So the nomination season is kicking into high gear, with the Indie Spirit noms today, and the critics set to weigh in with top ten lists and their own awards over the next few weeks. Not sure you can tell too much from these ones though- over the last few years the Indie Spirits have been really trying to get back to their roots with genuine independent films taking the place of expected Oscar fare that had been infiltrating the awards body, to much complaining from its members. So here it looks like First Reformed (which also did well with the other independent film group, the Gothams) leads over all, with noms for Feature, Director, Actor and Screenplay. Barry Jenkins’ If Beale Street Could Talk also did well with three nominations, but otherwise they really spread the wealth this year, honoring everything from Eighth Grade and Leave No Trace to Private Life (three women nominated for Best Director even). I’m surprised BlacKkKlansman was shut out aside from one nod for Adam Driver- I wonder if that film can gain ground with Oscar or if it just hits too hard for some people. The other big question is if this indie love for First Reformed will translate to Oscar attention- I still wonder if it’s too small a film to get noticed by them.
BEST FEATURE
“Eighth Grade”
“First Reformed”
“If Beale Street Could Talk”
“Leave No Trace”
“You Were Never Really Here”
BEST DIRECTOR
Debra Granik, “Leave No Trace”
Barry Jenkins, “If Beale Street Could Talk”
Tamara Jenkins, “Private Life”
Lynne Ramsay, “You Were Never Really Here”
Paul Schrader, “First Reformed”
BEST FEMALE LEAD
Glenn Close, “The Wife”
Toni Collette, “Hereditary”
Elsie Fisher, “Eighth Grade”
Regina Hall, “Support the Girls”
Helena Howard, “Madeline’s Madeline”
Carey Mulligan, “Wildlife”
BEST MALE LEAD
John Cho, “Searching”
Daveed Diggs, “Blindspotting”
Ethan Hawke, “First Reformed”
Christian Malheiros, “Socrates”
Joaquin Phoenix, “You Were Never Really Here”
BEST SUPPORTING FEMALE
Kayli Carter, “Private Life”
Tyne Daly, “A Bread Factory”
Regina King, “If Beale Street Could Talk”
Thomasin Harcourt McKenzie, “Leave No Trace”
J. Smith-Cameron, “Nancy”
BEST SUPPORTING MALE
Raúl Castillo, “We the Animals”
Adam Driver, “BlacKkKlansman”
Richard E. Grant, “Can You Ever Forgive Me?”
Josh Hamilton, “Eighth Grade”
John David Washington, “Monsters and Men”
BEST SCREENPLAY
Richard Glatzer (Writer/Story By), Rebecca Lenkiewicz & Wash Westmoreland, “Colette”
Nicole Holofcener & Jeff Whitty, “Can You Ever Forgive Me?”
Tamara Jenkins, “Private Life”
Boots Riley, “Sorry to Bother You”
Paul Schrader, “First Reformed”
BEST FIRST FEATURE
“Hereditary”
“Sorry to Bother You”
“The Tale”
“We the Animals”
“Wildlife”
BEST FIRST SCREENPLAY
Bo Burnham, “Eighth Grade”
Christina Choe, “Nancy”
Cory Finley, “Thoroughbreds”
Jennifer Fox, “The Tale”
Quinn Shephard (Writer/Story By) and Laurie Shephard (Story By), “Blame”
BEST DOCUMENTARY
“Hale County This Morning, This Evening”
“Minding the Gap”
“Of Fathers and Sons”
“On Her Shoulders”
“Shirkers”
“Won’t You Be My Neighbor?”
BEST INTERNATIONAL FILM
“Burning” (South Korea)
“The Favourite” (United Kingdom)
“Happy as Lazzaro” (Italy)
“Roma” (Mexico)
“Shoplifters” (Japan)
JOHN CASSAVETES AWARD
“A Bread Factory”
“En El Septimo Dia”
“Never Going Back”
“Socrates”
“Thunder Road”
BEST CINEMATOGRAPHY
Ashley Connor, “Madeline’s Madeline”
Diego Garcia, “Wildlife”
Benjamin Loeb, “Mandy”
Sayombhu Mukdeeprom, “Suspiria”
Zak Mulligan, “We the Animals”
BEST EDITING
Joe Bini, “You Were Never Really Here”
Keiko Deguchi, Brian A. Kates & Jeremiah Zagar, “We the Animals”
Luke Dunkley, Nick Fenton, Chris Gill & Julian Hart, “American Animals”
Anne Fabini, Alex Hall and Gary Levy, “The Tale”
Nick Houy, “Mid90s”
ROBERT ALTMAN AWARD
“Suspiria”