jason Bateman (Arrested Development)
  • Don Cheadle (House of Lies)
  • Michael J. Fox (The Michael J. Fox Show)
  • Jim Parsons (The Big Bang Theory)
  • Andy Samberg (Brooklyn Nine-Nine)

Best Actress- Comedy

  • Zooey Deschanel (New Girl)
  • Lena Dunham (Girls)
  • Edie Falco (Nurse Jackie)
  • Julia Louis-Dreyfus (Veep)
  • Amy Poehler (Parks and Recreation)

Best Miniseries/TV Movie

  • American Horror Story: Coven
  • Behind the Candelabra
  • Dancing on the Edge
  • Top of the Lake
  • The White Queen

Best Actor in a Miniseries/TV Movie

  • Matt Damon (Behind the Candelabra)
  • Michael Douglas (Behind the Candelabra)
  • Chiwetel Ejiofor (Dancing on the Edge)
  • Idris Elba (Luther)
  • Al Pacino (Phil Spector)

Best Actress in a Miniseries/TV Movie

  • Helena Bonham-Carter (Burton and Taylor)
  • Rebecca Ferguson (The White Queen)
  • Jessica Lange (American Horror Story: Coven)
  • Helen Mirren (Phil Spector)
  • Elisabeth Moss (Top of the Lake)

Best Supporting Actor in a Series, Miniseries/TV Movie

  • Josh Charles (The Good Wife)
  • Rob Lowe (Behind the Candelabra)
  • Aaron Paul (Breaking Bad)
  • Corey Stoll (House of Cards)
  • Jon Voight (Ray Donovan)

Best Supporting Actress in a Series. Miniseries/TV Movie

  • Jacqueline Bisset (Dancing on the Edge)
  • Janet McTeer (The White Queen)
  • Hayden Panetierre (Nashville)
  • Monica Potter (Parenthood)
  • Sofia Vergara (Modern Family)

Of course, Breaking Bad is finally acknowledged by the Golden Globes after so many years of being ignored, and is very likely to sweep the drama categories this year. And as usual, the Globes love shiny new things, showing some surprising love for Brooklyn Nine-Nine, House of Cards and Masters of Sex (although I can't believe Lizzy Caplan didn't get a nomination for the latter, if they like the show so much). Taylor Schilling was nodded for Orange is the New Black, but once again, I guarantee you that show would have landed more nominations in the Comedy category and very likely won had it been placed there. Nothing for Game of Thrones or Homeland this time, which is kind of surprising.

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December 12, 2013 by Ariel Shavonne.
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2013 Screen Actors Guild TV Nominations

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Here are the nominees for the SAG Awards this year. This marks the first year since Mad Men came on the air that it received zero nominations. Not even Jon Hamm. On the other hand, Arrested Development!

Best Actor in a Miniseries/TV Movie

  • Matt Damon (Behind the Candelabra)
  • Michael Douglas (Behind the Candelabra)
  • Jeremy Irons (The Hollow Crown)
  • Rob Lowe (Killing Kennedy)
  • Al Pacino (Phil Spector)

Best Actress in a Miniseries/TV Movie

  • Angela Bassett (Betty & Coretta)
  • Helena Bonham Carter (Burton & Taylor)
  • Holly Hunter (Top of the Lake)
  • Helen Mirren (Phil Spector)
  • Elisabeth Moss (Top of the Lake)

Best Actor in a Comedy Series

  • Alec Baldwin (30 Rock)
  • Jason Bateman (Arrested Development)
  • Ty Burrell (Modern Family)
  • Don Cheadle (House of Lies)
  • Jim Parsons (The Big Bang Theory)

Best Actress in a Comedy Series

  • Mayim Bialik (The Big Bang Theory)
  • Julie Bowen (Modern Family)
  • Edie Falco (Nurse Jackie)
  • Tina Fey (30 Rock)
  • Julia Louis-Dreyfus (Veep)

Best Ensemble in a Comedy Series

  • 30 Rock
  • Arrested Development
  • The Big Bang Theory
  • Modern Family
  • Veep

Best Actress in a Drama Series

  • Claire Danes (Homeland)
  • Anna Gunn (Breaking Bad)
  • Jessica Lange (American Horror Story)
  • Maggie Smith (Downton Abbey)
  • Kerry Washington (Scandal)

Best Actor in a Drama Series

  • Steve Buscemi (Boardwalk Empire)
  • Bryan Cranston (Breaking Bad)
  • Jeff Daniels (The Newsroom)
  • Peter Dinklage (Game of Thrones)
  • Kevin Spacey (House of Cards)

Best Ensemble in a Drama Series

  • Boardwalk Empire
  • Breaking Bad
  • Downton Abbey
  • Game of Thrones
  • Homeland
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December 11, 2013 by Ariel Shavonne.
  • December 11, 2013
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TRAILER: "Sherlock" Season 3

Full length trailer for the third season of Sherlock! It premieres on January 1st in the UK. Counting down the days...

December 10, 2013 by Ariel Shavonne.
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AFI Top Ten TV Shows of the Year

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The American Film Institute also recognizes television (despite its name) and has released a top ten for TV:

AFI TOP TEN TELEVISION PROGRAMS OF THE YEAR

  • The Americans
  • Breaking Bad
  • Game of Thrones
  • The Good Wife
  • House of Cards
  • Mad Men
  • Masters of Sex
  • Orange is the New Black
  • Scandal
  • Veep

Not bad- pretty cool to see The Americans get some recognition. And it looks like they don't quite think Mad Men has gone downhill the way some people have.

December 9, 2013 by Ariel Shavonne.
  • December 9, 2013
  • Ariel Shavonne
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RECAP: Homeland 3x11 "Big Man in Tehran"

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Well, this was a very good episode tonight. More than made up for what was (to my mind) a fairly lackluster one last week. Lots of excitement, suspense, exotic locales- everything that Homeland should really do more often, frankly.

We open with Saul being escorted to a padded prison cell, where they are now holding Alain, Mira's agent boyfriend. The feds have apprehended him and Saul needs his help to arrange for Brody's new extraction plan. Alain refuses, but Saul threatens him to make it happen with his contacts in Tel Aviv, to provide for some assets on the ground. Brody's being interrogated now (and he has hair again, yay!) after what must have been some time since Javadi got him out of the prison. He's sticking to his cover story about wanting asylum, and denies the interrogator's questioning whether he has AIDS, because of his needle marks. Javadi's there too, putting up a front, pretending to question his sincerity for the cameras that are recording him. Brody asks for a break but is denied, as they keep going.

Meanwhile, Carrie arrives in Tehran with a new hairdo (she's now a brunette/redhead) and gets herself set up in  hotel room, looking around suspiciously at everyone surrounding her in the lobby. I know she's supposed to be good at this but she always looks SO obvious when she's undercover at these things. When the attendant leaves her alone in the room, Carrie sets off on her own to presumably get things in order for Brody's new extraction plan. Javadi, meanwhile is called into General Akbari's office (the assassination target), while Carrie meets up with Fara's uncle. Despite his unhappiness to be involved with this plan, she convinces him to cooperate by giving him a picture of Fara, and then he gives her a phone to communicate with the CIA.

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Akbari questions Javadi about Brody, which gives him an opening to set up the meeting between Brody and Akbari, by convincing him to meet Brody himself to see whether he seems honest about his intentions. Akbari buys it and Javadi looks to be in the clear. Carrie calls Saul to tell him how it went with the uncle, while he tells her to be expecting two assets on the ground thanks to Alain. While on the phone we find out Brody's gone through three days of interrogations without cracking (how'd he grow so much hair back already?), but Carrie is suddenly distracted when she gets a look at herself in the mirror and sees her now visible baby bump. As always, she appears conflicted, but hey, I guess she's having it now- I mean, there's no turning back at this point, plus she seems to be growing a super soldier in there who can survive smoking, drinking and gunshot wounds.

The next day she meets up with the two Tel Aviv guys, who are skeptical about the plan and want to know more details, so Carrie tells them everything except who the assassin is. One of the guys provides the murder weapon for Brody to use (it's a cyanide device), for which he has to get extremely close to be able to pull off. The plan is for them to create a diversionary explosion long enough for him to get away in the chaos. When Carrie get back to her hotel two men confront her and escort her down some stairs and through a back alley way where Javadi is waiting to retrieve the device from her. He tells her Akbari seems to have set up a meeting with Brody for the next day and Carrie hands the cyanide over to him, planning for the operation to now go into action. Javadi's not thrilled about all the effort they're going through to extract Brody, because as far as he's concerned, this is all about taking out Akbari, with Brody getting away being "optional."

Saul gathers the CIA crowd in a meeting where he explains what's supposed to go down, and as usual this season, everyone will be watching from a control monitor. Brody is set up with the device and everything he needs to complete the task, while Quinn asks how come Carrie hasn't left Tehran since she already put everything in motion. Saul explains that she thinks she needs to be there while it happens, and Quinn looks a bit dubious (he's so going to tell Saul about the baby). The next morning Brody is woken and dressed, wraps the cyanide in his sleeve (yeah, great hiding place), and heads out with security to a car. Carrie and the Tel Aviv dudes are watching from down the street, but the plan seems to have changed, as Brody is now being transported somewhere, instead of Akbari coming to him, as was the setup.

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Carrie follows the car as it heads to a busy, populated area, while the guys at the CIA watch in confusion. The car eventually pulls up to a wide open street and the roads are cleared by Akbari's security, with Brody being pulled out and seemingly ready to meet Abari in the open space, who's also pulled up to the spot. Carrie wants to follow through with the diversion plan, but one of her assets thinks they should pull back. She refuses, as it looks like they're still going to meet. Brody and Akbari face each other and Brody slowly walks over to him, openly clutching the cyanide in his hand (seriously, how does no one see that? it's not that small), but at the last minute, Akbari gets in the car and takes off. Brody is ushered into the house behind him and placed in front of a woman who turns out to be Abu Nazir's widow. The CIA is baffled back at HQ, along with Carrie, but this is just another test of Brody's allegiances.

Brody sits down for tea with the widow, who observes that he seems to be a hero now. Brody tells her about Dana trying to kill herself and having lost everything, and she reassures him. I think we're supposed to wonder if he's being sincere here, but the truth is, I never for one second believed Brody was turning on the CIA in this episode. He comes out in the streets and is hailed by the people as their hero, where he faces the crowd and explains how he wants asylum in Iran. Carrie comes out and joins the people, looking bewildered herself as Brody gets in the car and is told by a security guy that he's a big man in Tehran now. As the car heads back he leans his arm out the window and crushes the cyanide device, letting it fall to the ground in pieces. But yeah, I still didn't buy that he'd given up.

Not so much back at Langley though, as it's now 6 days later and apparently Brody is all over youtube and the news, giving speeches about his new allegiance and insulting his home country, which worries Lockhart, who's come to see Saul about this. The president that we've never seen wants this issue dealt with, and Lockhart and Dar Adal think it's time to take Brody out. They don't know if he's actually turned, but even if he hasn't, Lockhart thinks he's unstable and there's no way he's getting close to Akbari, so it's not worth jeopardizing their asset in Javadi (wait, so now Lockhart loves the Javadi plan?). Saul basically agrees and calls Carrie to give her the bad news. Except that he doesn't do it, because Carrie is still gung-ho about Brody going through with this and doesn't believe that he's turned at all. Of course. She reminds Saul she's always been right about him, which Saul agrees with but nonetheless tells her to get on a plane and come home. Saul then tells Dar Adal to send in the hit squad for Brody.

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Carrie hangs up the phone and is now worried, so she calls Brody even though they weren't supposed to have any contact. He's handed a phone on his way in to the place where he prays, so he takes the call and Carrie tells him she's facing him across the courtyard. Brody stares at her as they talk over the phone, and as the CIA guys are watching over the monitors (how can they not intercept this call?). Carrie tells him she thinks he's in trouble from the CIA and wants to get him out of there. Brody refuses, saying there's nowhere for them to go, but Carrie says they can go and hide someplace using her contacts. Brody is sick of that though and says he won't put her through it. Carrie sees the hitmen coming and begs him to come with her, but Brody hangs up, telling her to get out, and manages to dodge the assassins. Saul, Lockhart and Adal watch this all take place and pretty much see in real time that Carrie warned him, since he "looked like he was on the phone" (lol), and Saul is furious, calling Carrie to yell at her for letting him go.

But Brody runs straight to Nazir's widow and tells her he wants a meeting with Akbari. Why didn't he do this earlier, if it was that easy? She arranges it though, and Akbari's men pick Brody up and take him straight to him. I think what was coming here was pretty obvious, but Lockhart and Adal get word and think Brody is blowing the whole thing by ratting them out. Saul at least looks ambiguous about it. When Brody is taken to Akbari he's left alone in the room with him, as security shuts the door (yeah, that would never happen), and for a few more minutes the show tries to fake you out, as Brody admits to him that Javadi's working with the CIA, along with himself and that he was ordered to kill him. Akbari tells him he's done the right thing by coming to him and then Brody confirms that he spoke to Nazir about him in that very room. Akbari says yes, and Brody is satisfied that "this is the place where it all started," before taking the glass ashtray of the desk and knocking the guy out cold. Even though the body hitting the floor makes a noise, no one comes in (lucky) and Brody then grabs a pillow and smothers Akbari to death in a very painful looking manner. After it's done he grabs the phone on the desk and calls Carrie (how did he know her number?), tells her he killed him and then says "get me out of here." Uh, how the hell is she going to do that? Of course, that's where the episode ends.

Quite a cliffhanger. According to the previews, next week could very well be the end of Nicholas Brody, in fact I'd be surprised if it's not. My guess now is that Carrie will have the baby as a consolation prize for his death so that there's some continuing legacy of Brody on the show, but yeah- I don't see much more of Brody on Homeland after next week. Then again, maybe they'll throw a curveball, but I doubt it. See you for the finale!

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December 9, 2013 by Ariel Shavonne.
  • December 9, 2013
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RECAP: SNL 12/07 "Paul Rudd"

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Well, it was the night of Paul Rudd and a million cameos, as many of the old cast made an appearance (possibly to rescue the current one from what's been a pretty dismal season?) and he was a good host as usual, but all in all, a pretty mediocre episode, once again.

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COLD OPEN: SNL spoofs The Sound of Music in response to the huge ratings from the live stage show on Thursday, with Kate as Maria and Taran as Captain Von Trapp, but Kristin Wiig's baby hands freak makes an appearance as one of the children. Honestly, I've never been a fan of that character, so this sketch did nothing for me (although Kate and Taran are good), but if you like her, then you'll probably go for it. We also get Fred Armisen back as Lawrence Welk, which makes it feel like an episode from last year. I don't know why he was there though, because we don't see him again.

MONOLOGUE: Well, this was the funniest and best thing in the episode, so I hope you enjoyed it. Paul Rudd comes out and makes fun of how every time he hosts he's overshadowed by the musical guest (first Beyonce, then Paul McCartney), and tonight's no exception, as One Direction comes out onstage to join him. But Paul brings out his own gang, the cast of Anchorman, as Will Ferrell, David Koechner and Steve Carell show up for a sing-off of "Afternoon Delight." Awesome.

POLITICS NATION: I don't know what happened here tonight. This sketch is usually good, because Kenan does a funny Al Sharpton, but there just weren't enough jokes in this one. It also ended so abruptly, and after only a couple minutes. Most skits are too long, for some reason this felt truncated.

ONE DIRECTION'S NUMBER ONE FAN: Pre-recorded bit with Paul as One Direction's biggest fan and fighting a bunch of little girls over it while they wait in line. It's mildly funny, which is something that affects a lot of skits tonight.

DIVORCE: Paul and Vanessa as a divorcing couple who can't stop dancing to Fleetwood Mac. It's mostly weird and not funny. Forgettable.

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WEEKEND UPDATE: Some lame jokes (that's been a problem with Update lately) and then Vanessa comes on as Jacob for what might be the last time, but I can't say I'll miss him all that much. Jacob can be funny, but he's been way overdone recently. I can't say Cecily Strong's settled into Weekend Update that well- she's still got a fairly average delivery and I'm not sure it's going to go smoothly at all if she's going to be on her own when Seth leaves. Then Taran shows up as 19th century critic Jebediah (I called that, but man that was QUICK!) to review classic Christmas specials. He doesn't seem as funny this time, but maybe they just shouldn't have brought him back so fast- are they really running low on material this season?

MICHELANGELO UNVEILS DAVID: Paul is the model for Michelangelo's statue, who's embarrassed to be revealed as having a tiny you-know-what. Mostly dick jokes, but it's ok.

WHITE CHRISTMAS: An odd trailer for a Christmas Best Man Holiday type movie, but for white people. I honestly don't get what's so funny about this- I guess I don't think the differences between black people and white people in these movies are so drastically different as to be a hilarious joke. It's kind of weird actually.

SANTA'S WORKSHOP: The elves welcome Paul's Santa back to the North Pole after he's lost 150lbs and is now a jerk to everyone with a hot girlfriend. It's middling and could have been a lot funnier, like almost everything in this episode.

MEMORIES: Cecily is an upper class New Yorker haunted by her past lovers, except one, who's Paul as the scruffy, working class cook Victor who won't stop bugging her. It's actually okay, kind of random and odd, but there's some kind of effort here, like an old school SNL skit, at least. Paul's been good with everything, he just hasn't had much to work with.

BILL BRASKY: Yay! A classic SNL skit is brought back, as Will Ferrell, David Koechner and Taran are the three drunk guys in a bar, and Paul and Kenan jump in to tell stories about Bill Brasky. Just seeing a new Brasky skit is cool, even if it's not as good as the old ones.

And that's it, everybody. Paul does what he can with some very mediocre material. For not having anything too painful (the divorce one was the closest to that), but also nothing too uproarious, I give it a C. Seriously though, I'm wondering if Beck Bennett might be better at the Update desk, given his deadpan humor, than Cecily. Many of the past Update anchors came out of not being great at sketches, and given Seth's imminent departure, I do think they should consider auditioning people just for that position, because I don't think she's nearly ready to go solo there. See you next week, when the great John Goodman makes his return appearance!

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December 8, 2013 by Ariel Shavonne.
  • December 8, 2013
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TEASER: "Downton Abbey" Christmas Special

The promo for the fourth Downton Abbey Christmas special is here. Airing on Christmas Day:

December 7, 2013 by Ariel Shavonne.
  • December 7, 2013
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Founder and Editor Ariel Shavonne