Blu-Ray Pick of the Week: "Cape Fear" (1962)

After a couple of weeks off, the blu-ray releases are back in force, with 1962's classic Cape Fear the best today's bunch has to offer. For my money, this was a way better film than the 1991 Scorsese-directed version, with Robert Mitchum as a truly scary, sadistic psychopath stalking Gregory Peck and his family. Where Robert DeNiro tore up the scenery, Mitchum was calm, cool, collected and quietly terrifying. A villain for the ages in an era before there was such a thing as restraining orders.

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Original 1962 Trailer:

Oklahoma Critics Like "Her," North Texas Chooses "Gravity"

 More regional groups spoke up today, and the Oklahoma critics prefer Her for Best Picture. They also had some fun with their made up categories in those last couple listed:

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  • Film: Her
  • Actor: Chiwetel Ejiofor, 12 Years a Slave
  • Actress: Cate Blanchett, Blue Jasmine
  • Supporting Actor: Jared Leto, Dallas Buyers Club
  • Supporting Actress: Jennifer Lawrence, American Hustle
  • Original Screenplay: Her
  • Adapted Screenplay: 12 Years a Slave
  • Director: Alfonso Cuaron, Gravity
  • Animated Film: Frozen
  • Documentary: The Act of Killing
  • Foreign Language Film: The Hunt
  • First Feature: Fruitvale Station
  • Body of Work: Matthew McConaughey (Dallas Buyers Club, Mud and The Wolf of Wall Street)
  • Guilty Pleasure: Iron Man 3
  • Not-So-Obviously Worst Film: August: Osage County
  • Obviously Worst Film: Grown-Ups 2

Meanwhile, the North Texas critics like Gravity and Sandra Bullock for top prizes:

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  • Picture: Gravity
  • Director: Alfonso Cuaron, Gravity
  • Actor: Chiwetel Ejiofor, 12 Years a Slave
  • Actress: Sandra Bullock, Gravity
  • Supporting Actor: Jared Leto, Dallas Buyers Club
  • Supporting Actress: Jennifer Lawrence, American Hustle
  • Cinematography: Gravity
  • Animated Film: Frozen
  • Documentary: 20 Feet From Stardom
  • Foreign Language Film: Blue is the Warmest Color and The Grandmaster (tie)

REVIEW: "Prisoners" (2013) Hugh Jackman, Jake Gyllenhaal. Dir. Denis Villenueve


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There are certain kinds of material that, especially if not having the advantage of being "based on a true story," always runs the risk of veering into melodrama. Stalkers, serial killers, and stories of children being kidnapped and parents enacting revenge are the kinds of topics that Lifetime movies are often based on, and it takes a good director who can elevate this kind of material into gripping suspense without camp seeping in. That's essentially what French-Canadian director Denis Villenueve tries to do with Prisoners, and he only occasionally succeeds.

The movie starts off on a normal Thanksgiving in dreary Pennsylvania, with one family joining another for dinner, as the kids play with each other outside. The families are made up of good actors, with Hugh Jackman and Maria Bello as one couple, and Terence Howard and Viola Davis as the other. All of them give convincing portraits of ordinary people, Jackman especially in a role that's different from any other he's ever played- Keller Dover is an angry, conservative, doomsday preparer who already seems on edge as the holiday approaches. But things take a turn for the worse when the 6-year-old daughters of both couples disappear after wandering outside, and seem to have been snatched by the creepy guy in a nearby RV where they were playing (he's Paul Dano of course, who's now been completely typecast as "the creep" in every movie he appears in). A manhunt goes into effect, and police Detective Loki is called in, an interestingly tattooed expert who happens to have solved every case he's investigated (played very well by Jake Gyllenhaal).

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This is a long movie, and we spend a lot of time following Keller's continual crisis and descent into madness (although it's not much of a descent, seeing as the guy was already stacking bags of lye in his basement), which gives Hugh Jackman a chance to go big with the fury and emotion, which he does. And he does it well, coming off as a genuinely scary and threatening guy when he kidnaps Dano's character and starts torturing him for days, convinced he's the culprit despite no evidence and that he'll eventually talk. Gyllenhaal is especially good as the conflicted cop, and the actor seems to have taken on certain mannerisms and tics that suggest a more interesting backstory than what's explained about Loki (which is nothing), so all credit for that goes directly to him. But the movie does sink into that pulp crime area despite Villenuve's attempt to restrain the material with a constantly gray and/or rainy Pennsylvania setting and methodical procedural storytelling. This is an attempt to make a David Fincher movie without David Fincher behind the camera and it shows. The last half hour or so especially veers off into silliness, with Melissa Leo in overly hammy mode as the creepy aunt of Paul Dano, and some extremely convenient coincidences take place in order for everything to wrap up just right.

As a routine thriller this is better than your average offering, and it may be worth seeing if you're a fan of the actors, but the self-seriousnesss reveals itself as slightly pretentious, especially as it approaches the climactic third act and the cliches start piling up. I wasn't fooled.

* *

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Central Ohio Film Critics go for Gravity

It's been a while since a critics group weighed in, so here comes Ohio with their winners. Gravity wins big here:

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  • Picture: Gravity
  • Director: Alfonso Cuaron, Gravity
  • Actor: Chiwetel Ejiofor, 12 Years a Slave
  • Actress: Adele Exarchopoulos, Blue is the Warmest Color
  • Supporting Actor: James Franco, Spring Breakers
  • Supporting Actress: Jennifer Lawrence, American Hustle
  • Actor of the Year: Matthew McConaughey (Dallas Buyers Club, Mud, & The Wolf of Wall Street)
  • Ensemble: American Hustle
  • Original Screenplay: Her
  • Adapted Screenplay: The Wolf of Wall Street
  • Breakthrough Film Artist: Adele Exarchopoulos, Blue is the Warmest Color
  • Cinematography: Gravity
  • Score: Her
  • Animated Feature: The Wind Rises
  • Foreign Language Film: The Wind Rises
  • Documentary: The Act of Killing
  • Overlooked Film: Short Term 12

2013 Producers Guild Nominations

Well, the all important Producers Guild has announced its Best Picture nominees:

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  • 12 Years a Slave
  • American Hustle
  • Blue Jasmine
  • Captain Phillips
  • Dallas Buyers Club
  • Gravity
  • Her
  • Nebraska
  • Saving Mr. Banks
  • The Wolf of Wall Street

The PGA is important because it's roughly the same size as the Academy (a little smaller) and this is the only guild that uses the same ballot of preferential voting for Best Picture that the Academy does, so for the past four years (ever since the Academy upped its nominees from 5-10) the winner of the PGA has also won Best Picture. This also makes a strong argument that Dallas Buyers Club has enough support from both the actors (SAG) and the producers to make it into Best Picture at the Oscars. Everything else was pretty expected, although I'm surprised The Butler didn't make the cut. As well as the Coen's Inside Llewyn Davis, but I think that will be the one that replaces Blue Jasmine in the Oscar lineup. The PGA announces its winners January 19th. Next up, the Writer's Guild announces its screenplay nominees tomorrow.

PGA Animated Film Nominees:

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  • The Croods
  • Despicable Me 2
  • Epic
  • Frozen
  • Monsters University