Not to judge based simply on a trailer of course, but the big reaction today to this one seems to be that Zoe Saldana was pretty egregiously miscast as the singer Nina Simone. It's hard to disagree after watching this.
New Trailer for Pixar's 'Finding Dory'
I realized as I watched this trailer that I could not possible care less about Dory or this movie. The joke about her short term memory loss was honestly never that funny to me, and everything else about Finding Nemo is what made it a good movie, not her. Sorry, Dory fans. I know I'm in the minority on that, but that's honestly how I feel about this character, so watching a movie where she's center stage? Not that interested.
George Kennedy 1925-2016
Oscar winner George Kennedy died today at 91, best remembered for playing "Dragline" opposite Paul Newman in 1967's Cool Hand Luke, for which he won the Academy Award for Best Supporting Actor. His other credits included Charade, Shenandoah, The Dirty Dozen, Airport and The Naked Gun series, while also appearing on the 1980's iconic nighttime soap Dallas as the villainous Carter McKay.
Chris Rock tackles the controversy head on
Recap and Notes on the Oscar Show
Chris Rock tackles the controversy head on
So, the Oscars came and went last night, and for once there were at least a few big upsets in the actual categories, which made me do pretty horrible on my predictions, but whatever. Last year was my best ever, so it was bound to be followed by my worst.
SURPRISES
Mark Rylance beat out Stallone for Best Supporting Actor. That was a huge bummer. The snobby Oscars went for the elitist choice, although from the beginning it had originally been hard to believe Sylvester Stallone would be an Oscar winner, but I was fooled by all those standing ovations, I guess. Too bad.
That Sam Smith Bond song actually won, which was probably the worst win of the night, by far. It was especially embarrassing after that Lady Gaga number brought the house down and was so moving with the assault survivors onstage with her. Awkward silence followed that win in the press room, apparently.
Spotlight wins Best Picture and Best Screenplay only. No movie has done that since 1952, and shows you how close the race must have been. This is also the result of the preferential ballot kicking in, although it didn't end up going to the PGA's choice. For the first time ever in a split year, SAG was the one that decided. Interesting. I personally think Best Picture ought to win a few more things to go along with it, but I guess no one really votes that way anymore.
Mark Rylance beats out Stallone
The show itself was okay. Chris Rock came out and gave a searing monologue that addressed the controversy head on, but the later comedy bits fell flat, especially the Girl Scout thing. I thought it was kind of noteworthy that he didn't even pretend that this whole thing was about "people of color," and instead just made it exclusively about the fact that black actors weren't nominated. It should be about including all minorities, but this is the way things tend to get talked about, which is kind of unfortunate, in my opinion.
Cool that Mad Max got six wins last night- tying the original Star Wars as the movie to get the most wins without getting Picture or Director. George Miller should have won too. And where did that visual effects win for Ex Machina come from??? It broke that long record for a non-BP nominee winning the category, but it wasn't Star Wars that did it. That was totally unexpected as well, since the movie won zero precursors for that and was made on a tiny budget.
That's about all I got this year. I wasn't too invested in the outcome, since my favorite movies were never in the running for anything. Hopefully next year the Academy can improve on the diversity issues, so we don't have a third straight year of outrage, and I still maintain my issues with some of these awards even being on the telecast- the shorts are impossible to predict and the sound ones really should be combined into simply one "Best Sound" category. Agree? And that's a wrap for me on Oscars 2016.
Inarritu wins again
'Spotlight' takes Best Picture in major upset victory
'Spotlight' Wins Best Picture at the Oscars
'Spotlight' takes Best Picture in major upset victory
Stunning everyone in the biggest Best Picture upset since Crash, Spotlight pulled off the win tonight, making it the first film since 1952's The Greatest Show on Earth to win Picture along with just one other Oscar for the screenplay. Wow. Inarritu became the third director to win Best Director two years in a row, Mark Rylance upset Sylvester Stallone's expected win to take Best Supporting Actor, and the award for Best Song did in fact go to one of the worst songs in the history of the category- that god awful song from Spectre that NO ONE liked. It was a night of mostly surprise winners and upsets, which means I got blown out completely in my predictions. I think this was my worst year ever, actually. I'll be back with my recap of the show and more details on the night's big shockers, but in the meantime here's the full winners list.
2016 OSCAR WINNERS
BEST PICTURE: Spotlight
BEST DIRECTOR: Alejandro Inarritu, The Revenant
BEST ACTOR: Leonardo DiCaprio, The Revenant
BEST ACTRESS: Brie Larson, Room
BEST SUPPORTING ACTOR: Mark Rylance, Bridge of Spies
BEST SUPPORTING ACTRESS: Alicia Vikander, The Danish Girl
BEST ORIGINAL SCREENPLAY: Spotlight
BEST ADAPTED SCREENPLAY: The Big Short
BEST EDITING: Mad Max: Fury Road
BEST CINEMATOGRAPHY: The Revenant
BEST COSTUME DESIGN: Mad Max: Fury Road
BEST PRODUCTION DESIGN: Mad Max: Fury Road
BEST MAKEUP & HAIRSTYLING: Mad Max: Fury Road
BEST ANIMATED FEATURE: Inside Out
BEST FOREIGN-LANGUAGE FILM: Son of Saul
BEST DOCUMENTARY: Amy
BEST ORIGINAL SCORE: The Hateful Eight
BEST ORIGINAL SONG: "The Writing's On the Wall," Spectre
BEST VISUAL EFFECTS: Ex Machina
BEST SOUND MIXING: Mad Max: Fury Road
BEST SOUND EDITING: Mad Max: Fury Road
BEST DOCUMENTARY SHORT: A Girl in the River
BEST ANIMATED SHORT: Bear Story
BEST LIVE-ACTION SHORT: Stutterer
Leo DiCaprio is finally an Oscar winner
BOX OFFICE 2/26-2/28: 'Deadpool' Tops Another Slow Weekend
Deadpool once again came in on top this weekend, as the new releases failed to make a dent at the box office. The R-rated superhero comedy's gross has now reached 285 million, making it the third highest grossing R-rated film ever, with The Passion of the Christ still sitting out of reach at 370 million. Newcomer Gods of Egypt fell flat with horrible reviews and just 14 million on a 140 million budget, so expect that one to disappear quickly, and Eddie the Eagle, the real life inspirational sports drama made just 6 million for fifth place.
Another violent action release, Triple 9, didn't even crack the top five this weekend, while holdovers Kung Fu Panda 3 and Risen stuck around to round out the chart, with the former's total now equaling 128 million domestic.
Top 5:
- Deadpool- 31.5 million
- Gods of Egypt- 14 million
- Kung Fu Pands 3- 9 million
- Risen- 7 million
- Eddie the Eagle- 6.3 million
This Oscar weekend saw increases for the awards movies still playing in limited release, most significantly Room, which has boosted its total to 13.5 million, while Spotlight and Brooklyn are coming close to 40 million each. Even bigger studio films The Revenant and The Big Short held well this week, with The Revenant's gross now at 170 million, which to me is still amazing for the kind of movie that is, and I'm seriously tempted to credit Leonardo DiCaprio with all of that success, because I just don't see how a film like that does so well without the attraction of its star. Anyway, we'll finally be done with Oscar coverage after tonight, so come back for the complete winners list and my roundup of the show later on.
'Mad Max' and 'Revenant' Tie at MPSE Awards
I don't know why the sound editing guild waited until the night before the Oscars to give out their awards, but I guess it didn't make much of a difference in anyone's predictions either way, because the frontrunners for this award actually tied in the top prize. So I feel a bit better about sticking with The Revenant for both sound categories now, but there's still a slight chance that Mad Max can pull off the editing one, I suppose.
- Dialogue and ADR: Bridge of Spies
- Music Editing: Star Wars: The Force Awakens
- Sound Effects Editing and Foley: tie-The Revenant and Mad Max: Fury Road
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'Fifty Shades of Grey' is the Big 'Winner' at the Razzie Awards
So, the Razzies were handed out tonight, and fittingly they went with the horrible hit movie from early last year that even the actors were embarrassed to be associated with. And they're stuck with it for a while, until they complete the trilogy. Some love was also spread to the Fantastic Four reboot, Eddie Redmayne for his infamous Jupiter Ascending performance, and the Razzie redeemer award went to the possible soon to be Oscar winner Sly Stallone. Aww, that's nice.
- Worst Picture: Fantastic Four and Fifty Shades of Grey (tie)
- Worst Actor: Jamie Dornan, Fifty Shades of Grey
- Worst Actress: Dakota Johnson, Fifty Shades of Grey
- Worst Supporting Actor: Eddie Redmayne, Jupiter Ascending
- Worst Supporting Actress: Kaley Cuoco, Alvin and the Chipmunks: The Road Chip and The Wedding Ringer
- Worst Remake/Rip-off or sequel: Fantastic Four
- Worst Screen Combo: Jamie Dornan and Dakota Johnson, Fifty Shades of Grey
- Worst Director: Josh Trank, Fantastic Four
- Worst Screenplay: Fifty Shades of Grey
- Razzie Redeemer Award: Sylvester Stallone
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'Spotlight' Dominates the Indie Spirit Awards, 'Beasts of No Nation' Picks Up Acting Wins
As always, the Independent Spirit Awards were held the afternoon before the Oscars, and the big news was that Spotlight ran the table, picking up editing, screenplay, director and picture, while three of the four acting prizes went to people of color, in another direct rebuke to the controversy surrounding the all white acting nominees at the big show tomorrow. They picked some great winners though, overall. Interestingly, four of the last five Best Feature winners at the Spirits have actually gone on the win the Oscar too, but The Revenant is still the favorite for oddsmakers. It's not impossible, in my opinion, that Spotlight could pull off a surprise win though.
2016 Indpendent Spirit Awards Winners:
- Best Feature: Spotlight
- Best Director: Tom McCarthy, Spotlight
- Best Screenplay: Spotlight
- Best Male Lead: Abraham Attah, Beasts of No Nation
- Best Female Lead: Brie Larson, Room
- Best Supporting Male: Idris Elba, Beasts of No Nation
- Best Supporting Female: Mya Taylor, Tangerine
- Best First Feature: The Diary of a Teenage Girl
- Best First Screenplay: Room
- Best Documentary: The Look of Silence
- Best International Film: Son of Saul
- Best Cinematography: Carol
- Best Editing: Spotlight
- John Cassavetes Award: Krisha
- Robert Altman Award for Best Ensemble: Spotlight
Oscar Predictions 2016, Part 5: Director and Picture
Finally, time for the last two, the big prizes of the night. Best PIcture and Best Director, and it pains me to say they're both likely to go to my least favorite of the nominated films.
BEST DIRECTOR
- George Miller, Mad Max: Fury Road
- Alejandro Inarritu, The Revenant
- Tom McCarthy, Spotlight
- Lenny Abrahamson, Room
- Adam McKay, The Big Short
You can't bet against the DGA in this category, ever, unless for some reason the DGA winner was not nominated for Best Director, ala Ben Affleck in 2012. But here, Alejandro Inarritu made history as the first person to win the DGA back to back, and he will very likely take the directing Oscar again as well. There are two others in Oscar history who won back to back directing prizes, and that was John Ford (1940's The Grapes of Wrath and 1941's How Green Was My Valley) and Joseph L. Mankiewicz (1950's All About Eve and 1951's A Letter to Three Wives). So that's quite an exclusive little club he's about to join. Coincidentally, both of those other directors only won Best Picture with one of their films, so Inarritu will very likely make history of his own this weekend as well, by winning Best Picture and Best Director two years in a row.
Winner: Alejandro Inarritu
Alternate: George Miller (this is a pipe dream on my part- it won't happen)
BEST PICTURE
- Brooklyn
- Bridge of Spies
- The Big Short
- Room
- The Revenant
- Spotlight
- Mad Max: Fury Road
- The Martian
Okay, so full disclosure here. I really didn't like The Revenant. It's my least favorite film of everything nominated and I would literally prefer just about anything else to win instead. But, the DGA win combined with the recent Bafta wins seem to show that all the momentum, if there is any, is barreling towards this movie. Interestingly, this was the first year in a long time that the three major guilds (PGA, SAG and DGA) all went for a different film. The Big Short came in on top with PGA, Spotlight took the SAG and DGA went for The Revenant- for the last 7 years, the PGA's preferential ballot, which is the only one that matches the Academy's, has gotten Best Picture right, but historically speaking, DGA has always been the stronger precursor, and in a split year like this, it's the wisest move to stick with the decades long historical trend, plus the fact that predicting a split between Picture and Director is rare.
The last time it happened was when Alfonso Cuaron won Director and 12 Years a Slave won Picture- but there was a really strong "guilt" factor going on with 12 Years, given how many Academy voters to this day publicly refused to even watch the movie and admitted to voting for it anyway, because it was the "right thing to do." That definitely does not apply to the PGA's choice in The Big Short this year. The Revenant is a big hit, it's a sweeping historical epic, it's got the Best Actor and Director winners, it's the kind of technical filmmaking achievement film awards were made for. There's just not enough of a reason to bet against it at this point. Spotlight stands a chance as the actor's choice (although there's really nothing else it can win besides screenplay) and Big Short has that PGA ballot behind it, but with voting happening this week it may just feel like old news.
The choice seems obvious, no matter how indifferent I personally am towards this film.
Winner: The Revenant
Alternate: Spotlight
Dark Horse: The Big Short
Oscar Predictions 2016, Part 4: Acting
Okay, we're done with the techs! Time to move on to the acting awards, the big ones that people actually watch the show for, right? Well, don't worry Leo stans, you're all getting your wish this year.
BEST ACTOR
- Leonardo DiCaprio, The Revenant
- Michael Fassbender, Steve Jobs
- Eddie Redmayne, The Danish Girl
- Matt Damon, The Martian
- Bryan Cranston, Trumbo
Leo seems to have this in the bag, he's won everything else, and now the people who are inexplicably obsessed with him winning an Oscar (I think more than he is) can finally shut the hell up, because it's happening. Too bad it's for a movie where he barely spoke. I think he should have won for Wolf of Wall Street, if he was going to win one of these, which he doesn't necessarily deserve, and I say that as as big a Leo fan as anybody- I was one of the original Titanic fangirls, believe me. But he's not exactly Robert DeNiro in his prime, okay? He tries really hard, but he's too big a matinee idol to ever be a chameleon or a character actor, and this is first and foremost an award for being a massive movie star who brought a movie like The Revenant to over 160 million dollars. If we're going by actual performance, Fassbender deserves this hands down.
Winner: Leonardo DiCaprio
BEST ACTRESS
- Brie Larson, Room
- Saoirse Ronan, Brooklyn
- Cate Blanchett, Carol
- Charlotte Rampling, 45 Years
- Jennifer Lawrence, Joy
Another one I don't really agree with. Brie Larson has won everything leading up to this, so I guess it's hers. Look, I saw Room and I did like it, but she was practically a supporting performance to little Jacob Tremblay, who carried that whole film on his shoulders. I prefer Saoirse Ronan, who really was her entire movie and didn't have to be histrionic in any sense to be convincing. But I rarely agree with the winners here.
Winner: Brie Larson
BEST SUPPORTING ACTOR
- Sylvester Stallone, Creed
- Christian Bale, The Big Short
- Mark Ruffalo, Spotlight
- Mark Rylance, Bridge of Spies
- Tom Hardy, The Revenant
Sylvester Stallone has won the Golden Globe and the Critics Choice award, and even though he wasn't even nominated at SAG and Bafta, his standing ovations at every awards show he's made an appearance at (including the BET awards!) show you just how beloved he is after all these years, and how much people really want to give him that trophy. In other words, like Leo, he's really coasting on stardom this year, and this is kinda like when John Wayne finally won an Oscar in his old age that was primarily seen as a "we love you, thank you for being you," award. Funnily enough, Stallone's filmography doesn't include nearly as many great movies or acting roles, but c'mon, he's Rocky Balboa, people! Even I can't be too cynical about this one- I'd like to see him win that Oscar too. And you know what? He was great in Creed.
Winner: Sylvester Stallone
Alternate: Mark Rylance (he won the Bafta, and if there's any groundswell for someone else, I guess it would be him)
BEST SUPPORTING ACTRESS
- Alicia Vikander, The Danish Girl
- Kate Winslet, Steve Jobs
- Rooney Mara, Carol
- Jennifer Jason Leigh, The Hateful Eight
- Rachel McAdams, Spotlight
This is the one acting category that I actually don't think is set in stone. I'm predicting Alicia Vikander for her LEADING role in The Danish Girl, because she won the SAG award and the Critics Choice, but Kate Winslet winning that Golden Globe and Bafta award does not mean nothing. It's true that she wasn't competing against Vikander for Danish Girl at those shows, because some places did the right thing and placed her in lead where she belonged (although she was still up against her for Ex Machina), but Winslet is still a respected actress and an Academy Award winner already, and not someone they'd necessarily balk at giving another Oscar to. And Alicia Vikander is new, still unknown, and her film is very little seen. I'm going to say the SAG outweighs the other two groups, but we could definitely see a Kate upset here.
Winner: Alicia Vikander
Alternate: Kate Winslet
Michael Fassbender and Alicia Vikander Star in 'The Light Between Oceans'
Real life couple and Oscar nominated duo Fassbender and Vikander are starring in what looks like a pretty heavy melodrama from the guy who directed The Place Beyond the Pines and Blue Valentine, neither of which I saw. The story looks a little much though, if this trailer is anything to go by. Ostensibly a tearjerker, but the heavy sentiment looks a little too heavy for my taste.