RECAP: Breaking Bad 5x14 "Ozymandias"

This episode was a roller coaster ride from start to finish, probably the most dramatic episode in Breaking Bad's history. We open on a flashback to Walt and Jesse's first cook ever that he'd mentioned last week, the old trailer making a comeback and everything. As Walt and Jesse step outside, Walt calls a still pregnant Skyler, telling her he'll be home late and promising to pick up a pizza as she suggests "Holly" for the baby's name. These few minutes are by far the quietest in the episode, as Walt hangs up and we see him, Jesse and the trailer slowly fade out of the desert.

When we get back, the epic shootout from last week is still in progress, when suddenly it ends very abruptly and the Nazis are staring at the damage they've done to their victims. Gomez is lying on the ground dead, while Hank is crouched behind the car, only shot in the leg. For a second I was thinking cop-out, as I fully expected both Hank and Gomez to be long gone when we got back to this scene, but those fears last only minutes as Uncle Jack comes over to finish the task. Walt cries out for him not to kill Hank, doing his best to save him, even giving up his $80 million for them to spare his life, but Hank won't play ball. He tells Walt he won't beg, and then, just like that, Jack shoots Hank through the head. It's a pretty shocking moment- I have to give them credit as anyone who saw Hank survive from last week immediately assumes he'll live for at least the rest of the episode, but no- he's gone. Walt collapses in shock and sadness as the rest of the crew go out to dig up Walt's cash with shovels. They can't find Jesse, who's apparently taken off, having got out of the car before the shooting started, but it doesn't matter too much at the moment, while the Nazis help themselves to Walt's barrels and bury Hank and Gomez in the now conveniently empty hole in the ground.

 

As the crew starts to load up, Todd tells Walt he's sorry for his loss in his typical indifferent fashion and uncuffs him while Jack tells him he's letting him go, and because he's in a good mood, he's decided to leave him a barrel, leaving Walt with just $10 million. Walt is staring into space but suddenly he realizes Jesse had been hiding under the car this whole time and gives him up to Jack, telling them they owe him one more kill. The Nazis haul Jesse out and prepare to pull the trigger on him despite Jesse's despair and pleading looks at Walt, but at the very last second Todd suggests keeping him around to tell them what he told the feds first. Walt agrees and as Jesse is hauled away, Walt stops them one more time to tell Jesse to his face that he watched Jane die and didn't save her. Walt appears to blame Jesse for everything that's just happened and wants to rub the nail in further, and these are, for me anyway, some of the darkest moments ever on the show,  as we see poor Jesse taken away to be held prisoner by the Nazis.

As Walt gets in his car to take off, it starts leaking fuel from all the bullet holes and of course runs out of gas, leaving Walt to push his lone barrel through the desert and offer money to an old Native American man for his truck. Meanwhile, Marie pulls up at the car wash and confronts Skyler with her phone call from Hank, telling her to hand over all the copies of the incriminating tape she and Walt made and ordering her to tell Walter Jr. the truth, as everything has changed now, and Walt will (as far as she knows of course) be going to jail.

We then find that Jesse has been  badly beaten and locked up in a ground cell, as Todd comes in and pulls him out, ignoring Jesse's cries to leave him alone, having already told them about the taped confession he made to Hank. But of course, as everyone has suspected by now, that was not the only reason Todd wanted Jesse alive, and it certainly comes as no surprise to me when Jesse is locked to the ceiling of the meth lab by a cord, and ordered to cook for Todd. As incentive, there's a picture of Andrea and Brock taped to the wall for Jesse to stare at every day and our hearts sink in despair, along with Jesse's, whose future is looking decidedly grim.

At long last, Walter Jr. finally finds out the truth about his dad from Skyler and Marie, and he is of course, upset and disturbed, lashing out at Skyler for collaborating with Walt this whole time, telling her she's just as bad as him. But when Skyler and Jr. get home they come face to face with Walt, who's dashed back and started throwing all their clothes into suitcases, telling them they have to leave town right away. He's so frantic he doesn't even care about Jr. now knowing what he's done, and Skyler correctly surmises that Hank is dead, since she'd just been told Walt was in custody. This is the last straw for Skyler, who holds a kitchen knife up to Walt, telling him to get out, and even slashes him across the hand. Walt then attacks Skyler and the two of them get into a physical brawl. When Walt gets the upper hand and holds the knife up to Skyler's face, Jr. throws him off of her, shielding his mom and calling the police for help. Walt seems to be in momentary despair, but then quickly reacts by taking Holly and driving away as Skyler chases him down the street, crying out for him to stop. And for the second time in one episode, I have to say that this is probably the darkest scene in Breaking Bad's history. I genuinely wasn't even following Walt's logic there, as taking the baby seemed like nothing but some sort of impulse reaction to punish Skyler, maybe even his most evil moment (aside from all the murders of course).

As Walt is changing Holly's diaper in a restroom, he seems to have a slight change of heart at her repeated cries for "mama." Skyler has called the police and when Walt calls the house, the cops are there, listening and tracking the call. But when Walt gets Skyler on the phone he starts berating her and calling her all kinds of names, blaming her for everything going wrong and claiming all the credit for the empire he built. We and Skyler know immediately that this is his attempt to absolve her of any of the blame or collaboration with him, which Skyler plays along with as Walt even takes the credit for Hank's death, while Marie falls to the floor in grief in the background. When Walt hangs up, he destroys his phone and drops Baby Holly off at a fire station before taking off with nothing but his money, and getting in the car with Saul's "guy" that we still haven't seen, the one who specializes in new identities.

Whew. That was one traumatic hour, and it pains me to say it but there's only two left! We now know how Walt lost everything; his family, and most of his money is gone, which brings us up to speed on the future scenes of him from last year, where he's a lone traveler with hair and it's 6 months later. I have to figure that next week is going to be all about that gap, as we see what Walt does with his new identity, and what's going to eventually bring him back to Albuquerque.

And on that score, my Pointless Prediction of the week is actually a bit easier tonight. Things are coming into focus now, and I'm almost sure that what's going to happen is that Walt will somehow come across his famous blue meth and realize that Jesse is in fact, still alive and being forced to cook for the Nazis, which sends Walt back to gun them all down, and save Jesse's life once and for all. I know he nearly had him killed tonight, but I do think Walt's change of heart will come as he's now lost everything he worked for in the first place, and he'll decide to go out in a blaze of glory, setting Jesse free in the process. What do you think?

EMMY WATCH: Predictions- Comedy Series

Outstanding Comedy Series:

  • 30 Rock
  • Girls
  • Louie
  • Modern Family
  • The Big Bang Theory
  • Veep

Well, this category is a bit difficult to analyze, because Modern Family has won three years in a row, has gone down slightly this year in the number of nominations, and yet...there's no clear alternative. Louie is a possibility, due to the increase in nominations and obvious love for Louis C.K. himself within the Academy (nine individual nods for him this year), but the show is extremely low rated and not very buzzed about at the moment, having been off the air for a year. The Big Bang Theory might seem the obvious choice due to its incredible popularity (it averages 20 million viewers now, which are numbers not seen for a sitcom since back in the Friends days), but the show did not receive an increase in key nominations this year, particularly in the writing and directing categories (and no actors besides Jim Parsons and Mayim Bialik). So there's not a lot of love for that show with the voters either.

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30 Rock is a possibility, being a former three time champ, and the show did experience something of a resurgence in nominations this year, with all the key nods in writing, directing and acting. Yet it hasn't won a single Emmy since its third season, and the final one didn't exactly come with a resurgence in buzz or ratings at all. It's hard to tell how deep the love is for that show, given that they haven't gone back to it in so long, but rewarding it for the last season provides an alternative to Modern Family fatigue (if there is any, which is unknown). As for Veep and Girls- Girls is a deeply polarizing show (ugh- you know how I feel about it) and it's really not the kind of thing that the conservative, stuffy TV Academy voters would go for, outside of it having a major cultural impact, like Sex & the City (which it hasn't yet). And Veep actually is the kind of show they would like, classy and political, yet witty, but it only received 4 nominations, and none in writing or directing, which again, is key to winning Series.

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So every show seems to have something working against it, with no obvious steamroller to take down the reigning champ. In that case, I'm going to have to go with Modern Family by default, for a fourth straight win. My guess is 30 Rock or Louie would be the ones with the next best chance, but voters may split up all over the place, and in that scenario, I think it benefits Modern Family as well. So there you have it- it may be a boring choice, but I think that's how it's going to play out. I'll be back next week with predictions for the Drama categories!

Will Win: Modern Family

Should Win: 30 Rock (I think it ought to take it for the final year)

Dark Horse: Louie

Laura Prepon and Orange is the New Black

I should probably warn people that if you consider cast changes a spoiler then you shouldn't read this. But it has officially been reported now that, following the rumors (and soft denials) that Laura Prepon wouldn't be coming back as a regular for Season 2, she will in fact, be back for just one episode next year to wrap up her storyline.  

Now, if you watch the show you know that this is a pretty major shakeup. Prepon was essentially the second lead (she even got second billing after Taylor Schilling) and this would seem to change the storyline in a huge way, because her relationship with Schilling's character, Piper, was crucial and developed throughout the whole season (and appeared to have a lot more territory to explore in the coming seasons). Plus, she was actually really good on the show, much to my surprise, having never thought much of her on That 70's Show all those years. I don't know...this seems like a pretty stupid move on her part, very David Caruso-esque, to abruptly leave after just one season of a breakout show (arguably Netflix's best original series so far).

The big rumor going around is that this has something to do with her religion (she's a Scientologist) and the discomfort with all the lesbian activity she engages in on the show, but I don't get it. If that was the issue, how could she even do one season? That was practically the first thing we learned about her character Alex, in the first episode. I guess the assumption is that there's been some pushback on her now that the show has aired, but she couldn't possibly not know what she was getting into when she signed on for the part. The whole thing's very weird and I think it's a big mistake, but luckily, OITNB is an ensemble show, and I assume with Alex gone, the focus on Piper will have to decrease further as the show adjusts by becoming even more of one now. But it really is too bad, because I liked her (to me she was the only thing that made Piper interesting), and I wanted to see where that story was going to go, especially with all the set-up and back story they gave it.

Kennedy Center Honors

This year's Kennedy Center honorees have been announced and they include: 

  • Opera Singer Martina Arroyo
  • Pianist and Composer Herbie Hancock
  • Rock Star Billy Joel
  • Actress Shirley MacLaine
  • Guitarist Carlos Santana

So, a big music theme this year. The honors will be presented on Dec 7th, at a dinner hosted by Secretary of State John Kerry, and the annual celebration will be taped on Dec 8th, attended by President Obama. The special will then air on Dec. 29th on CBS.

EMMY WATCH: Predictions- Lead Actor and Actress in a Comedy Series

Outstanding Lead Actor in a Comedy Series:

  • Alec Baldwin (30 Rock
  • Jason Bateman (Arrested Development
  • Matt LeBlanc (Episodes
  • Don Cheadle (House of Lies
  • Louis C.K. (Louie
  • Jim Parsons (The Big Bang Theory

You know, this field of nominees might even be weaker than those supporting categories. I'm going to have to go with two-time winner Jim Parsons as kind of a default choice. His episode was the funniest of the group, so he's not undeserving of this again, but the rest of them are just so mediocre. I do have affection for Jason Bateman and he'd be my choice, but given the lack of love for the show this season, I just don't see them voting for him. The only thing that may help him is the fact that he's in the entire 30 minutes or so of his episode. Louie got an exceptional number of nominations this year so you can't rule C.K. out, but I don't think voters look at him as doing anything other than playing himself (as he has even said). It's actually a tough call, because everyone is more or less on the same level, but I'd say Parsons for the win

Will Win: Jim Parsons

Should Win: Jason Bateman

Dark Horse: Louis C.K.

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Outstanding Lead Actress in a Comedy Series:

  • Tina Fey (30 Rock
  • Laura Dern (Enlightened
  • Lena Dunham (Girls
  • Edie Falco (Nurse Jackie
  • Amy Poehler (Parks and Recreation
  • Julia Louis-Dreyfus (Veep

Finally! A category infused with some competition (and due to quality, not who's the least mediocre). Frankly, either Tina Fey, Amy Poehler or Julia Louis-Dreyfus could win here and I'd be happy with it, but based on the episodes themselves, I think JLD takes it for the second year running. It's a slam dunk episode that sees her walk through a glass door, berate her staff while high on pain meds, and nearly wipe out in a race before getting one final, even dramatic monologue at the end. I don't see how anyone beats her and there doesn't seem to be any awards fatigue over her yet. She's beloved and would be the highly deserving winner, but I'd say there's an outside chance Tina Fey can win again with her episode, which was the 30 Rock finale, and sentiment for that could maybe catapult her to the top (she was also really great in that episode). The other women I don't think have much of a shot here, unless there's some random faction in the viewing panel that thinks of themselves as edgy and wants to give it to Lena Dunham (which better not happen because I think she's terrible in her coke-fueled episode and really, pathetically unfunny). Otherwise, it's probably Dreyfus or Fey.

Will Win: Julia Louis-Dreyfus

Should Win: Julia Louis-Dreyfus

Dark Horse: Tina Fey

Well, that's it! Be back on Saturday with my predictions for Comedy Series. 

"Better Call Saul" Greenlit by AMC

Well, that didn't take too long. In an unsurprising move, in light of the ratings explosion for Breaking Bad this season, AMC has officially given a series order for Better Call Saul, the Saul Goodman spinoff for Breaking Bad, set to be a prequel show about Saul (Bob Odenkirk), before he became Walter White's attorney. That certainly still leaves Saul's fate up in the air for the last few episodes of the season, but I bet what AMC wishes more than anything is that they hadn't agreed to have Breaking Bad end like this two years ago, before they knew what a cultural phenomenon it would become in its later seasons.

EMMY WATCH: Predictions- Supporting Actor and Actress in a Comedy Series

So with the Emmys coming up on Sept 22nd, it's time to make my own predictions for who's going to win. I'll be handicapping the major categories over the next couple of weeks, starting here, with the one that happens to be the weakest. Now, these aren't going to be wishful thinking on my part, just a flat out prediction about who's going to take home the trophy.

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 Outstanding Supporting Actress in a Comedy Series:

  • Jane Krakowski (30 Rock
  • Jane Lynch (Glee
  • Sofia Vergara (Modern Family
  • Julie Bowen (Modern Family
  • Merritt Wever (Nurse Jackie
  • Mayim Bialik (The Big Bang Theory)
  • Anna Chlumsky (Veep

Ok, so despite the seven nominees who made it in, this is a very weak category based on the submitted episodes, with only two likely contenders for the win, and that's Jane Krakowski and Julie Bowen. Out of the two of them, I'm going to go ahead and say Bowen takes it for the third year running. Lame I know, but this is certainly not unprecedented for the Emmys, especially in this category, which has seen multiple repeat winners over the years, from Rhea Perlman (Cheers) to Laurie Metcalf (Roseanne) and Doris Roberts (Everybody Loves Raymond), all of whom won several years in a row for their roles. Julie Bowen's going to join the club, simply because Krakowski's screen time in her episode is limited and no one else has any real stand out scenes. If Krakowski pulls it off it'll be because this was 30 Rock's final season and it's the last chance to give it her, which would be great, but I'm not convinced that the love for 30 Rock is all that overwhelming (the show hasn't won a single Emmy since its third season).

Will Win: Julie Bowen

Should Win: Jane Krakowski 

Dark Horse: Jane Lynch (this would be nuts, but her character is nutty and she's won it before; they may go back to her as an alternative to Modern Family fatigue and lack of enthusiasm for 30 Rock

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Outstanding Supporting Actor in a Comedy Series:

  • Adam Driver (Girls
  • Jesse Tyler Ferguson (Modern Family
  • Ed O'Neill (Modern Family
  • Ty Burrell (Modern Family
  • Bill Hader (Saturday Night Live
  • Tony Hale (Veep

Another weak lineup, from which I'm going to have to go back to a default Modern Family guy and past winner, Ty Burrell. See, everything would be different if any of the Arrested Development guys had the made the cut here (if the voters had actually watched past the first or second episode, which I'm convinced they didn't.) Will Arnettt would have wiped the floor with all of these guys based on screen time alone. Sigh. But back to the winner- Burrell has the funniest episode and it's that simple for me. Adam Driver I think is great on Girls, but that's appreciated more as a performance over the whole season rather than in a singular episode, and Tony Hale just isn't focused on enough (he is funny, but we get him in small bits only). I would really love to see Bill Hader win, and the Seth MacFarlane hosted episode he submitted was a good one, but his funniest sketch is the one where he's a puppet, which kinda hampers his screen time as well. It's probably Burrell or Ed O'Neill, who hasn't yet won for Modern Family, so he may have some of the sympathy factor going on (being a veteran TV comedy actor who's never won and all).

Will Win: Ty Burrell 

Should Win: Bill Hader 

Dark Horse: Ed O'Neill