RECAP: SNL 10/04 "Sarah Silverman"

Well, it was another unfortunate episode, although not nearly as painful as the premiere, if only because Unfunny Aidy was barely seen tonight. Too bad, because Sarah Silverman was pretty game, but as usual, it's hardly ever the host's fault that the skits are terrible.

COLD OPEN: It's a 60 Minutes opening, with Beck as Steve Kroft interviewing Jay's President Obama about the ISIS threat and the recent Secret Service dust-ups. It's a very boring opening, no strong punchlines, super lame. Ugh.

MONOLOGUE: Ok, so Sarah comes out and basically does a stand-up bit where she messes with an audience member and fields questions from herself of 20 years ago when she was briefly a cast member. I wouldn't say that this is hilarious, but when comics want to come out and do their own unique thing, it is usually better than the sketches, and I do like Sarah Silverman's humor, so it's okay.

FAULT IN OUR STARS 2: A spoof trailer for a sequel to The Fault in Our Stars, but about the ebola virus. Taran and Sarah are kinda funny as the teens in jeopardy. It's probably the highlight of the night, although the fake trailers always make the same exact jokes about reviews of the movie. Getting kind of tired of that.

JOAN RIVERS ROAST: Sarah is Joan Rivers roasting dead celebrities in heaven, but she flubs her lines a whole bunch, not that the lines were any good anyway. This is mostly because Sarah wanted to do a tribute to Joan, who was an idol of hers. This actually wouldn't be a bad idea for a skit, but there are NO funny jokes in it. God, these people can't write. Should have been easy.

WHITES: A short ad about the declining white voter in elections. It's just a couple of jabs about white people and camping, really. Mild.

SUPPORTIVE WOMEN: A sketch that spoofs women in soap operas being nice to each other instead of bitchy. Lame, again no funny lines, bleh. The only reason this stuff isn't painful tonight is because Unfunny Aidy isn't here, for which we can be thankful. She makes me want to throw things at the TV, while most of these guys are just boring.

WEEKEND UPDATE: Thankfully, there are some funnier jokes tonight about the Secret Service and ebola, while Michael Che is much more relaxed and sharp in his delivery. That makes for an improvement, and Kenan's appearance as Al Sharpton is usually good for a chuckle or two. It ends on Sarah and Kate as a feminist music duo who come out and sing a song about women that doesn't quite hit, but overall I'm just glad this is better than last week. Gives me some hope for Update at least.

THE RIVER SISTERS: A terrible skit about a Tina Turner girl group who all hate their job on a river boat and tell the crowd in between verses. Not funny at all. And I don't think it's Cecily, Sarah or Sasheer's fault, it just sucks.

AIRPORT: This is strange one, and I will say that it did kinda make me laugh at the beginning. Sarah is picked up by her brother Taran at the airport and confesses to cheating on her boyfriend...who happens to be Bobby as he pops up in the seat behind her, wanting to propose. Ok, that made me laugh. But they push it too hard with more people popping up (parents, Adam Levine) and it just gets tired and dumb. I guess a funny start is something though.

POEM: A dreaded Kyle and Beck bit about soulmates who beat each other up. Anything with these two guys is an acquired taste that is just not mine. Bad.

VITAMIX: Oddball last sketch of the night where Sarah tries to get the extremely expensive price of a blender Vanessa bought, and Vanessa mocks her money problems. I think this is a jab at gossipy housewives or something. Weird, but harmless, I guess? Maybe I just like Vanessa.

So, Sarah did a good job tonight and she tried really hard, but the writing on this show just sucks so bad. I can't emphasize it enough. I'd have to give tonight a D, but it was a slight improvement on last week. Not nearly enough, though. BIll Hader is back to host next time (I don't know why these guys come back so soon), so at least that should guarantee one or two funny skits, right? God, I hope so. See you then.

TRAILER: "Olive Kitteridge"

HBO's latest miniseries is based on the Pulitzer Prize winning book by Elizabeth Strout that covers 25 years in the life of schoolteacher Olive Kitteridge (played here by Frances McDormand) and her relationships with her friends and husband. It's got a pretty good cast that includes Bill Murray and Richard Jenkins, and the whole series is directed by Lisa Cholodenko, who made 2010's The Kids Are All Right. It's kind of a shame- this looks like it could have been an actual feature film if it was made 15-20 years ago, but now so many adult dramas head straight to TV instead. ,The 4-part series premieres on Sunday, Nov 2nd, and will be played over two nights, the 2nd and the 3rd.

TRAILER: "The Newsroom" Season 3

Here's a trailer for the final season of Aaron Sorkin's The Newsroom, which is starting November 9th and airing just six episodes before wrapping up. Sorkin seems to have lost all interest in the show (I suspect he was cowed by all the criticism) and even though HBO wanted to keep it going, he claimed to want to move on. Well, I actually kinda liked the show, so it's too bad, but I'll be there to recap the final handful of eps anyway.

RECAP: Masters of Sex 2x12 "The Revolution Will Not Be Televised"

The finale of this season's Masters of Sex was a busy one, wrapping up the season's storylines in some ways, but leaving plenty of loose ends to pick up on when the show returns next year. Bill and Ginny start off still working on a cure for his recent impotence, and this time they seem to settle on something that finally works. It takes some time, and after a montage of steamy sex scenes, where the two first spend time touching, hugging, and slowly make their way to "successful coitus" after weeks of non-sexual activities, Ginny is happy to pronounce BIll as "cured." Bill seems fairly sure as well, but wants to try it out on others first (namely, Lester).

At the office, PR man Shep shows the two their CBS piece, which is so censored that it's practically cut out all references to sex, much to Lester's chagrin, but Shep says the new priority is to get it out there fast, because a Dr. Joseph Kaufman has a book coming out called Man and Sex, which threatens to pull the rug out from under Masters and Johnson's work. Ginny agrees they need to get out there ahead of Kaufman's book, but BIll isn't sure and is later seen making a mysterious phone call, asking an unknown party to do him a favor.

Meanwhile, George is back from Europe with the kids and is now bugging Ginny about changing their custody arrangement so that he can see them more than one day a week. Ginny is furious at this suggestion and refuses outright, but goes to see the divorce lawyer in the building about making George sign a custody agreement which they had never officially written down. The lawyer is skeptical that this will work, and comes back to Ginny later with the bad news, that George refused to sign and is now threatening to take her to court. Ginny meets up with him later for drinks, attempting to smooth this over themselves, but George is now convinced that he and Audrey may have the upper hand if they challenge her for the kids, where her work, her hours and her affair with Bill will likely be exposed publicly, and she'll be declared an unfit mother. Ginny throws a drink in his face and he storms off, but now she's in a bad position, and has a talk with Libby about the situation.

Libby though, has continued her affair with Robert from the week before, and talks past her about maybe needing to let things go and accept that life doesn't turn out as you plan. In response to that conversation, Ginny has her lawyer offer to reverse her custody arrangement with George so that he'll take the kids and she sees them once a week, but she does this by betting that their CBS piece will air and thus enable her to get the kids back after the work is exposed in public. Unfortunately, Bill has already received an early manuscript of Kaufman's book, and after reading it, decides it's not scientific and therefore not much of a threat at all, so there's no need for them to get out ahead of him. When Ginny confesses to Bill what she's done with her kids he looks worried, but the next day Shep calls them in to show them that another network is already airing a piece about Kaufman's book, and their own is going to have to be canceled because of it. Ginny is devastated by this, realizing she's given up her kids for nothing, and Bill hugs her tight, promising her if they just stay focused on the work, everything will turn out okay. She's not entirely convinced though and breaks down in his arms.

In other news, as I said before, Libby continues to pursue Robert, going to his apartment in the middle of the night (who's watching the kids?) and when he expresses regret at what happened between them, saying it goes against everything he's working for, she's offended and asks why can't it happen just because they want it to. It seems to work, and later on in bed, Libby confesses to him that she's known about Bill and Ginny's affair for years and that all she knows now is that she wants whatever's going on with them to continue. And finally we have Austin and Flo, perhaps the least important side characters (sorry, guys) as they continue their own relationship, with Flo confessing this week to Austin that her family is wealthy and well-connected, with her own brother going off to work in the new Kennedy administration (JFK was inaugurated this week on the show, making it January of 1961). Austin now expresses a desire to be her date at a Democratic Party celebration she's going to, but she tells him she doesn't think he can keep up with her family members in intellect. Austin is shocked that she sees him as a "dumb blonde" and is last seen tonight sadly watching the inauguration by himself. Aw. Poor, dumb Austin.

Then there's Lester and Barbara, who are attempting to continue their burgeoning "relationship," but entirely without sex, as Barbara suggests they remove the possibility entirely, and instead just go out, hold hands, sleep in the same bed, but not worry about all the other stuff that goes with normal dating. Lester agrees but is utterly depressed about it, and when he confesses it to Bill, who wants the two of them to try out his new method for a potential impotence cure, Bill assures him that they both will want to eventually be physically involved with each other, since it's a bodily function as basic as breathing.

But at the end of the episode, we're in for a revelation, as Bill is met at a bar by none other than Barton Scully (long time no see), who's apparently back in town and the one who managed to obtain Kaufman's book, and force the other network to get their piece on the air at Bill's request. Bill is now sorry for what he's done, since it cost for Virginia her kids, but he never told her what he was doing and Barton doubts he really is sorry, thinking Bill does underhanded, selfish things to get his way all the time, not bothering to think of the consequences for others. The hour ends with Bill and Ginny sitting in front of Lester and Barbara, explaining to them their new method for curing impotence, as various other characters all watch and listen to the words of JFK's inaugural address, as he talks about potential changes the coming decade will bring. Well, hopefully Masters of Sex is able to cover this similar territory in a totally different way than Mad Men did, because it will probably be compared. I have a feeling they will though, because they want the show to eventually get to the 1970's and even 80's, as they continue to cover the whole autobiography of Masters and Johnson, no matter how ambitious a plan that may seem. We may even be skipping several years when next season rolls around. This season was at times uneven, but always watchable, because Lizzy Caplan and Michael Sheen manage to make these two characters so compelling that I'd be willing to follow them anywhere, even if the supporting cast sometimes comes and goes with questionable storylines surrounding them. It's all about the leads for me. See you next year everyone!

RECAP: Saturday Night Live 9/27 "Chris Pratt"

So, after a nice relaxing summer free of the dreck that was SNL last season, I thought I was fully prepared to accept the show as is and be ready to potentially suffer through another bad year, but when you already have basement level expectations and the show fails to meet even those in its first episode of the season? Man, we could be in for a long year, people.

COLD OPEN: It starts off with Aidy (the new face of SNL apparently, as she was in nearly every sketch tonight despite lacking even a smidge of visible comedic talent) as Candy Crowley, interviewing Kenan and Jay as NFL players on the league's current crisis. Chris Pratt actually shows up here as the bumbling Roger Goodell, but the jokes fall flat and the whole thing sucks pretty bad. Not a good start.

MONOLOGUE: Chris Pratt bounds out to the surprisingly very muted announcement of his name. Seriously, Darrell Hammond, what the hell? You really want to start off your tenure as Don Pardo's replacement with a low, unenthusiastic cast reading and then barely even say Chris's name? I almost didn't hear it at all. Chris is fresh off his Guardians of the Galaxy success and pulls out a guitar for some Andy-style singing of a song he wrote, but he stumbles on it and it's not that funny (although it is cute to see his wife Ana Faris in the audience cheering him on).

TURNT: A mild ad for Cialis that turns people into Turnt, but Aidy ruins it again. I'm now officially renaming her Unfunny Aidy until she does something, anything that makes me laugh. Her rise to prominence is completely inexplicable, and it's crystal clear to me that behind the scenes of this very clique-y show she's simply made friends with all the right people. Congratulations to her on being very well-liked in person, I guess. Too bad it doesn't translate on screen AT ALL.

HE-MAN: Unfunny Aidy again as a mom whose kid Kyle makes a birthday wish that his toys come to life. Chris and Taran are now life size He-Man and Lionel, but there's no joke that works at all, and it's just setup for Unfunny Aidy to do her lone "horny lady" character at the end. What's really odd in this one is the way it just ends, with people literally exiting the stage with no last joke or punchline.  Uh-oh. That's a bad sign- it means the writers literally have no idea how to end their sketches and have given up even trying. Yikes. Remember guys, this is the season premiere and it's all they came up with.

VET HOSPITAL: An inexplicably recurring sketch that has never and will never be funny unless a person in it says or does anything humorous. That has to happen for anything to work, you know. The whole "your pet is dead thing" isn't funny once, let alone being the single joke repeated ten times.

ANT-MAN TRAILER: A fake trailer that basically takes shots at Marvel for being able to put out a movie based around inanimate objects and have it make a billion dollars. Is that a subtle dig at the quality of Guardians? If it is, it could have been more pointed.

WEEKEND UPDATE: Now, here's where I was genuinely curious as to how Michael Che, formerly of The Daily Show, was going to come across in his debut as co-anchor. I'm sorry to say not well. He's nervous and stumbles over several punchlines, seeming to bring no spark or special delivery of any kind to the format. I wouldn't go so far as to say he makes Colin look good (that's sort of impossible), but I am puzzled as to why he was hired specifically for this if he wasn't going to reinvent the gig somehow. I'll give him a few more weeks to settle in of course, but I'm not impressed. Guests include Cecily's Girl at a Party thing (which by the way, is simply an unfunny version of Drunk Uncle), and writer Leslie Jones again, bringing her bombastic delivery (although, why is she making appearances? If they want her to be on the show, shouldn't they, you know, put her ON the show?). The only bright spot here is the introduction of the one new cast member Pete Davidson, who comes on and essentially does a quick stand-up bit, but he's so immediately confident and what's this- actually funny, that it does make you sit up and take notice. It's over fairly quickly, but this new guy may be someone to watch out for.

GIRL'S NIGHT: Unfunny Aidy (who else?) is at a bar sing-flirting with Chris. It's boring, lame and the actual talented people in this cast (Kate, Bobby, Taran) are all being wasted so that Unfunny Aidy and her horny lady shenanigans can go on hogging all the screen time. UGH.

MAXIE: Terrific! The Kyle/Beck pre-taped oddball humor bits are back! I'm being sarcastic of course. The thing about their little pair-ups is that they are so far out of the wheelhouse of the show's usual style that it clashes, which wouldn't necessarily be bad if they were actually amusing. But no. They don't work on their own either. Chris joining a gang of ten year old's is horrible and way too long. No laughs.

NFL ON CBS: Finally, something halfway decent, although I wonder if it's just magnified by how awful the rest of the night has been. Every male cast member takes a turn as a football player who now has to state their name and crime in the lineup. It gets couple of good chuckles, which is SUCH a relief at this point.

PUZZLE WORLD 6: Less painful than much of what was on the first half of the show, but not great either. Game testers are appalled by Chris and Vanessa's relationship drama on the latest edition of a video game. Meh. It's really sad that this is something that should have been in the front half.

So that's it for tonight, and man was it brutal. There were at least two skits that didn't even have endings, lots of stumbling over the cue cards, Darrell Hammond's utterly underwhelming debut, the inexplicable rise of Unfunny Aidy, a Weekend Update team that seems to have no chemistry whatsoever...I'm not optimistic, guys. Maybe this Pete Davidson dude can break out, but if he's that good, we're going to know it very soon with this cast. I give tonight a D-, but I do kind of think that's being generous. We'll see how it goes next week when Sarah Silverman takes the stage. Until then, Happy 40th anniversary to Saturday Night Live- let's hope there are some rays of sunlight in this milestone year somewhere.

Rachel McAdams Fills Out 'True Detective' Season 2 Cast

According to Variety, Rachel McAdams is said to be signing on for the coveted "female lead" role on next season's True Detective. With the combination of McAdams, Farrell, and Vaughn for this new season, I can't help but think this show is now being used as a place for actors whose careers have sort of fallen by the wayside to get a boost out of all the attention it will bring them. But I still can't imagine it being as good as last season's pairing of Matthew McConaughey and Woody Harrelson, who frankly brought a lot to a show that could at times be really pretentious and overwritten in parts. And since I'm sort of convinced the only reason Pizzolatto succumbed to the idea of a female lead in the first place was due to all the criticism he got over the terrible female characters last year, I'm kind of dreading how badly this role might be written.

FIRST LOOK: Christopher Walken as Captain Hook

NBC's live stage musical of Peter Pan is taking shape, set to air on December 4th, as a direct result of the huge success of last year's Sound of Music (despite the quality of that turning out slightly less than ideal). Maybe this one will be better, maybe not- all I know is that the idea of seeing Christopher Walken singing and prancing around on stage as Captain Hook is more than enough to make anyone tune in, at least for a few minutes. Don't you think?

I do wonder why they're still set on the idea of Peter being played by a woman though. I have no idea if Allison Williams will be good at this (my only exposure to her was as the awful Marnie on Girls, but the character wasn't Williams' fault). Wouldn't it be less distracting to have a teenage boy as the lead, even if he's not quite as young as he's supposed to be (I'm sure they could find a shorter guy that could sing if they really tried). Or is it because the person has to be able to sing in those high notes that guys just can't reach? Seems like a dated tradition at this point.

BEHIND THE SCENES: "Homeland" Season 4

Some more detailed footage of Homeland's next season, along with interviews of some of the cast, ahead of its Oct 3rd premiere. Unfortunately, I do get the feeling the show is going to feel a lot more typical this year, kind of a 24 also ran without the gimmick. Hopefully I'm wrong. A lot of people have given up on it, but I still like the cast and can see it going on as an entertaining spy thriller- of course, I honestly didn't see it as being much more than that even in the first season, so for me this series hasn't fallen from some higher pedestal that others placed it on.

Vince Vaughn and Colin Farrell for "True Detective" Season 2

Well, it's official. After months of rumors naming nearly every actor in Hollywood as possible leads for next season's True Detective, HBO has finally made the announcement that the next iteration of the show (to air next summer) will star Colin Farrell and Vince Vaughn. Nic Pizzolatto has stated that the next season was actually going to be a trio and include a female lead as well (I have to assume that's in response to the criticism from last year), but that casting announcement is still to be determined, with at least seven actresses having been called in to read for the part. What do you guys think? This seems to me to be something of a downgrade from the McConaughey/Harrelson pairing, but I guess these guys could maybe bring something interesting to the series. It's been a while since we've seen Vince Vaughn do drama, and it's been even longer since Colin Farrell has headlined anything. I have to admit I'm more curious about who the female lead will be now, whether or not their desire to get a big star for that part will end up coming true. We'll have to wait and see.

RECAP: Masters of Sex 2x11 "One For the Money, Two For the Show"

A very busy episode tonight, one that spent most of its time in the offices of Masters and Johnson, as a CBS News crew moved in to interview the pair for a piece that will presumably be their first exposure to a national audience. But Bill and Ginny were slightly less interesting this week, as some major action finally took place between Libby and Robert after weeks of tension. First off though, it is Bill and Virginia in the hotel, with Ginny tending to his bruised eye that's begun to heal up as he tells her about his brother and sister-in-law moving back to Kansas City, which is good riddance as a far as I'm concerned. Sorry, but Frank was kind of annoying and that whole storyline dragged. Bill says he's going to make things right with him though and asks Ginny if their gross, blood smearing sex last week was any good for her. She says yes and tries to egg him on when she sees he's attempting to use her goading to get hard again, but this time it doesn't work, and Bill is once more deflated (pun intended).

At Ginny's house, before going in to work she's paid a visit by George (haven't seen him in a while), who's now remarried and is apparently spending more time with the kids. He tries to get a word with Ginny, but she avoids him as she dashes in to the office, where the CBS guys are setting up, annoying both Bill and Lester, who sees that they are wanting to censor his precious footage (it looks like he now has hundreds of hours in the stock room). Bill is totally flustered by this whole thing, and to top it off is not great on camera either (big surprise). He and Ginny are lectured by PR man Adam Arkin on how to appear agreeable (he uses the old Nixon-Kennedy example, which of course was recent news at that time), and he also insists on Bill getting rid of his bowtie so as to come across less "academic." Bill isn't comfortable with any of this, but he and Ginny do manage to get through most of the interview in one piece, with Ginny having to coax Bill on when it comes to volunteering information. But the network guys are having problems with almost every word BIll and Ginny utter and tell them they're going to have take out words like orgasm, climax and masturbation. They also want to present a fake couple and film them coming in to the office to ask for advice on sexual dysfunction. Bill is adamant about not doing this, since they haven't even had any success in treating this yet, but is scolded by Arkin that he's got to be the one to get there first on camera if he wants the credit for any research that he's done or will do in the future. Bill's unsure, especially when also lectured by Lester for letting them walk all over his principles, but he does agree that they might be right about how best to present the work to the public, since he knows nothing about this area.

Meanwhile, Libby and George both come to the offices as the interview is taking place, and handing BIll his tie and seeing how Ginny and she are wearing the same color adds further fuel to Libby's insecurity over her position in Bill's life. She also sees Robert on the way to the office, where most of CORE is upset over the arrest of Martin Luther King the night before, but Libby hadn't heard anything about it, for which Robert continues to scoff at her ignorance. While sitting in the lobby waiting to be interviewed, George and one of the other salesmen in the building comment on how Libby looks too beautiful to be married to Bill, and this gives her the confidence to leave and go down to the CORE office, choosing them (or really, Robert) over her husband's work, which does not include her. Back upstairs, George finally pulls Ginny aside and tells her he wants to take the kids with him and his wife Audrey on a six-week tour of Europe- a suggestion Ginny laughs at and swiftly refuses. But George says it make more sense for them to be with him than sitting at home with a babysitter, since she never sees them anyway. Ginny is upset but knows it's true, and later solicits the advice of the building's divorce lawyer on whether she can fight George on this. He advises against it, since George has never proved irresponsible with the kids or asked for anything like this before, and besides, if she does challenge it it may open up a can of worms for the courts to see her not so motherly arrangement with them herself. So Ginny ultimately agrees to let them go, but is upset when they mention all the rules and responsible mom type role Audrey is already playing in their lives, unbeknownst to her.

Austin this week, is still being seduced (or I guess I should say harassed) by Flo, who now wants to bring some role playing into their sex life, begging him to pretend to break into her house and have his way with her while she cries out against it (ala Clark Gable in Gone With the Wind, who died this week in the show's universe). Austin is terrible at this and uncomfortable to boot, and Flo complains about his lack of effort, describing herself as a person filled with self-loathing who wants to be hurt (ick). Austin, her polar opposite who's full of himself more than anything, thinks she ought to change since she realizes that now about herself, but Flo just laughs that self-awareness never changes someone's behavior and insists that they go on. Weird. Wonder where this is going.

Finally, back to the real fireworks this week, which is Libby and Robert. After working at the CORE offices, Libby stays around and accepts a ride home from him, where she tries to get him to warm up to her in the car by asking why he likes to make fun of her lack of knowledge about certain areas (namely current civil rights activities), but Robert asks her a pretty sensible question, which is why she's doing this in the first place. She claims to believe in the cause and that she's not just a dilettante housewife, but I don't really buy that for a second, since it's been obvious to me this whole time that she's only doing this because she's got the hots for Robert. When he pulls up to the house a police car comes up behind them and the officer gets out and starts harrassing Robert, wondering why he's in the car with a white woman in this neighborhood. Libby quickly claims that she's invited him inside and tries to stop the cop from shoving him around when they get out, ushering him into the house to get away from the guy. Boy, does that scene ring bells that are still horrifyingly potent today.

In the house, Libby basically pulls out all the stops to seduce Robert, insisting that she sew up his now torn shirt, even though he mildly attempts to stop her, commenting on what the neighbor watching the kids thought of him coming in with her, and then demanding that she NOT sew up his shirt in her bedroom (lol). But, hey, when a woman is coming on this strong it probably takes a better person than Robert to resist completely, and Libby nearly begs him to stay with her when he says he's leaving. She then goes on about not knowing who she is, or why she wants what she does, but feeling better when she's around him because people who don't like her make her feel visible for the first time, since she's never had the chance to break any rules or make any waves and no one has ever made her feel alive in that way. Which is probably a lot more honest than her genuine commitment to the civil rights cause, at least at the moment. Robert again suspects her of being a white woman with low confidence who wants to somehow "lower" herself by being with him, but when she kisses him and says she wants him he responds and the two of them end up having a passionate tryst on the kitchen floor, with Libby seeming ecstatically happy about it. For once, it's a sex scene on this show that's actually very sexy too, which is nice to see, after all the mind games of couples like Bill and Virginia and Flo and Austin.

But the last scene of the night is a bookend BIll and Ginny one, back in the office as Ginny sits with Bill while he expresses his own self-loathing, worried that no one would want to look at him on TV or even be with him in reality, wondering why Ginny even does herself. Ginny tearfully professes to find him attractive even if he doesn't, but Bill isn't convinced until she hugs him in a full embrace and they both cry as they cling to each other to end the episode. So, that was quite a night, and with just one more left, I find myself most interested, believe it or not, in what's going to happen with Libby and Robert after all this build up. It has to be a full blown affair, right? It can't just end in one episode, can it? We'll have to come back next week to find out. See you then everybody!