REVIEW: Pacific Rim (2013) Charlie Hunnam, Rinko Kikuchi. Dir. Guillermo del Toro

Guillermo del Toro's Pacific Rim is a fun filled, lighthearted action romp that was obviously a labor of love from a director who loves to play with gigantic toys- it's robots vs. monsters on a massive scale, and a neat tribute to the old Godzilla and monster movies too.

Set in a very near future where monsters known as the Kaiju have risen up from the ocean through a portal to start wiping out our biggest cities, humans have fought back by creating a robot weapon called the "Jaeger"- a massive machine they can control by two people powering its moves from the inside; slightly reminiscent of the old Power Rangers actually. Both the Kaiju and the Jaegers are spectacular CG creations through some pretty flawless special effects, which may be reason enough to go and see the film. The battles between them are epic, and I can't imagine anyone who loved seeing robots smash each other in the Transformers movies, wouldn't enjoy the action in this  as well. But thanks to Guillermo del Toro's inspired vision, the action is framed by creative and inspired set design- future Hong Kong where the movie is set, glows in bright oranges and reds, recalling similar sci-fi futures in films such as Blade Runner.

In a movie like this it's clear that the passion was inserted into the action and special effects- the Kaiju and the Jaegers are what the audience wants to see and del Toro along with them. But surprisingly, there is enough quirkiness and originality fused into the characters to carry them along as well. The premise that the world had to come together to defeat these monsters leads to a human cast made up of people from different countries, and most of the actors acquit themselves well by giving energetic performances. Idris Elba is great as the marshal who runs the Jaeger program, Charlie Day is really funny as the scientist who figures out how they can defeat the Kaiju, and del Toro favorite Ron Perlman shows up in a scene-stealing role as a black marketeer dealing in Kaiju organs. But my favorite was Rinko Kikuchi as a girl who wants to be a co-pilot in the Jaeger to avenge her family that was lost in an attack on her childhood city. The flashbacks to her experience and her talent as a fighter made the tributes to Godzilla feel even stronger. In fact, it felt as thought she should have been the sole lead of the film, ala Ripley in Alien, because less effective in that role is Sons of Anarchy vet Charlie Hunnam, who spends most the movie clearly struggling with an American accent and whose part is decidedly bland next to hers. Almost as if they felt obligated to have a generic white guy in the lead since the film was set in Hong Kong with such an ethnically diverse cast giving it an international flavor otherwise. Too bad.

But Pacific Rim is undoubtedly a fun, action-packed time at the movies, and while some may wish del Toro would have been even more inventive and original with the premise, you can't deny the simplistic joy that comes from watching humans pilot a gigantic robot through stormy waters and cities to beat up a monster and defend the human race. He wants to make you feel like a kid again, and to that end it's a smashing success.

* * *

BOX OFFICE 7/12-7/14: Sandler Scores, Pacific Rim Opens Soft

The big box office story this weekend was actually still Despicable Me 2, which topped again by bringing in another $44 million and has almost surpassed Monsters University's domestic gross ($237 million) in just two weeks. It's a massive hit, and is about to overtake Monsters' international haul too, with $474 million so far. The new releases split good news and bad, with the critically savaged Grown Ups 2 scoring second place with $42 million, and on track to be Adam Sandler's 14th $100 million grosser (although the audience gave it a mediocre "B" CinemaScore, so it may not hold up), and Pacific Rim managed $38 million for third. It's not a wildly impressive debut, since the movie cost $190 million, and proved to be somewhat frontloaded (decreasing in its daily gross from Friday through Sunday). Still, it's the biggest opening of Guillermo del Toro's career, and good word of mouth ("A-" from crowds) could it help it maintain itself through the rest of the summer, with no other blockbuster releases on the horizon.

TOP 5:

  1. Despicable Me 2- $44.8 million
  2. Grown Ups 2- $42 million
  3. Pacific Rim- $38.3 million
  4. The Heat- $14 million
  5. The Lone Ranger- $11.3 million

The holdovers are doing as expected, with The Heat holding up well and crossing $100 million this week, while The Lone Ranger plummeted 62% since the 4th of July. And in limited release news, Fruitvale Station earned an impressive $377,000 from just 7 screens, which gives it a high per screen average of $54,000. It's the first potential Oscar movie of the year, and in light of the recent Trayvon Martin ruling, its topicality has just exploded. Expect to see it get much more attention in the coming weeks.

Grown Ups 2 Belly Flops

The best part about a new Adam Sandler movie is getting to see all the vitriol spewed at it by the critics. This is of course, how they get their revenge for being forced to sit through his latest car wreck, cash-in, whatever you want to call it. It's now sitting pretty at a towering 8% Fresh rating on Rotten Tomatoes- hey, at least it's better than Jack & Jill!

 

Here are my favorite quotes:

"If 'Grown Ups 2' was anything in the ballpark of a 'good movie', then sea cucumber excrement is tasty (One of the dirtiest animals on the planet, they resemble long sausages and dine on dead animal carcasses)."- HollywoodChicago.com 

"As a way to arrange a movie, it's a disaster, but on some level you have to respect a guy who keeps his pals working, especially in this economy."- Philadelphia Daily News

"Yes, it's time for yet another visit to the Adam Sandler Death-of-Cinema Fun Factory, the big screen version of a terrible sitcom where laugh tracks are replaced by the co-stars chuckling at their own awful material."- The Wrap 

"Among the slackest, laziest, least movie-like movies released by a major studio in the last decade, 'Grown Ups 2' is perhaps the closest Hollywood has yet come to making 'Ow! My Balls!' seem like a plausible future project."- Variety 

"A movie of fools, by fools, for fools." - Film.com 

Sam Mendes back to direct Bond 24

Rumors have been swirling for weeks now that Mendes would be back for another Bond installment, despite having officially denied that he'd be directing four months ago. Today the studio has confirmed it, along with the producers, and Skyfall screenwriter John Logan will be back again, too. They really want another billion dollar Bond, don't they? Of course Daniel Craig will return as well. The unnamed Bond 24 will be out on Nov 6, 2015.

TRAILER: "Fruitvale Station"

A movie coming out in limited release this weekend that's worth looking out for is Fruitvale Station, which won the Grand Jury Prize and Audience Award at the Sundance film festival this year. It's writer-director Ryan Coogler's feature film debut and is already earning raves from the critics. It stars Michael B. Jordan (who I LOVED on Friday Night Lights) in the true story of a young man named Oscar Grant, who was involved in a tragic accident on New Year's Day, 2009. This one will probably be in the mix for Oscar season, so keep an eye out.

 

FIRST LOOK: Tom Hanks as Walt Disney

Indiewire's got the first set picture of Tom Hanks as Walt Disney and Emma Thompson as P.L. Travers for the upcoming Saving Mr. Banks. The movie is supposed to be about the making of Mary Poppins - Travers was the author of the original books and had to be persuaded to give up the rights.  Sounds to me like a My Week With Marilyn kinda thing, but we'll see. It's from The Blind Side director John Lee Hancock and coming out December 13th.

 

Blu-Ray Pick of the Week: The Producers (1968)

One of the very best Mel Brooks movies was his directorial debut, and it's out on blu-ray now. With the great Gene Wilder (also in his debut) and the late Zero Mostel as two down on their luck producers desperate to make a "flop," this is one of the great comedies of all time. You owe it to yourself to check it out.

Here's a sampling of the nuttiness:

"I'm hysterical and I'm WET!"

REVIEW: Side Effects (2013) Rooney Mara, Jude Law. Dir. Steven Soderbergh

Side Effects is a twisty Hitchcockian thriller from Steven Soderbergh, and is supposedly his last theatrical film (well, we'll see how long that promise lasts). If it is his last though, he went out on a relative high note. The story is about a young woman named Emily who is struggling with depression (Rooney Mara), and whose husband is released from a lengthy prison stint for insider trading. This would make anyone's life stressful and she starts seeing a psychiatrist (Jude Law) after multiple suicide attempts. The shrink attempts to treat her in the ways he knows how, including prescribing all different kinds of drugs, which leads to a fatal accident involving Emily and her husband. For awhile you think this is a serious look at prescription drug culture in America, but the plot twists and surprises in the last half hour will leave you reeling as you try to figure out what kind of movie it really is. For that you have to give it credit- it's unpredictable and appropriately leveled with an anxiety ridden tone, much of that due to the uneasy and nervous performance from Rooney Mara as Emily. She leaves you questioning her motives just as often as sympathizing with her condition. In another unexpected turn, Law as the psychiatrist is actually the wronged man in the Hitchcock plot; we rarely get insight into his character as he begins to piece together the loopholes in her story, but we don't really need to- he's a vehicle for uncovering the truth, ala the Cary Grant role. The movie isn't flawless- Catherine Zeta-Jones gives a much too hammy performance here that undercuts what should have been another surprise twist involving her role as Emily's previous doctor, and the last minute revelations may be somewhat over the top. But Soderbergh effectively unravels the story with minimal flash- the last couple years he seems effortlessly able to toss off genre flicks while we know he's capable of much more complicated storytelling (Traffic and even Out of Sight), but this is a solid popcorn entertainment well worth your time. Hopefully Soderbergh will find the inspiration to come out of that "retirement" sooner rather than later- he's a great talent who never makes an uninteresting film, and for that we need him to stick around.

* * 1/2

Trailer: