I'm losing track of what actual trailer number this is- I could have sworn there already was a third trailer, but apparently that's this one, which means the last one must have been the second...oh whatever. This new one looks like the best one, at least it gives some new footage. Still not psyched for this though- I'll be seeing it, but I think I'm just superhero'd out. I mean, it can't be all that new- villain terrorizes the population, leading up to a climactic battle involving all the heroes, with a scattering of jokes and banter in between fight scenes, right? Did I miss anything?
TEASER: "Mr. Holmes"
Ian McKellen re-teams with his Gods and Monsters director Bill Condon for yet another version of the Sherlock Holmes story. This time, Holmes is an aging detective who sets out for, you got it, one last case. Eh- looks pretty mediocre, but I guess you never know. It's coming out in July.
2015 MTV Movie Award Nominations
Okay, so this is the awards show we've all really been waiting for, right? The most popular titles this year seemed to be Guardians of the Galaxy, Hunger Games and Neighbors, and overall these aren't nearly as bad as the People's Choice Awards, but I find them suspicious anyway. Don't ever forget, this is the same show that voted the Twilight movies in every single category and awarded all four of them the top prize, so how the hell did stuff like Birdman, Boyhood and Whiplash get into Best Movie? Whoever runs this thing started rigging it last year to twist it into some kind of mix of the crappy popular movies, plus just a random sprinkling of Oscar prestige stuff, when the truth is there's no voting body on Earth that likes (or even sees) both equally. It's a scam. The shows takes place on April 12th this year, hosted by Amy Schumer.
MOVIE OF THE YEAR
American Sniper
The Hunger Games: Mockingjay- Part 1
Guardians of the Galaxy
Gone Girl
The Fault in Our Stars
Boyhood
Whiplash
Selma
BEST FEMALE PERFORMANCE
Jennifer Lawrence - The Hunger Games: Mockingjay- Part 1
Emma Stone – Birdman: Or (The Unexpected Virtue of Ignorance)
Shailene Woodley- The Fault in Our Stars
Reese Witherspoon- Wild
Scarlett Johansson – Lucy
BEST MALE PERFORMANCE
Bradley Cooper – American Sniper
Chris Pratt – Guardians of the Galaxy
Ansel Elgort – The Fault in Our Stars
Miles Teller – Whiplash
Channing Tatum – Foxcatcher
BEST SCARED-AS-S**T PERFORMANCE
Rosamund Pike – Gone Girl
Annabelle Wallis – Annabelle
Jennifer Lopez – The Boy Next Door
Dylan O’Brien – The Maze Runner
Zach Gilford – The Purge: Anarchy
BREAKTHROUGH PERFORMANCE
Ansel Elgort – The Fault in Our Stars
Rosamund Pike- Gone Girl
David Oyelowo – Selma
Dylan O’Brien – The Maze Runner
Ellar Coltrane – Boyhood
BEST SHIRTLESS PERFORMANCE
Zac Efron – Neighbors
Chris Pratt – Guardians of the Galaxy
Channing Tatum – Foxcatcher
Ansel Elgort – The Fault in Our Stars
Kate Upton – The Other Woman
BEST DUO
Channing Tatum & Jonah Hill – 22 Jump Street
Zac Efron & Dave Franco – Neighbors
Shailene Woodley & Ansel Elgort – The Fault in Our Stars
Bradley Cooper & Vin Diesel - Guardians of the Galaxy
James Franco & Seth Rogen – The Interview
BEST FIGHT
Jonah Hill vs. Jillian Bell – 22 Jump Street
Chris Evans vs. Sebastian Stan – Captain America: The Winter Soldier
Dylan O’Brien vs. Will Poulter – The Maze Runner
Seth Rogen vs. Zac Efron – Neighbors
Edward Norton vs. Michael Keaton – Birdman: Or (The Unexpected Virtue of Ignorance)
BEST KISS
Ansel Elgort & Shailene Woodley- The Fault in Our Stars
James Franco & Seth Rogen – The Interview
Andrew Garfield & Emma Stone – The Amazing Spider-Man 2
Scarlett Johansson & Chris Evans – Captain America: The Winter Soldier
Rose Byrne & Halston Sage – Neighbors
BEST WTF MOMENT
Seth Rogen & Rose Byrne – Neighbors
Jonah Hill – 22 Jump Street
Jason Sudeikis & Charlie Day – Horrible Bosses 2
Miles Teller – Whiplash
Rosario Dawson & Anders Holm – Top Five
BEST VILLAIN
Rosamund Pike – Gone Girl
J.K. Simmons – Whiplash
Jillian Bell – 22 Jump Street
Meryl Streep – Into the Woods
Peter Dinklage – X-Men: Days of Future Past
BEST MUSICAL MOMENT
Jennifer Lawrence – The Hunger Games: Mockingjay – Part 1
Chris Pratt – Guardians of the Galaxy
Seth Rogen & Zac Efron – Neighbors
Bill Hader & Kristen Wiig- The Skeleton Twins
Miles Teller – Whiplash
BEST COMEDIC PERFORMANCE
Channing Tatum – 22 Jump Street
Chris Pratt – Guardians of the Galaxy
Rose Byrne – Neighbors
Chris Rock – Top Five
Kevin Hart – The Wedding Ringer
BEST ON-SCREEN TRANSFORMATION
Eddie Redmayne – The Theory of Everything
Elizabeth Banks – The Hunger Games: Mockingjay – Part 1
Zoe Saldana – Guardians of the Galaxy
Steve Carell – Foxcatcher
Ellar Coltrane – Boyhood
TRAILER: "Ex Machina"
I normally don't get that excited for robot movies, but this looks awesome. A true sci-fi, one that looks like it's trying to be much more than just an action thriller. It already came out in the U.K. to extremely positive reviews, and with this cast (Domhnall Gleeson, Oscar Isaac and Alicia Vikander as the robot Ava), I really can't wait to see this. It comes out here April 10th.
Blu-Ray Pick of the Week: "The Band Wagon" (1953)
One of my all time favorite musicals is out on blu-ray this week! Yeah, this Fred Astaire/Cyd Charisse pairing is listed over in our musical month for the January movie picks, but now you can see it in perfect quality. Astaire plays an over the hill movie star who's considered past his prime, so he returns to the stage for a comeback on Broadway. It's definitely a meta story going on (this was written by the same couple who wrote Singin' in the Rain, another satire on show business), and it's filled with inside jokes about theater, Hollywood people, etc. But it's got some amazing dance numbers, great songs, and dare I say that I actually prefer this one to Singin' in the Rain? Well, it may be sacrilegious to many musical fans, but yes, I do. You have to pick it up.
Original 1953 Trailer:
Top 10 Movies of 2014
Since it always takes me a bit longer to catch up with all (or most) of the movies that come out every year, I give myself a couple of extra months to come up with my own top ten list from the previous year. This year I pushed it down to the wire once again, so here's my list of personal favorites from 2014. Don't forget- top ten lists are about your own preferences, not what you think are necessarily the "best" movies of the year, because everyone has their own taste, and movies are always, ultimately subjective.
1. THE TALE OF THE PRINCESS KAGUYA
This Japanese masterpiece from Isao Takahata was a gorgeous, emotional and transcendent experience that I wouldn't change a frame of. The hand-drawn animation is stunning to look at, the old-fashioned story based on a folk tale involves princesses, adventure, magic and a strong and independent minded female character. It was the most complete and moving film of the year, animated or otherwise- you just can't compete with perfection.
2. SNOWPIERCER
This action sci-fi thriller from South Korea's Bong-Joon Ho was the most fun I had with any movie, as it took you to what feels like another world, set far in the future where the earth has been destroyed by the effects of global warming. The last remaining survivors are trapped in an eternally moving train separated by class, with the elite 1% indulging themselves in the front cars with riches and luxuries made off the backs of the working classes, who are relegated to the tail section. Chris Evans leads the workers to rebel against their oppressors as they move upward, to each different car. It's an awesome, bloody, wild ride infused with that South Korean tendency to mix and match different genres together. Here there's humor, action, melodrama, and pure wacky science fiction, and the ultimate result is a thought-provoking mindblower.
3. BEGIN AGAIN
John Carney's follow-up to Once stars Mark Ruffalo and Keira Knightley in a ridiculously charming musical love letter to New York City, and the healing power of music and friendship. It's a purely feel good experience, lifted by some enormously appealing and natural actors who turn out to have great chemistry together in a formula that kinda-sorta follows that of a romantic comedy, but without pushing the predictable happy ending. By being just as much a story about the discovered independence of Knightley's songwriter Greta as well as the recovery of Ruffalo's down on his luck record executive Dan, it bucks a trend this past year of female characters too often being used in supportive roles to prop up the male lead. It's easily enjoyable with a lovely original soundtrack composed by New Radicals frontman Gregg Alexander, and I could watch it over and over again.
4. THE GRAND BUDAPEST HOTEL
Wes Anderson's best movie by far (and the only Oscar nominee on my top ten list), this was a delightful farce that seemed an homage to the made up worlds often created by 1930's director Ernst Lubitsch. A comedy like all of Anderson's work, but elevated by a fantastically funny and charismatic lead performance from Ralph Fiennes, who operates as the hotel manager of The Grand Budapest Hotel, which existed long ago in a pre-WWII era when the world is just starting to change. The film is a feast of nostalgia for that bygone age, and unlike Anderson's other work, benefits from a hint of melancholy about the dangers soon to inhabit this world. It's a lovely, perfect little movie.
5. ONLY LOVERS LEFT ALIVE
Another film that languishes in a feeling of nostalgia, this Jim Jarmusch vampire movie pairs Adam (Tom Hiddleston) and Eve (Tilda Swinton) as the most laid back, proto hipster vamps that ever existed, as they stroll around the dying city of Detroit and their apartment within it, waxing nostalgic for the days past of art, literature, and culture no longer appreciated by the humans who seem set to slowly destroy the world they live in. Surprisingly, despite their woes, there's not a lot of pretentious philosophizing, as Adam and Eve are more content just to hang with each other, and casually lament society's ills while nonchalantly cruising for their latest fix of the life blood that sustains them. You'd want to hang out with these two if ever you could, because honestly, they're just so cool.
6. TOP FIVE
Chris Rock's triumphant romantic comedy works as that, but becomes so much more and with such an effortless charm that you're delighted by how easily it rolls on. A satire of a flailing Hollywood comedian who must go back to his roots to find the truth in his art, the movie takes a page from the razor sharp rapport of Old Hollywood pairings, as Rock and Rosario Dawson trade barbs and anecdotes about life in today's media obsessed world while ever so subtly falling for each other over one long day in New York. The movie pulls off the feat of being purely entertaining while also sneaking in hilarious set pieces and the authentic and vibrant feeling of having something to say about the world right now, as it exists in this very moment of 2014- it's going to be a classic someday, I know it.
7. IDA
This was a stunning black and white film from Poland about a young nun who leaves the convent in the mid-1960's in order to find out the truth of what happened to her family during the Holocaust. It featured two stark and uncompromising performances from Agata Trzebuchowska as the nun Ida, and Agata Kulesza as her aunt who helps her to discover her roots. A very simplistic story that nonetheless managed to make Ida's personal triumph feel complicated and emotional, despite the cold and distant (yet artistic) style of filmmaking, which at times felt like a tribute to the films of Ingmar Bergman.
8. THE BABADOOK
A great horror movie that focuses more on the personal relationship between a mother and her son, which makes the scary stuff even more effective. A monster from a bedtime story comes into the life of Essie Davis and her 6-year-old child, shaking up the house that was already troubled to begin with. A film that mixes psychological chills with an old-fashioned yet original "movie monster" and nails you to your seat in a rush of adrenaline that lasts the entire running time. From Australian director Jennifer Kent, who would seem to have a good future ahead of her, based on this astonishing feature debut.
9. SELMA
Ava DuVernay's paeon to the civil rights movement was a very emotional and moving experience that featured a wonderful, fully realized performance from David Oyelowo as the reverend Dr. Martin Luther King, Jr. Oyelowo captured the spirit of MLK through his speeches, which weren't even pulled from the records, as the estate denied the rights to King's words in the making of the film. That actually worked to the movie's benefit, because the audience can essentially hear and see him through Oyelowo as though for the first time. A sincere, passionate call for civil rights, both today and yesterday, and a heartfelt tribute to everyone, not just King, who fought to move history forward.
10. WILD TALES
The highest grossing Argentinian film in history was this wildly entertaining series of vignettes, whose only common theme was the frustration caused in ordinary people by society's rules, and imagines what would happen if you could only act out your rage however you wanted, because of some slight you feel has been committed against you. Each episode escalates into chaos, usually involving murder and lots of bloodshed, but the climactic wedding tale was a turnaround, and saved for last as the vindictive insanity revealed by a jilted bride makes Gone Girl's Rosamund Pike look like a godsend. This is a film you can sit anyone in front of, and they'll be engrossed fro beginning to end- it's hilarious, outrageous, entirely accessible and very crowdpleasing.
HONORABLE MENTIONS (in alphabetical order): Birdman; Citizenfour; Force Majeure; Gone Girl; How to Train Your Dragon 2; The Imitation Game; Love is Strange; Mr. Turner; Nightcrawler; Under the Skin
10 Great Animated Movies for March
Well, it's the start of a new month, and you know what that means on Screen It Now- a new batch of movies to binge on all month long! March is the month we dedicate to animation here on the site, so we have ten (plus a bonus pick) of our favorite animated films represented in the March movie page. Everything from classic Disney and Pixar to Japanese anime and an underrated Batman cartoon from the 90's (seriously, Batman: Mask of the Phantasm is quite a little treat). All eleven selections now come complete with either the original or re-release trailers (and in one case an excellent fan-made one that has the appropriate subtitles), so sit back and enjoy this month long celebration of great animated films, which are often overlooked and underappreciated in the annals of movie history. Head to the Movies for Every Month page to read the full description for March, and then click here for the full list of eleven.
BOX OFFICE 2/27-3/01: 'Focus' Opens Soft at No. 1; 'Lazarus Effect' Disappoints
Will Smith's drawing power has diminished a bit, but it's still enough to launch his romantic caper Focus into the top spot, beating Fifty Shades, which fell from first to fourth place this week, as interest in the erotic drama continues to fade fast. The new film, which got mixed reviews and co-stars Wolf of Wall Street bombshell Margot Robbie, opened with $19 million, a bit less than the expected $20-23 million for the weekend. It got a "B" Cinemascore from audiences, so it may not hold well, probably finishing with under $60 million total.
The other new release this weekend was the long-delayed The Lazarus Effect, was a total misfire critically and commercially, earning just $10 million for the number five slot, while the rest of the top earners were holdovers, some of which continue to show strength, like Kingsman, which has now made a solid $85 million. SpongeBob was in third, with $140 million total, and Fifty Shades of Grey tumbled to fourth, with a new domestic total of $147 million, but its global numbers continues to soar (it's at $486 million worldwide). Meanwhile, American Sniper pulled in another $7 million, which means it will now be passing Hunger Games by next week to claim the new title of the biggest movie of 2014. Last time a war movie was able to claim that spot it was Saving Private Ryan in 1998.
Top 5:
- Focus- $19.1 million
- Kingsman: The Secret Service- $11.7 million
- SpongeBob- $11.2 million
- Fifty Shades of Grey- $10.9 million
- The Lazarus Effect- $10.6 million
In Oscar bump news, Birdman was re-released and shot up 125%, which takes it over the $40 million mark, while more impressively, Still Alice sneaked into the top ten this weekend, earning $2.5 million from people curious to see if the movie that won Best Actress actually existed. Best Actor winner Theory of Everything also managed a bump, taking its gross to $35 million. Next weekend it's another slow one, with the robot thriller Chappie on deck, as well as The Second Best Exotic Marigold Hotel. It's looking pretty dry out there right now- what I wouldn't give for another Grand Budapest this time of year, but it doesn't look in the cards for 2015.
REVIEW: "Maps to the Stars" (2014) Julianne Moore, Mia Wasikowska. Dir. David Cronenberg
If there's one thing that can accurately be said about the films of David Cronenberg, it's that they're...well, they're not for everyone. His latest fits nicely into a long filmography that's often times absorbed by tales of monsters, either spiritual or literal (sometimes both), and kinky sexuality exposing the inner layers of dark and twisted characters. He can be cold and removed, and I've often found that with his movies, you fall into a love it or hate it camp. You either get him or you don't, which makes any Cronenberg film difficult to recommend to just anyone.
I do get him though- I've always considered myself a fan and found his films wildly entertaining; the dark, disturbing nature of them to be exciting and most of all, different from anything that any other filmmaker can dream up. To me, his intriguingly twisted sensibilities are so singular as to render him a truly unique visionary, who remains more accessible than the abstract tendencies of his contemporaries like David Lynch or Jim Jarmusch. He always tells a surface story, albeit a weird one and you either respond to it or you don't. Here he directs a screenplay by veteran screenwriter Bruce Wagner that combines vicious Hollywood satire with high camp and the dark melodrama of one entrenched celebrity family harboring secrets that enable them to fit right at home in their surroundings, and the soulless denizens that live and work in Tinseltown.
This is a version of the mythmaking factory that really burns it to the ground (literally, as you'll see in the story) and falls more in line with Robert Altman's The Player in terms of just how cynical, corrupt and amoral the depiction of glamor is in this film. Wagner and Cronenberg seem to want to actively debunk those myths, using some of the actors for scenes of grotesque exploitation that serve up their images as less glamorous than you would ever want to see (kudos to Julianne Moore for her willingness to be filmed moaning on a toilet seat while whining about laxatives). Mia Wasikowska is the entry point to this world, as Agatha Weiss, a teenage burn victim who uses her recently claimed Twitter "friendship" with Carrie Fisher to her advantage, landing herself a job as a personal assistant to aging movie star Havana Segrand (Moore), in order to ingratiate herself in the industry. She then waffles between following Segrand around, romancing chauffeur and wannabe actor Robert Pattinson, and eventually meeting up with her long estranged family members, who are the ones sheltering the tragic backstory revealed later in the film.
But before we get to all that, we follow another person ensconced in the Hollywood bubble, Benjie Weiss, former Bieber-esque child star and Agatha's little brother, who's already been in and out of rehab at age thirteen and lords over his costars and parents as the entitled little shit he is (newcomer Evan Bird gets some of the most hilarious lines, as Benjie casually puts down everyone he meets with one concocted insult after another). His parents are played by Olivia Williams as the smothering stage mom and John Cusack as a new age therapist to the stars, who also retains Segrand as one of his clients. All the performances are pitch perfect, with the actors ready to deliver the dark humor and surreal one liners of Wagner's dialogue, peppered with topical references and inside jokes, but Julianne Moore is the one who really stands apart form the ensemble as the shallow and aging former starlet. Showing off how Hollywood casts away its actresses once they hit a certain age and no longer have use for them, Moore conveys the desperation and ugly side of post-stardom, a woman who's haunted by her own mother's film career and tragic past, while giving a physically brave and gutsy performance as she seems game for more anything that's asked of her, from the aforementioned toilet scene to a hollow threeway with two younger partners, and the hesitant joy she feels when the death of a child forces another actor to drop out of a movie, thus gifting her the part instead. It's a despicable character in a lot of ways, but Moore so inhabits her, and is so funny and edgy while doing it that you just kind of sit back in awe while gawking at her grotesque and pitiful Norma Desmond- style antics.
Even though the movie is never less than entertaining and even shocking in its pointed commentary about celebrity and pop culture, not all of the material works completely, as once the Weiss family melodrama starts to take over the movie in the last third, the focus seems to shift in ways that aren't nearly as compelling as earlier in the film. The mix of genres is a bit uneven in the climax, and you might leave the movie wondering what it was even about after the ending. There are ghostly, almost supernatural moments that render the film closer to something like Black Swan (or perhaps Lynch's Mulholland Dr.) than Sunset Boulevard, which is a bit jarring as well, but still in a uniquely watchable way. You really couldn't expect Cronenberg's take on Hollywood myths to be anything less, right? Not a perfect movie, but inherently interesting and consistently provocative- a can't miss for fans of the director, who refuses to sell out, well into his later years, making him one of the lone, stalwart visionaries in a town he so clearly reviles.
* * *
Leonard Nimoy 1931-2015
Some very sad news today, as Star Trek legend Leonard Nimoy passed away at the age of 83. He had been in weak health for some time, due to the after effects of longtime smoking, even though he'd quit over 30 years ago. Obviously, he's immortalized as the iconic Spock, the half-Vulcan he played on the original Star Trek television series from 1966-69, and then again in six of the Trek movies from 1979-1991, followed by appearances in the last two films from the current rebooted franchise. After Star Trek, he starred in two seasons of Mission: Impossible, hosted the documentary series In Search Of..., and even directed some movies, including Star Trek IV: The Voyage Home, and 1987's smash hit Three Men and a Baby. He had been given casting approval for whoever was to take over the role of Spock for the 2009 reboot, and became friends with Zachary Quinto in the last few years, but for most Trek fans, he could never truly be replaced, and he'll live on forever as the character in the hearts of millions.
Spock's death scene in 1982's Wrath of Khan:
TEASER: "Love and Mercy"
The teaser for this Brian Wilson biopic makes you want to see it because of the music alone (how could it not?), but luckily the film is actually supposed to be quite good. It premiered at Toronto last year to rave reviews for Paul Dano's performance (surprisingly enough) as the tortured Beach Boy, who's also played by John Cusack in his later years. I know those two don't look anything alike, but I guess we just have to suspend disbelief on that one. It comes out June 5th.
Blu-Ray Pick of the Week: "Whiplash" (2014)
This week's blu-ray choice is a newly minted Oscar winner, having just won Supporting Actor, Editing and Sound Mixing at the Academy Awards on Sunday. I actually wasn't the biggest fan of this movie, even though Simmons is great and it gets your heart pounding like crazy, which is an achievement for a film about jazz music, right? But many who did see it really loved it, which is how such a tiny film won 3 Oscars in the first place. As far as general audiences go however, hardly anyone saw this movie in theaters, so now might be the time to check it out- it's quite an adrenaline rush.
Trailer: