Jimmy Fallon and The Roots give Adele Dazeem- oh sorry, I mean Idina Menzel- a chance to redo "Let it Go," after first getting her name flubbed and then being drowned out by the orchestra on the Oscars the other night. This time she nails it, especially the high note at the end:
Best Picture 1927-2014
This is kinda cool. A montage of all the Best Picture winners ever, from Wings through 12 Years a Slave:
Blu-Ray Pick of the Week: "Somewhere in Time" (1980)
This week's blu-ray is the unbearably sad time-traveling romance from 1980, starring Christopher Reeve and Jane Seymour. It's one of the few movies Reeve was known for outside of the Superman franchise, but it's a good one- sweet, old-fashioned and unabashedly romantic. He's a playwright in the present day who travels back in time to find his lost love, an actress in the early 1900's. The music from this movie might be the most famous thing about it, so iconic that it was played over the In Memoriam segment at the Oscars on Sunday. Check it out.
Trailer:
Recapping the Oscars 2014
PREDICTION SCORE: Well, Oscar season 2014 is officially over. 12 Years a Slave pulled off the Best Picture win and took home 3 awards, while Gravity won the most, earning 7 trophies including Director. All in all, my own predictions weren't too bad, as I got 19/24 correct, but I'm kicking myself for the unnecessary and stupid risks I took on the categories of editing, costumes and supporting actress. I couldn't do anything about that animated short guess, and I really did think American Hustle would take Screenplay, but had I stuck with my original instinct on those other three categories (as you can see if you read my analysis), and picked my alternate winner for each of them, I would have only gotten TWO wrong! That would have been a personal record. Sigh. Learned my lesson for next year, that's for sure.
THE SHOW: As for the show itself, it was a fairly drab and uneventful ceremony tonight. Ellen was a good host, but nothing she did was outstanding, except maybe for that selfie with the celebrities. The walking through the audience was pretty hit and miss, saved mostly by the celebs willing to play along. Performances were good, but some were totally random, like Pink sining "Over the Rainbow." I don't get why Bette Midler didn't sing "Wind Beneath My Wings" during the In Memoriam montage either, considering how the show ran really long tonight, at three and a half hours. On the bright side, at least the producers didn't play off a single winner, which was nice. I hate when those people get forced off the stage so fast. There was no memorable skit or even banter between presenters tonight, as they seemed to opt for as many musical performances as possible. The one spontaneous moment was Bill Murray's nice shout-out to Harold Ramis. And also John Travolta introducing Idina Menzel as "Adele Dazeem"- WTF?
WINNERS: I'm happy with the winners, as both 12 Years and Gravity are good movies that got their due. But poor American Hustle! So much for my belief that they wouldn't let it go home empty-handed. 0-10. Ouch. But I do think that 12 Years a Slave is their best Best Picture winner since The Hurt Locker in 2009. And it was great to see Lupita win Supporting Actress, who looked adorable in her headband.
HEROES THEME: It's time to get rid of this theme thing for the Oscar shows. Tonight's "heroes" theme basically meant a bunch of random montages celebrating movie heroes from recent action movies that don't get nominated for awards. It screams of cynical attention grabs towards a younger age group that probably doesn't watch this show anyway. It was all kind of pointless. And I'm sorry, but you do not show a clip from a Superman movie and choose the god awful Man of Steel over the Christopher Reeve one. Gross.
BEST DRESSED: Ok, so I do kinda love the red carpet despite the silliness of it all, so my favorite of the night (as she almost always is) was Charlize Theron. She's a fashion goddess that can do no wrong. And Jared Leto was rocking the white tux and red bowtie- the best dressed winner for sure. Worst I'd have to say was Pharell Williams, who traded in the giant hat for shorts on the red carpet- I mean, shorts?? Seriously?
2014 Academy Award Winners: '12 Years a Slave' Takes Best Picture
12 Years a Slave pulled it off tonight, as the Oscars did exactly what was predicted, split Best Picture and Best Director:
- BEST SUPPORTING ACTOR: Jared Leto, Dallas Buyers Club
- BEST COSTUME DESIGN: The Great Gatsby
- BEST HAIR & MAKEUP: Dallas Buyers Club
- BEST VISUAL EFFECTS: Gravity
- BEST ANIMATED SHORT: Mr. Hublot
- BEST LIVE-ACTION SHORT: Helium
- BEST DOCUMENTARY SHORT: The Lady in Number 6: Music Saved My Life
- BEST DOCUMENTARY: 20 Feet From Stardom
- BEST FOREIGN-LANGUAGE FILM: The Great Beauty
- BEST SOUND MIXING: Gravity
- BEST SOUND EDITING: Gravity
- BEST SUPPORTING ACTRESS: Lupita Nyong'o, 12 Years a Slave
- BEST CINEMATOGRAPHY: Gravity
- BEST EDITING: Gravity
- BEST PRODUCTION DESIGN: The Great Gatsby
- BEST ORIGINAL SCORE: Gravity
- BEST ORIGINAL SONG: "Let it Go," Frozen
- BEST ORIGINAL SCREENPLAY: Her
- BEST ADAPTED SCREENPLAY: 12 Years a Slave
- BEST ACTRESS: Cate Blanchett, Blue Jasmine
- BEST ACTOR: Matthew McConaughey, Dallas Buyers Club
- BEST DIRECTOR: Alfonso Cuaron, Gravity
- BEST PICTURE: 12 Years a Slave
12 Years a Slave took 3 Oscars- Picture, Screenplay, and Supporting Actress, while Gravity took home 7, becoming the first movie since Cabaret to win that many awards and not Best Picture.
BOX OFFICE 2/28-3/02: 'Non-Stop' Soars to #1; 'Son of God' in 2nd Place
Liam Neeson can really bring in those action crowds, as Non-Stop hauled in a solid $30 million for first place, knocking The Lego Movie down the charts. It scored an "A-" from audiences, who were evenly divided between male and female, over age 25, so it could stick around a while. In second was Mark Burnett's Son of God, which was kind of a packaged version of his Bible miniseries that aired on The History Channel a while ago. It played to religious crowds, obviously and earned $26.5 million over the weekend.
The Lego Movie came in third but still made $21 million to end up crossing $200 million total, while Frozen finally crossed $1 billion worldwide. In fourth was Monuments Men with $5 million and 3 Days to Kill behind it with $4 million, but they seem to be fizzling out at this point, while other new releases this weekend included Hayao Miyazaki's The Wind Rises in an English-dubbed version, which grossed a little over $1 million. The same goes for Anchorman 2, which came out this weekend in an alternate, 143-minute version which added scores of alternate/deleted scenes that supposedly added up to 95% "new jokes."
Top 5:
- Non-Stop- $30 million
- Son of God- $26.5 million
- The Lego Movie- $21 million
- The Monuments Men- $5 million
- 3 Days to Kill- $4.9 million
Next weekend it's the sequel 300: Rise of an Empire, along with the animated film Mr. Peabody & Sherman, plus Wes Anderson's latest, The Grand Budapest Hotel. Until then, enjoy the Oscars tonight!
'Movie 43' Named Worst Picture of the Year
I suppose I was wrong earlier- the Razzies, not the Indie Spirits, are the last stop before the Oscars, as Movie 43 dominated the field, along with the Smiths and After Earth. Personally, I was hoping for a stronger showing from Adam Sandler here, but Movie 43 definitely earned its horrible reputation.
- Worst Picture: Movie 43
- Worst Actor: Jaden Smith, After Earth
- Worst Actress: Tyler Perry, A Madea Christmas
- Worst Supporting Actor: Will Smith, After Earth
- Worst Supporting Actress: Kim Kardashian, Tyler Perry's Temptation
- Worst Director: "The 13 People Who Directed Movie 43"
- Worst Screenplay: Movie 43, written by 19 "Screenwriters"
- Worst Screen Combo: Jaden Smith & Will Smith on Planet Nepotism, After Earth
- Worst Remake, Rip-off, or Sequel: The Lone Ranger
'12 Years' Wins Big at the Independent Spirit Awards
At the last stop before the Oscars tomorrow, 12 Years a Slave cleaned up at the Independent Spirit Awards, taking Feature, Director, Supporting Actress, Cinematography and Screenplay. Could Oscar glory be next? Interestingly, all four acting winners here could repeat at the Academy Awards, which would be a first.
- Best First Screenplay: Nebraska
- Best Supporting Male: Jared Leto, Dallas Buyers Club
- Best First Feature: Fruitvale Station
- Best Film Editing: Short Term 12
- Best Ensemble: Mud
- Best Screenplay: 12 Years a Slave
- Best Cinematography: 12 Years a Slave
- Best Supporting Female: Lupita Nyong'o, 12 Years a Slave
- Best International Film: Blue is the Warmest Color
- Best Documentary: 20 Feet From Stardom
- Best Director: Steve McQueen, 12 Years a Slave
- Best Female Lead: Cate Blanchett, Blue Jasmine
- Best Male Lead: Matthew McConaughey, Dallas Buyers Club
- Best Feature: 12 Years a Slave
Movie of the Day: "Do the Right Thing" (1989)
Spike Lee's classic from 1989 is our final Movie of the Day celebrating Black History Month. At the time controversial, the film is still a provocative, vibrantly alive piece of filmmaking, brimming with energy in every frame. Taking place on one sweltering hot day in New York City, Lee stars as Mookie, the neighborhood pizza delivery guy, and his film dares to ask questions and bring up ideas about race relations that that are always being swept under the surface of our society. Do the Right Thing was famously snubbed for major Oscar nominations, probably due to the controversy surrounding it at the time (fears that it would cause riots, which now look absurd) but it holds up amazingly well today and remains one of the seminal films of the 1980's.
Trailer:
Final Oscar Predictions, Part 5: Picture and Director
So, the final predictions today for the big two, Best Director and Best Picture. Let's get to it:
BEST DIRECTOR
- Steve McQueen, 12 Years a Slave
- Alfonso Cuaron, Gravity
- David O. Russell, American Hustle
- Martin Scorsese, The Wolf of Wall Street
- Alexander Payne, Nebraska
This looks pretty settled for Alfonso Cuaron. He's won virtually everything- the Golden Globe, Critics Choice, DGA and BAFTA awards for director. At this point it'd be very surprising to see him lose. The only possibility that I can see is if the Academy decides to go nuts for 12 Years a Slave and award it in Picture and Director. But if even McQueen's hometown BAFTA awards wouldn't choose him it's hard to see how the Academy does. Cuaron or McQueen would make history, becoming either the first Latino or the first black director to win this award.
Winner: Alfonso Cuaron
Alternate: Steve McQueen
Dark Horse: David O. Russell (for the movie third in line to win Best Picture, but unlikely to happen).
BEST PICTURE
- 12 Years a Slave
- American Hustle
- Captain Phillips
- Dallas Buyers Club
- Gravity
- Her
- Nebraska
- Philomena
- The Wolf of Wall Street
Well, this is it. Obviously, you know by now that the top prize of the night belongs to either 12 Years a Slave or Gravity, but the truth is I have no idea which one it's more likely to be. American Hustle is in third place and could be the spoiler, and even though that would be the biggest surprise, it shouldn't be counted out completely- it has the actors branch behind it and this is a genuine three-way race. With the rest of my predictions, I've chosen Gravity to win 6 Oscars, and Picture would be its 7th. Very few films win that many awards without winning the top prize, but sci-fi is a genre that has never been awarded by the Academy in that way. Winning the directing prize alone will be a victory for it in that sense. But it won the Producers Guild (in a tie) and the Directors Guild, a combination which has been historically all but unbeatable for Best Picture in the past.
As for 12 Years, I've tapped it to win two, and Picture would make three, but It may not even win that many (I'm taking a risk on costumes). The last film to win just Picture and Screenplay was 1952's The Greatest Show on Earth, so if it pulls that off it'd be in very rare company. But the importance and the social significance of the film may tip the scales in its favor. It's won the Golden Globe, Critics Choice, Producer's Guild (where it tied with Gravity) and the BAFTA for Best Picture, but Steve McQueen has won no major awards for Best Director, which is very unusual for a Best Picture frontrunner, and places it in a weaker position than would normally be the case.
At this point, whatever wins is going to be some kind of anomaly, because the precursors have been so split between these two films. And to make things even more difficult, for this category only, the Academy uses a preferential ballot- a system no other awards body uses (except for the PGA, where they tied) that tallies the votes according to how a movie is ranked from 1-9. That basically means that in a razor tight race like this one, what matters most is where voters who didn't place either film at #1, for example the American Hustle voters, placed it relation to each other. In other words, whatever movie can rack up the most #2 and #3 votes is the winner. So if the voters intended to deliberately split the difference and give Cuaron director and 12 Years a Slave picture, the way all the other awards groups have done, that might not happen here.
I think if it was a simple popular vote then 12 Years a Slave would narrowly win. But in my opinion, the preferential ballot gives Gravity the edge (or even American Hustle), because it's a less divisive and more broadly popular movie that can tally up those second and third place votes.
But that's just a guess. And since I have no particular insight into the minds of the voters and I believe it's an honest-to-god 50% chance for either movie, I'm going to just go ahead and say 12 Years a Slave, because the importance of the subject will outshine the sci-fi genre (even though it's not really sci-fi) for the top honor, even if it manages to win very little else on its way to Best Picture. Or maybe I'm just too chicken to predict Gravity, given the Academy's long history of ignoring other movies like it, despite the fact that I have this little voice in my head screaming at me that the PGA/DGA combination plus the preferential ballot points to that film winning. Just know that I'm very torn about this and wouldn't be surprised to hear either name called.
Winner: 12 Years a Slave
Alternate: Gravity
Dark Horse: American Hustle
My Choice: Well, if I was voting it'd be Gravity. You know that Gravity was my favorite film of the year, and American Hustle was on my top ten as well, so I'd be happy to see either of those win. But I honestly wouldn't mind seeing 12 Years a Slave win either- it's a very good movie and so many people feel so passionately about it that I can't take anything away from it, even if it wasn't my personal favorite of last year (it would have made my top 20). Still, whatever wins I'll be fine with, because all three movies are a whole lot better than the last few winners for Best Picture (Argo, The King's Speech, The Artist), at least in my opinion. So, for one of the closest Oscar races in years, I'll be tuning in Sunday night excited to hear which name is called out on that envelope (and crossing my fingers to have gotten most of these predictions right as well). Don't forget to come back Sunday for my recap of the show, along with the full list of the night's winners!
Movie of the Day: "Honeydripper" (2007)
Independent filmmaker John Sayles wrote and directed this movie from 2007 about a blues club owner (Danny Glover) in 1950 Alabama, who tries to track down a guitar player to perform at his club. It's a look at the very beginnings of rock and roll, which of course came out of the blues music in African-American communities. It's a little known, smaller film, but it boasts a great ensemble cast along with some terrific music, and even has a bit of a spiritual bent to it in the form of a mysterious old guitar strummer who seems to haunt the town and Glover's character. You should seek this one out.
Trailer:
VIDEO: "Muppets Most Wanted"
This new trailer/music video for Muppets Most Wanted (coming out March 21st) reveals the opening song. It's a clever jab at Hollywood's love of sequels and franchises. Flight of the Conchords' Bret McKenzie, who won an Oscar for "Man or Muppet" for the last movie, returned to do the songs for this one:
What do you guys think?