I don't know why the sound editing guild waited until the night before the Oscars to give out their awards, but I guess it didn't make much of a difference in anyone's predictions either way, because the frontrunners for this award actually tied in the top prize. So I feel a bit better about sticking with The Revenant for both sound categories now, but there's still a slight chance that Mad Max can pull off the editing one, I suppose.
- Dialogue and ADR: Bridge of Spies
- Music Editing: Star Wars: The Force Awakens
- Sound Effects Editing and Foley: tie-The Revenant and Mad Max: Fury Road