I can be a pretty big pushover for period romance costume dramas, so you can count me in for this one, which is another version of the classic Thomas Hardy novel (it was filmed before in 1967 with Julie Christie). It's also from Danish director Thomas Vinterberg, who made The Hunt, which was a really good movie with Mads Mikkelson just a couple of years ago, so I think this looks pretty good. It's coming out in May of next year.
BOX OFFICE 11/21-11/23: 'Hunger Games' Lands Biggest Opening of the Year
As expected, The Hunger Games: Mockingjay- Part 1 opened big this weekend, pulling in $123 million since the Thursday midnight shows, but this actually is a fairly significant drop from Catching Fire, which opened to $150 million last year. It's also well below the "Part 1" installments of the Twilight and Harry Potter franchises as well. What does that mean? Hopefully that people have caught on to this incredibly lame, purely financially motivated tactic of splitting the last part of a trilogy into two unnecessary pieces. Mockingjay's reviews suffered for that too, which may have lessened the must-see factor for a series that until this point had shown some crossover appeal to non-book fans than those previous franchises did. But it doesn't really matter, because it's still a huge hit, still opened massively overseas (bigger than the last one even), and will still be at least the second highest grossing movie of the year, behind Guardians of the Galaxy.
In second place was Big Hero 6, which fell just 20% and is holding strong, adding $20 million for a $135 million total, well on its way to grossing $200 million, while Interstellar also held fairly well, for a new total of $120 million. Unfortunately, perception of Interstellar is being based on the performance of Christopher Nolan's other films, so it's being seen as a relatively soft success compared to Inception and The Dark Knight. Meanwhile, Dumb and Dumber To fell hard, dropping 62% for fourth place, but Thanksgiving weekend is likely to give every movie a boost this coming week, as one of the busier moviegoing holiday breaks of the year.
Top 5:
- The Hunger Games: Mockingjay- Part 1- $123 million
- Big Hero 6- $20 million
- Interstellar- $15 million
- Dumb and Dumber To- $13.8 million
- Gone Girl- $2.8 million
Things are heating up in limited release as well, with several Oscar season movies set to open or expand in the coming weeks. The Theory of Everything and Birdman seem to be doing fairly well as they platform out (Birdman is coming up on $15 million total), while Foxcatcher maintained its high PTA in its second weekend. A bigger success is The Weinstein Co.'s St. Vincent, which has done extremely well, amassing $36 million so far to become the second biggest indie hit of the year, behind Grand Budapest Hotel. Next weekend is the kid friendly Penguins of Madagascar and the limited bow of The Imitation Game on two screens, while everything else tries to boost its earnings over Thanksgiving weekend. See you next Sunday, where we find out how they did, and have a happy Turkey Day everyone!
TRAILER: "Pitch Perfect 2"
I have to confess that I'm really out of the loop on this whole Pitch Perfect thing. I vaguely remembered that this was a movie that came out a couple of years ago, but I had to look it up to remind myself what it was even about. But I guess it was kind of a hit and people liked it? Enough to get a sequel made anyway. I guess I should probably check out the first one now, huh?
TRAILER: "Danny Collins"
Al Pacino stars in this movie about an aging singer who tries to redeem himself, reconnect with his grown son before it's too late, etc. Clearly this is not a movie that hasn't been made a million times before, but watching the trailer it doesn't actually look that bad to me. Maybe this is a case of it having been done well, or maybe it's just a misleading trailer. It'd be kinda nice to see Pacino do something decent again. It's coming out on March 20th of next year.
TRAILER: "The Age of Adaline"
I don't know who exactly was clamoring to see Blake Lively starring in a movie, but here she is in a film about a woman who doesn't age after some kind of magical accident makes her immortal or something. Looks a bit cheesy to me.
Mike Nichols 1931-2014
A big loss for the industry today, as director Mike Nichols passed away at age 83. One of the Hollywood directing giants who came into his own in the 1960's, whose filmography included Who's Afraid of Virgina Woolf?, The Graduate (for which he won the directing Oscar), Catch-22, Carnal Knowledge, Silkwood, Working Girl, The Birdcage, Primary Colors, Closer, and Charlie Wilson's War, as well as the famed HBO miniseries Angels in America. He was a veteran of the theater, where he mounted the original productions of Neil Simon's Barefoot in the Park and The Odd Couple, and before that was one half of the legendary comedy duo Nichols & May, with longtime collaborator Elaine May. Nichols is one of the select group of people to be called an EGOT winner, having won the Emmy, Grammy, Oscar and Tony awards. He also received the Kennedy Center Honors in 2003 and the AFI Life Achievement Award in 2010. He's survived by his wife of 26 years, ABC World News anchor Diane Sawyer.
Winning Best Director for The Graduate in 1968:
A classic Nichols & May sketch "At the Watercooler" from 1958:
TRAILER: "Cinderella"
Oh boy. The new trailer for Kenneth Branagh's Cinderella, which is apparently a straight remake of the 1950 animated feature, brings back shades of Maleficent for me, which means I had a hard time keeping my lunch down as I watched this. Sorry, but that's an experience I'm still not quite over yet. This looks absolutely awful, and Disney seems intent on tarnishing the reputation of their beloved classics in every way possible. CG mice? Costumes that look borrowed from the Disney World employees? I fear for the tastes of this generation's children if they're growing up on this crap. I can promise you right now that a better live action version of the Cinderella story is Drew Barrymore's Ever After, from 1998. Make your kids watch that. Seriously, compared to this, that movie now looks like the Citizen Kane of fairy tale re-imaginings.
Blu-Ray Pick of the Week: "It Happened One Night" (1934)
An essential blu-ray pick this week is Frank Capra's classic screwball romantic comedy, and it just so happens to be one of my favorite movies of all time. Clark Gable and Claudette Colbert take to the road, she's a runaway heiress and he's a newspaper reporter chasing a big story- hijinks ensure of course, along with romance and one of the great "jilted at the altar" wedding scenes. This movie kind of invented the blueprint for romantic comedy and the best and most amazing part about it is that it all holds up 80 years later. Trust me, you won't find such a perfect blend of sophistication and romantic chemistry in a single movie made today, which makes this film feel shockingly fresh and completely satisfying- it's a true gem.
Original 1934 Trailer:
TRAILER #2: "Inherent Vice"
Paul Thomas Anderson himself cut this new UK trailer for Inherent Vice, and I still can't wait to see it, despite the fact that it was ruled out as an Oscar contender practically the minute it was seen at the NYFF. Too weird and zany for the Academy, proclaimed pretty much everyone. It still looks hilarious though, and I'll take wacky and weird P.T. Anderson any day compared to just about everything else that comes out on a regular basis. We don't get enough of that stuff:
TRAILER: "The Peanuts Movie"
Well, I still think it's a little disturbing to force the Peanuts to become monstrous CGI creations in this new movie, but at least it looks like they're staying as true to the old designs as possible. Of course, you know what would make them even closer? Yeah, doing a traditional 2D movie. Why do they have to be updated like this? Will kids really not watch anything hand drawn anymore? It's not like they know any better. I assume parents are the ones familiar with the Peanuts anyway. But this is coming out next year, whether I like it or not, so here's a first look at Snoopy. Sigh.
BOX OFFICE 11/14-11/16: 'Dumb and Dumber To' Comes Out On Top
Despite horrible reviews, there remained enough of a devoted audience to the iconic 20-year-old Farrelly Brothers comedy to mount a win at the box office for Jim Carrey and Jeff Daniels, whose Dumb and Dumber To came in first place with $38 million and a "B-" Cinemascore. Obviously it was never a movie made for critics, so it shouldn't be surprising that fans of the original didn't care about the negative response, but it's hard to say if it will stick around longer than a weekend, considering the audience reaction was fairly tepid as well.
Meanwhile, Big Hero 6 was a close second, pulling in $36 million for the weekend, which is a miniscule drop from last week (in fact, it's the best second weekend for a non-Pixar Disney animated film ever), and I'd say this looks pretty set to stick around for quite a while, as kids are clearly loving it. Interstellar dropped to third with $29 million, but that's actually a pretty good 39% drop from last week too, so those two films are clearly benefiting from some good word of mouth. The new release Beyond the Lights came in fourth with $6 million and Gone Girl remained in the top five for its seventh week with another $4 million, showing some amazing staying power over its run.
Top 5:
- Dumb and Dumber To- $38.1 million
- Big Hero 6- $36 million
- Interstellar- $29 million
- Beyond the Lights- $6.5 million
- Gone Girl- $4.6 million
In limited release, Foxcatcher opened extremely well on 6 screens, for a $48k average, but we're now in the time of year where awards buzzed, limited release films will have a lot of great openings but not necessarily expand well as they are platformed out. It's hard to say what films are going to catch on with the general public. Case in point, Birdman and Whiplash, which are starting to suffer some as they expand to more theaters, despite the critical acclaim. Finally, Jon Stewart's Rosewater opened for a modest $1.2 million from 371 theaters. Next week it's the big Hunger Games movie, so you can expect that to dominate everything for a while, as it aims to top the year's box office for the second year in a row.
'Gone Girl' Tops the Hollywood Film Awards
The Hollywood what awards, you ask? Yeah, well, last night the 17th Hollywood Film Awards were held and televised for the first time ever, which meant a bunch of stars actually showed up. But, the event itself is pretty much a joke, since obviously very few people have seen the movies yet, and these prizes they give out are chosen by a group of 12 anonymous people. Seriously, nobody knows who they are or what they do. Shady as all get out, right? So it's basically a two hour ad for the movies that are going to be coming out soon, but sometimes they do honor a bunch of eventual nominees and even winners. So here's who got some free publicity last night:
Best Picture- Gone Girl
Best Actor- Benedict Cumberbatch "The Imitation Game"
Best Actress- Julianne Moore "Still Alice"
Best Supporting Actor- Robert Duvall "The Judge"
Best Supporting Actress- Keira Knightley "The Imitation Game"
Best Director- Morten Tyldum "The Imitation Game"
Best Writing- Gone Girl
Best Ensemble- Foxcatcher
Best Animated Feature- How to Train Your Dragon 2
Best Breakthrough Actor- Eddie Redmayne "The Theory of Everything"
Best Breakthrough Actress- Shailene Woodley "The Fault in Our Stars"
Best Breakthrough- Jack O'Connell "Unbroken"
Best Breakthrough Director- Jean Marc Vallee "Wild"
Best Comedy- Top Five
Best Blockbuster- Guardians of the Galaxy
Hollywood Career Achievement Award- Michael Keaton
Best Cinematography- Birdman
Best Score- The Imitation Game
Best Costumes- The Grand Budapest Hotel
Best Editing- Fury
Best Sound- Gone Girl
Best Visual Effects- Transformers 4
Best Make Up- Guardians of the Galaxy
Best Production Design- Maleficent
My guess is 20th Century Fox paid a lot of money to get Gone Girl that Best Film prize, since it's on the cusp of Oscar recognition, if at all. But the The Imitation Game did very well here, collecting Director, Actor, Supporting Actress, and Score, and that film is predicted to score big with Oscar as well, so maybe they're right on that one. Either way, it is the official kickoff to awards season, since these shady little trophies are the first to be given out. From here on in, it's a long road ahead.
At least Ben Affleck's speech was pretty funny, acknowledging the general sham of this awards group:
And here's Johnny Depp, clearly drunk on stage as he presents Best Documentary: