So I guess Harrison Ford is just going to reprise every single one of his career-defining roles for their decades later sequels/reboots, etc? The sucky thing about him coming back for this one is that this confirms his character in the original was officially not a replicant. Right? Which takes away all that great ambiguity from the final scene. Arrival's Denis Villeneuve was tapped to direct this, and though he's actually not a bad replacement for Ridley Scott's cold, distant touch, I don't know how they can possibly recreate the most iconic thing about Blade Runner, which was its set design and special effects, some of the most influential of all time. It's now all CGI of course, but that can't possibly look the same as the effects from 1982. Even if they're technically "better," it won't be the same city.
Oscar Shortlists for Visual Effects and Foreign Film Are Out
The Academy has announced the shortlists for some of its specialized categories, and the one with the biggest omissions has got to be its foreign-language film list. Here are the nine films to advance in the foreign film race for this year:
- Tanna (Australia)
- It's Only the End of the World (Canada)
- Land of Mine (Denmark)
- Toni Erdmann (Germany)
- The Salesman (Iran)
- The King's Choice (Norway)
- Paradise (Russia)
- A Man Called Ove (Sweden)
- My Life as a Zucchini (Switzerland)
Okay, so the big snub here is Paul Verhoeven's Elle, from France. It was universally acclaimed and Isabelle Huppert is still considered to have a good chance for the Oscar nomination, but I was never totally sure that would make it in here. The Academy's foreign-language film committee is still pretty stuffy, and ever since I saw it I doubted that a black comedy with such violent rape scenes (and that a lot of people frankly consider to be pulp) would make the cut. So I was less shocked about that omission than others. It's also apparent that South Korea really should have submitted The Handmaiden instead of The Age of Shadows, which didn't even make it to the shortlist, while the former won great acclaim at Cannes, is now being hailed by critics everywhere and probably could have. Finally, the animated My Life as a Zucchini (above) is a surprise to see here, as I figured that one was going to be a sure bet from the animated branch, but I'd be shocked to see it nominated in Foreign-Language as well. The frontrunner for this category remains Germany's Toni Erdmann though, which has won many critics prizes and just swept the European Film Awards as well.
VISUAL EFFECTS
- Arrival
- The BFG
- Captain America: Civil War
- Deepwater Horizon
- Doctor Strange
- Fantastic Beasts and Where to Find Them
- The Jungle Book
- Kubo and the Two Strings
- Passengers
- Rogue One: A Star Wars Story
Meanwhile, the Oscar race for visual effects has advanced ten films to the finals, and I have a strong feeling that The Jungle Book is probably the frontrunner in this category, given that the whole film is basically a visual effect, aside from Mowgli himself. My prediction for the final five is Arrival, Doctor Strange, Jungle Book, Fantastic Beasts and....Rogue One? Well, it's between that and The BFG to be honest. The latter was a massive flop, but the effects played such a huge role, and on the other hand, how many times have we seen the same Star Wars effects?
Phoenix, Chicago and Vegas Critics Weigh In With Love for Natalie Portman, 'The Handmaiden'
More critics groups, coming steadily from now through January (or at least the end of the month). They split up two for Moonlight, one for La La Land this time, but you'll notice there does now appear to be a consensus emerging among the regional critics groups for Natalie Portman in Best Actress. Hmm. I may be flat out wrong about Emma Stone's chances after all.
CHICAGO FILM CRITICS ASSOCIATION
'The Handmaiden' is racking up critics wins all over the place
- Best Supporting Actor: Mahershala Ali, MOONLIGHT
- Best Original Score: JACKIE
- Best Cinematography: LA LA LAND
- Best Editing: LA LA LAND
- Best Art Direction/Production Design: THE HANDMAIDEN
- Most Promising Performer: Lucas Hedges, MANCHESTER BY THE SEA
- Most Promising Filmmaker: Robert Eggers, THE WITCH
- Best Supporting Actress: Michelle Williams, MANCHESTER BY THE SEA
- Best Foreign Language Film: THE HANDMAIDEN
- Best Documentary: OJ: MADE IN AMERICA
- Best Animated Feature: KUBO AND THE TWO STRINGS
- Best Original Screenplay: MANCHESTER BY THE SEA
- Best Adapted Screenplay: THE HANDMAIDEN
- Best Actor: Casey Affleck, MANCHESTER BY THE SEA
- Best Actress: Natalie Portman, JACKIE
- Best Director: Barry Jenkins, MOONLIGHT
- Best Picture: MOONLIGHT
Not a lot to note in this picks, except the ongoing love for The Handmaiden, which clearly should have been South Korea's Oscar entry. These guys loved it so much they gave it the screenplay award.
LAS VEGAS FILM CRITICS SOCIETY
Natalie Portman appears to be gaining momentum in Best Actress
- Best Picture: La La Land
- Best Actor: Casey Affleck – Manchester by the Sea
- Best Actress: Natalie Portman – Jackie
- Best Supporting Actor: Michael Shannon – Nocturnal Animals
- Best Supporting Actress: Viola Davis – Fences
- Best Director: Damian Chapelle - La La Land
- Best Adapted Screenplay: Nocturnal Animals
- Best Original Screenplay: La La Land
- Best Cinematography: La La Land
- Best Film Editing: Moonlight
- Best Score: La La Land
- Best Song: “City of Stars” – La La Land
- Best Action Film: Captain America: Civil War
- Best Documentary: O.J.: Made in America
- Best Animated Film: Kubo and the Two Strings
- Best Foreign Language Film: The Handmaiden
- Best Costumes: The Witch
- Best Art Direction: La La Land
- Best Visual Effects: The Jungle Book
- Best Comedy: The Nice Guys
- Best Horror/Sci-Fi: The Witch
- Best Family Film: The Hunt for the Wilderpeople
- Best Ensemble: Hidden Figures
- Breakout Filmmaker: Barry Jenkins, Moonlight
- Youth in Film: Lucas Hedges – Manchester by the Sea
- William Holden Lifetime Achievement Award: Kirk Douglas
Vegas goes all in for La La Land, but still chooses Portman in Actress, which is now giving me pause, as I said earlier. I have a feeling Emma Stone is being perceived as playing herself in the movie- will the Academy agree and make Natalie Portman a two-time winner over the lead in the Best Picture frontrunner?
PHOENIX CRITICS CIRCLE
'The Lobster' has won several critics' prizes and could be a dark horse contender for an Original Screenplay Oscar nomination
- Best Picture: Moonlight
- Best Comedy Film: Hunt for the Wilderpeople
- Best Science Fiction Film: Arrival
- Best Horror Film: The Witch
- Best Mystery or Thriller Film: Hell or High Water
- Best Animated Film: Kubo and the Two Strings
- Best Foreign Language Film: The Handmaiden
- Best Documentary: O.J.: Made in America
- Best Actor: Casey Affleck, Manchester by the Sea
- Best Actress: Natalie Portman, Jackie
- Best Supporting Actor: Mahershala Ali, Moonlight
- Best Supporting Actress: Viola Davis, Fences
- Best Director: (Tie) Damian Chazelle, La La Land and Barry Jenkins, Moonlight
- Best Screenplay: The Lobster
- Best Score: La La Land
Oddly, there are two critics groups in Phoenix, so we haven't heard the last out of that city, but this one chose Moonlight and the consensus four acting winners, with a tie for the two directors in the running. I like the screenplay win for The Lobster, one of the most wildly original movies I've seen in years.
Amy Schumer and Goldie Hawn Team Up for 'Snatched'
Amy Schumer was really excited to make this mother-daughter comedy romp with Goldie Hawn and basically pulled her out of retirement to do so, but...I don't know. It doesn't look that great to me. Despite that I can imagine it possibly doing well on Mother's Day weekend, if people are interested in the pairing and everything.
REVIEW: "Sully" (2016) Tom Hanks, Aaron Eckhart. Dir. Clint Eastwood
Tom Hanks is easy to take for granted by now, but this later stage of his career sees him inhabiting American heroes in that easy, understated, un-actorly way of his that makes him most natural in all of them, whether it’s Richard Phillips in Captain Phillips, lawyer James B. Donovan in Bridge of Spies or the latest, Captain Chesley Sullenberger in Clint Eastwood’s Sully. This one may be his most convincing yet- as the grizzled, serious, very modest professional, he comes across as a decent man befuddled at his recent celebrated hero status while he comes to grips with post-traumatic flashes of the event and prepares to defend his own actions on that fateful day of January 15th, 2009.
We remember this of course. That was the day that Captain Sully rescued all 155 people aboard US Airways Flight 1549 by successfully executing a water landing in the Hudson River after a flock of birds hit the plane less than 15 minutes after takeoff, blowing out both engines. All of New York’s rescue workers immediately came together to save the people stranded on the wings of the airplane as it balanced on the water in subzero temperatures, taking 24 minutes total to get everyone to safety. We remember the pictures, we remember the famous headline (“Miracle on the Hudson”) and we remember the pilot himself.
We may remember the event like it was yesterday, but I have to admit to wondering how they would stretch that event into a 90-minute movie, unless maybe it was going to go down in real time, Paul Greengrass-style. But that’s not Clint Eastwood’s MO of course, who films it as an unconventionally structured docudrama, following Sully and his co-pilot (Aaron Eckhart) on their media travails, while Hanks brings Sully’s uneasiness with his new celebrity, his money woes, and his professionalism to life. The plane crash itself takes place in three different flashbacks from three different angles, which does lend some credence to the idea that they had to stretch this out to feature film length. The phone calls between Sully and his wife (Laura Linney in a somewhat thankless woman-on-the-phone role) also feel like filler here. But the crash and rescue sequence delivers, as the intensity of the moment feels real and vivid, especially as the rest of New York’s emergency workers come together like a well-oiled machine to pull off the miracle.
Sully’s meetings with the NTSB (National Transportation Safety Board) took place eighteen months after the crash, but for economy’s sake are written into the film to happen within weeks of the incident, and behind closed doors during the ensuing media frenzy. Aside from the riveting crash sequences, it’s Hanks who holds the movie together, and by letting Sully be played by such an automatically sympathetic and inherently watchable screen star, we see once again what has made Hanks such a long lasting presence in American cinema. It’s his everyguy specialness, his ability to make the ordinary and every day occurrences seem bigger than that, therefore when one of his heroes pulls off the extraordinary, it’s that much more believable. When you see him like this it’s a reminder that his talent lies not so much in being himself as in being one of us. And you see again what a rare gift that is.
* * *
More Critics Love for 'Moonlight,' 'Hell or High Water'
More critics! The African-American Film Critics Association weighed in with a lot of love for Moonlight, while Dallas Ft. Worth agreed and San Diego went their own way, choosing to award Hell or High Water with the top spot.
AFRICAN AMERICAN FILM CRITICS ASSOCIATION
- Best Picture: Moonlight
- Best Director: Barry Jenkins, Moonlight
- Best Actor: Denzel Washington, Fences
- Best Actress: Ruth Negga, Loving
- Best Supporting Actor: Mahershala Ali, Moonlight
- Best Supporting Actress: Viola Davis, Fences
- Best Ensemble: The cast of Hidden Figures
- Breakout Performance: Janelle Monae, Moonlight and Hidden Figures
- Best Independent Film: Moonlight
- Best Animation Film: Zootopia
- Best Song: "Victory," Hidden Figures
- Best Documentary: 13th
- Best Foreign Film: Tanna
- Best Screenplay: Fences
Moonlight, Fences, and Hidden Figures did very well here, as well as Ruth Negga (above) for Loving in Best Actress, which is nice to see. And a deviation in documentary towards Ava Duvernay's 13th, which is on Netflix right now for those interested.
SAN DIEGO FILM CRITICS SOCIETY
- Best Picture: HELL OR HIGH WATER
- Best Director: David Mackenzie, HELL OR HIGH WATER
- Best Actor, Male: Casey Affleck, MANCHESTER BY THE SEA
- Best Actor, Female: Sonia Braga, AQUARIUS
- Best Supporting Actor, Male – Tied: Ben Foster, HELL OR HIGH WATER & Mahershala Ali, MOONLIGHT
- Best Supporting Actor, Female: Michelle Williams, MANCHESTER BY THE SEA
- Best Comedic Performance: Ryan Gosling, THE NICE GUYS
- Best Ensemble: HELL OR HIGH WATER
- Breakthrough Artist: Lily Gladstone, CERTAIN WOMEN
- Best Original Screenplay: HELL OR HIGH WATER
- Best Adapted Screenplay: LOVE & FRIENDSHIP
- Best Documentary: WEINER
- Best Animated Film: KUBO AND THE TWO STRINGS
- Best Foreign Language Film: MOUNTAINS MAY DEPART
- Best Editing: SULLY
- Best Cinematography: HELL OR HIGH WATER
- Best Production Design: HAIL, CAESAR!
- Best Visual Effects: THE JUNGLE BOOK
- Best Costume Design: LA LA LAND
- Best Use of Music in a Film: SING STREET
- Body of Work: Michael Shannon – NOCTURNAL ANIMALS, MIDNIGHT SPECIAL, LOVING, ELVIS & NIXON
The San Diego critics really loved Hell or High Water and became the first critics group to give Best Picture to something besides the big three, which is a nice change. They also went for some interesting, outside the box choices in the techs as well.
DALLAS FT. WORTH FILM CRITICS ASSOCIATION
- BEST PICTURE: MOONLIGHT
- BEST DIRECTOR: Barry Jenkins, MOONLIGHT
- BEST ACTOR: Casey Affleck, MANCHESTER BY THE SEA
- BEST ACTRESS: Natalie Portman, JACKIE
- BEST SUPPORTING ACTOR: Mahershala Ali, MOONLIGHT
- BEST SUPPORTING ACTRESS: Viola Davis, FENCES
- BEST FOREIGN LANGUAGE FILM: THE HANDMAIDEN
- BEST DOCUMENTARY: TOWER
- BEST ANIMATED FILM: ZOOTOPIA
- BEST SCREENPLAY: MANCHESTER BY THE SEA
- BEST CINEMATOGRAPHY: LA LA LAND
- BEST MUSICAL SCORE: LA LA LAND
And Dallas Ft. Worth really didn't stray outside the norm at all, except for the animated movie Tower (above) in documentary.
Christopher Nolan Tackes WWII in 'Dunkirk' Trailer
I don't know about anybody else but this kinda looks like your generic WWII action movie to me. Probably more serious-minded, like with Oscar contention in mind, but where's the story and the characters? Is the whole thing set at the battle of Dunkirk, kind of like Black Hawk Down or something? I don't know- this doesn't seem like a Nolan movie, and I can't help but wonder if he really is trying to get the Academy's attention after their continual overlooking of him for his genre fare.
'Manchester' grabbed four SAG nominations this morning
'Manchester By the Sea' Leads the SAG Nominations
'Manchester' grabbed four SAG nominations this morning
Well, just when I've all but wrapped the Oscar race in my mind this year, here comes SAG with the outright snubbing of La La Land in Best Ensemble! That's the big surprise, since every single Best Picture winner of the past twenty years has at least been nominated for SAG's BP equivalent. Does that mean it can't win? I don't know about that. Lots of precedents have been broken in recent years. I think it can still go all the way, it'll just be the first movie to win without a SAG ensemble nod since Braveheart in 1995 (which was the very first year of the SAG awards, interestingly enough). On the other hand, these are the first industry nominations of the year, so the fact that they snubbed it (even though they did nominate both Gosling and Stone) could mean something. We just don't know yet.
Best Film Ensemble
“Captain Fantastic”
“Fences”
“Hidden Figures”
“Manchester by the Sea”
“Moonlight”
Best Actor
Casey Affleck, “Manchester by the Sea”
Andrew Garfield, “Hacksaw Ridge”
Ryan Gosling, “La La Land”
Viggo Mortensen, “Captain Fantastic”
Denzel Washington, “Fences”
Best Actress
Amy Adams, “Arrival”
Emily Blunt, “The Girl on the Train”
Natalie Portman, “Jackie”
Emma Stone, “La La Land”
Meryl Streep, “Florence Foster Jenkins”
Best Supporting Actor
Mahershala Ali, “Moonlight”
Jeff Bridges, “Hell or High Water”
Hugh Grant, “Florence Foster Jenkins”
Lucas Hedges, “Manchester by the Sea”
Dev Patel, “Lion”
Best Supporting Actress
Viola Davis, “Fences”
Naomie Harris, “Moonlight”
Nicole Kidman, “Lion”
Octavia Spencer, “Hidden Figures
Michelle Williams, “Manchester by the Sea”
Best Stunt Ensemble
“Captain America: Civil War”
“Doctor Strange”
“Hacksaw Ridge”
“Jason Bourne”
“Nocturnal Animals”
Other things of note in these nominations- as was the case last year, there's no lack of diversity within SAG, as the 100,000 member branch includes many TV actors and the entire AFTRA wing, which means there's radio journalists and other TV people who aren't even actors in the voting membership. But this means no single category aside from Best Actress (hopefully that will change someday) is made up of all white people. So that's a good thing, but the categories usually match Oscar 4 for 5 or even 3 for 5, so there will be some names not included on Oscar morning. I'm guessing Emily Blunt's a no go, to be replaced by either Annette Bening or Isabelle Huppert. Hugh Grant is a question mark, but it looks like actors liked his and Meryl Streep's film Florence Foster Jenkins, so maybe there's a chance for him after all these years. And I don't know what's going on with this Captain Fantastic movie or why they liked it so much here, but the Best Actor category is weak so maybe that means Viggo gets in? Of the weak SAG nominees for BP at the Oscars, obviously it's that one and Hidden Figures- the rest are probably getting in. I'm not sure why Tom Hanks continues to be overlooked- he was great in Sully, but people must just think he's playing himself in these late career movies of his. One last note- if La La Land is still the Best Picture frontrunner, I would definitely expect Emma Stone to win Best Actress at SAG, since it's now pretty much the only place they can award the film.
Will Meryl Streep get her 20th Oscar nomination and bring Hugh Grant along for the ride with his first?
Charlize Theron Joins the Gang in 'The Fate of the Furious'
I have a feeling I have a better time watching the trailers for these movies than I would if I actually sat through them. It's also just funny to see how many different variations of titles using the words "fast" and "furious" they can come up with- is that like, one person's specific job now? The action looks as always, insane and beyond ridiculous, but I guess that's what people like about these. Eh. Good old-fashioned campy fun or just plain stupid? You tell me.
REVIEW: "The Red Turtle" (2016) Dir. Michael Dudok de Wit
A beautiful new animated film produced in part by Studio Ghibli is just what we need to counter the onslaught of CGI films that flood the marketplace for kids, who are routinely being exposed to a lot of the same kinds of stories. The Red Turtle is something different- a near silent film that manages to be the perfect antidote to the usual perky, do-gooder formula of most American animation, with a gorgeous and moving tale of life on a deserted island, one that illustrates every stage of it with remarkable perception.
We begin with a man who has been shipwrecked and drifts onto the shore of a small island as the wreckage of his boat floats away. We know nothing about this anonymous man, nor will we learn anything- he is simply trapped alone on this fairly small land mass, with nothing to do but survive and try over and over again to escape. He fights his own feelings of despair and occasional hallucinations of being rescued, and eventually he builds a raft and makes several attempts to leave the island, each time being hindered by the efforts of an enormous red turtle that for some reason does not want him to get away. There is a magical element to this story, as in time the turtle comes ashore and appears to die, shedding its shell to reveal a human woman of a similar age as the man, someone who intends to be his permanent companion on this deserted isle that now belongs to them.
After the two begin a life together, eventually a baby comes along to join them as the circle of life goes forward (in some ways you can see this as the animated, more mature version of something like The Blue Lagoon). It’s as simple as it sounds- man meets woman, the two fall in love, a baby comes along, the baby grows into a man himself, the child leaves home, and the two parents grow old together as death comes knocking. It’s a cycle that plays itself out in beautiful hand drawn animation with an eye for detail and lush colors in every frame- a meditative, wordless experience that may try the patience of younger viewers as it plays to the emotions of adults entranced by the visuals. If there’s any hesitation about this film, it may be that even at 80 minutes in length, it feels a bit long, and given the nature of the concept, you wonder if this may have played just as well as a 30 minute short, so as to pack a harder punch in a more concise period of time.
* * * 1/2
'La La Land' Leads the Golden Globe Nominations with 7 Nods
As expected, the Oscar frontrunner delivered on the Globe nominations today, leading the pack with 7 total, while Moonlight and Manchester By the Sea solidified their positions in the race with the expected nods in Picture, Director, Screenplay and Acting. Elsewhere, the Globes did their usual quirky thing, showing love for oddball contenders like Nocturnal Animals (they really liked that one- even Tom Ford got a directing nod), Florence Foster Jenkins, Deadpool in Picture and Actor on the Comedy/Musical side (the first ever superhero movie to be nominated there) and hey, there's Sing Street in Best Picture too! Although no song nomination for it? The big snubs were Tom Hanks and Sully, Martin Scorsese and Silence, and Taraji P. Henson, even though they seemed to like Hidden Figures. Also no Arrival in Best Picture, so that one may still be a question mark. But of course, the Hollywood Foreign Press is 90 foreign journalists and not the industry voters- we'll hear from them starting with the SAG noms on Wednesday, which could tell a different story. It's also notable that the HFPA decided to welcome back Mel Gibson, with his first directing nomination in two decades, as well as his film in Best Picture and Best Actor. We'll see if the industry does as well.
Best Film Drama
“Hacksaw Ridge”
“Hell or High Water”
“Lion”
“Manchester by the Sea”
“Moonlight”
Best Film Drama Actor
Casey Affleck, Manchester By The Sea”
Joel Edgerton, “Loving”
Andrew Garfield,”Hacksaw Ridge”
Viggo Moretensen,”Captain Fantastic”
Denzel Washington,”Fences”
Best Film Drama Actress
Amy Adams, “Arrival”
Jessica Chastain, “Miss Sloane”
Isabelle Huppert, “Elle”
Ruth Negga, “Loving”
Natalie Portman, “Jackie”
The leads from 'Loving' were recognized by the Globes
Best Film Comedy/Musical
”20th Century Women”
”Deadpool”
”Florence Foster Jenkins”
”La La Land”
”Sing Street”
Best Film Comedy/Musical Actor
Colin Farrell, “The Lobster”
Ryan Gosling, “La La Land”
Hugh Grant, “Florence Foster Jenkins”
Jonah Hill, “War Dogs”
Ryan Reynolds, “Deadpool”
Best Film Comedy/Musical Actress
Annette Bening, “20th Century Women”
Lily Collins, “Rules Don’t Apply”
Hailee Steinfeld, “Edge of Seventeen”
Emma Stone, “La La Land”
Meryl Streep, “Florence Foster Jenkins”
Best Film Supporting Actor
Mahershala Ali, “Moonlight”
Jeff Bridges, “Hell or High Water”
Simon Helberg, “Florence Foster Jenkins”
Dev Patel, “Lion”
Aaron Taylor Johnson, “Nocturnal Animals”
Weinstein Co.'s 'Lion' got in for some Globes love
Best Film Supporting Actress
Viola Davis, “Fences”
Naomie Harris, “Moonlight”
Nicole Kidman, “Lion”
Octavia Spencer, “Hidden Figures”
Michelle Williams, “Manchester by the Sea”
Best Director
Damien Chazelle, “La La Land”
Tom Ford, “Nocturnal Animals”
Mel Gibson, “Hacksaw Ridge”
Barry Jenkins, “Moonlight”
Kenneth Lonergan, “Manchester By The Sea”
Best Screenplay
“Hell Or High Water”
“La La Land”
“Manchester By The Sea”
“Moonlight”
“Nocturnal Animals”
Best Score
“Arrival”
“Hidden Figures”
“La La Land”
“Lion”
“Moonlight”
'Nocturnal Animals' nodded in several categories
Best Song
“Can’t Stop the Feeling”, “Trolls”
“City Of Stars”, “La La Land”
“Faith”, “Sing”
“Gold”, “Gold”
“How Far I’ll Go”, “Moana”
Best Animated Feature
“Kubo and the Two Strings”
“Moana”
“My Life As A Zucchini”
“Sing”
“Zootopia”
Best Foreign Language Film
“Devine”
“Elle”
“Neruda”
“The Salesman”
“Toni Erdmann”
'My Life as a Zucchini' is a dark horse contender for animated feature
More Critics Groups Award 'Moonlight,' 'La La Land'
Four regional critics groups chose winners today, with three of the four going for Moonlight in top honors, but the biggest organization, the Boston Film Critics, went for La La Land all the way.
BOSTON SOCIETY OF FILM CRITICS
'La La Land' continues to win over critics
Best Picture: La La Land
Best Director: Damien Chazelle, La La Land
Best Actor: Casey Affleck, Manchester by the Sea
Best Actress: Isabelle Huppert, Elle and Things to Come
Best Supporting Actor: Mahershala Ali, Moonlight
Best Supporting Actress, Lily Gladstone, Certain Women
Best Screenplay: Kenneth Lonergan, Manchester by the Sea
Best Documentary: O. J.: Made in America
These guys went very Oscar-y, aside from Lily Gladstone, a dark horse contender in a dark horse film almost guaranteed not to be recognized by the Oscars. Otherwise it's more confirmation for our musical frontrunner.
NEW YORK FILM CRITICS ONLINE
Park Chan-wook's 'The Handmaiden' landed some foreign film prizes today
- Best Picture: Moonlight
- Best Director: Barry Jenkins, Moonlight
- Best Ensemble Cast: Moonlight
- Best Actor: Casey Affleck, Manchester By the Sea
- Best Actress: Isabelle Huppert, Elle
- Best Supporting Actress: Viola Davis, Fences
- Best Supporting Actor: Mahershala Ali, Moonlight
- Best Documentary: 13th
- Best Animated Feature: Kubo and the Two Strings
- Best Foreign Language Film: The Handmaiden
- Best Debut Director: Robert Eggers, The Witch
- Best Screenplay: Moonlight
- Best Cinematography: Moonlight
- Best Use of Music: La La Land
- Breakthrough Performance: Ruth Negga
The NY online critics chose a couple of interesting choices in the The Handmaiden for Foreign Film and Ava Duvernay's 13th for documentary. But Moonlight has become the critics darling, so it's not surprising to see that film winning a lot this season.
TORONTO FILM CRITICS ASSOCIATION
Germany's 'Toni Erdmann' is a favorite for foreign-language film
- Best Picture: Moonlight
- Best Director: Maren Ade, Toni Erdmann
- Best Actress: Sandra Hüller, Toni Erdmann
- Best Actor: Adam Driver, Paterson
- Supporting Actress: Michelle Williams, Manchester by the Sea
- Supporting Actor: Mahershala Ali, Moonlight
- Foreign Language Film: Toni Erdmann
- Screenplay: Manchester by the Sea
- Documentary: Cameraperson
- First Feature: The Witch
- Animated: Zootopia
Toronto went for the celebrated German film Toni Erdmann, not just in foreign-language film but in Director and Actress as well, which is refreshing. Again, critics don't seem to have a consensus on Best Actress, with Isabelle Huppert seemingly the favorite with them, but it's certainly not locked in there.
SAN FRANCISCO FILM CRITICS CIRCLE
Denzel gets his first critics win as Best Actor for 'Fences'
- Best Picture: MOONLIGHT
- Best Director: Barry Jenkins, MOONLIGHT
- Best Actor: Denzel Washington, FENCES
- Best Actress: Isabelle Huppert, ELLE
- Best Supporting Actor: Mahershala Ali, MOONLIGHT
- Best Supporting Actress: Viola Davis, FENCES
- Best Screenplay, Original: MANCHESTER BY THE SEA & MOONLIGHT (tie)
- Best Screenplay, Adapted: ARRIVAL
- Best Cinematography: MOONLIGHT
- Best Production Design: THE HANDMAIDEN
- Best Original Score: JACKIE
- Best Film Editing: ARRIVAL & MOONLIGHT (tie)
- Best Animated Feature: THE RED TURTLE
- Best Foreign Language Picture: THE HANDMAIDEN
- Best Documentary: I AM NOT YOUR NEGRO
San Francisco goes for Moonlight, but also Denzel Washington over Casey Affleck, and hands a couple of prizes to Arrival as well (still my favorite of the year so far, but I'm late to the party in seeing the frontrunners).
